Georg Ebers
The Emperor. Complete
The young artist perfectly understood his master. He knew that he would be expected to carry out the statue of Urania, while his task-master, after making some trifling alterations in the completed work, would declare that it was his own. Pollux had for two years been obliged, more than once, to put up with similar treatment; and now, as usual, he submitted to this dishonest manoeuvre because, under his master there was plenty to do, and the delight of work was to him the greatest he could have.
Papias, to whom he had gone early as an apprentice and to whom he owed the knowledge he possessed, was no miser, still Pollux needed money, not for himself alone but because he had taken on himself the charge of a widowed sister and her children as if they were his own family. He was always glad to take some comfort into the narrow home of his parents, who were poor, and to maintain his younger brother Teuker—who had devoted himself to the same art—during the years of his apprenticeship. Again and again he had thought of telling his master that he should start on his own footing and earn laurels for himself, but what then would become of those who relied on his help, if he gave up his regular earnings and if he got no commissions when there were so many unknown beginners eager for them? Of what avail were all his ability and the most honest good-will if no opportunity offered for his executing his work in noble materials? With his own means he certainly was in no position to do so.
While he was talking to his parents Papias had opened his transactions with the architect. Pontius explained to the sculptor what was required and Papias listened attentively; he never interrupted the speaker, but only stroked his face from time to time, as if to make it smoother than it was already, though it was shaved with peculiar care and formed and colored like a warm mask; meanwhile draping the front of his rich blue toga, which he wore in the fashion of a Roman senator, into fresh folds.
But when Pontius showed him, at the end of the rooms destined for the Emperor, the last of the statues to be restored, and which needed a new grin, Papias said decisively:
“It cannot be done.”
“That is a rash verdict,” replied the architect. “Do you not know the proverb, which, being such a good one, is said to have been first uttered by more than one sage: ‘That it shows more ill-judgment to pronounce a thing impossible than to boast that we can achieve a task however much it may seem to transcend our powers.’”
Papias smiled and looked down at his gold-embroidered shoes as he said:
“It is more difficult to us sculptors to imagine ourselves waging Titanic warfare against the impossible, than it is to you who work with enormous masses. I do not yet see the means which would give me courage to begin the attack.”
“I will tell you,” replied Pontius quickly and decidedly. “On your side good-will, plenty of assistants and night-watchers; on ours, the Caesar’s approval and plenty of gold.”
After this the transaction came to a prompt and favorable issue, and the architect could but express his entire approbation, in most cases, of the sculptor’s judicious and well-considered suggestions.
“Now I must go home,” concluded Papias. “My assistants will proceed at once with the necessary preparations. The work must be carried on behind screens, so that no one may disturb us or hinder us with remarks.”
Half an hour later a scaffolding was already erected in the middle of the hall where the Urania was to stand.
It was concealed from; public gaze by thick linen stretched on tall wooden frames, and behind these screens Pollux was busied in framing a small model in wax, while his master had returned home to make arrangements for the labors of the following day.
It wanted only an hour of midnight, and still the supper sent to the palace for the architect by the prefect remained untouched. Pontius was hungry enough, but before attacking the meal that a slave had set out on a marble table—the roast meat which looked so inviting, the orange-red crayfish, the golden-brown pasty and the many-hued fruits—he conceived it his duty to inspect the rooms to be restored. It was needful to see whether the slaves who had been set, in the first place to clean out all the rooms, were being intelligently directed by the men set over them, whether they were doing their duty and had all that they required; they had got some hours to work, then they were to rest and to begin again at sunrise, reinforced by other laborers both slave and free.
More and better lighting was universally demanded, and when, in the hall of the Muses, the men who were cleaning the pavement and scraping the columns loudly clamored for torches and lamps, a young man’s head peered over the screen which shut in the place reserved for the restoration of the Urania, and a lamentable voice cried out:
“My Muse, with her celestial sphere, is the guardian of star-gazers and is happiest in the dark—but not till she is finished. To form her we must have light and more light—and when it is lighter here the voice of the people down there, which does not sound very delightful up in this hollow space, will diminish somewhat also. Give light, then, O, men! Light for my goddess, and for your scrubbers and scourers.”
Pontius looked up smiling at Pollux, who had uttered this appeal, and answered:
“Your cry of distress is fully justified, my friend. But do you really believe in the power of light to diminish noise?”
“At any rate,” replied Pollux, “where it is absent, that is to say in the dark, every noise seems redoubled.”
“That is true, but there are other reasons for that,” answered the architect. “To-morrow in an interval of work we will discuss these matters. Now I will go to provide you with lamps and lights.”
“Urania, the protectress of the fine arts, will be beholden to you,” cried Pollux as the architect went away.
Pontius meanwhile sought his chief foreman to ask him whether he had delivered his orders to Keraunus, the palace-steward, to come to him, and to put the cressets and lamps commonly used for the external illuminations, at the service of his workmen.
“Three times,” was the answer “have I been myself to the man, but each time he puffed himself out like a frog and answered me not a word, but only sent me into a little room with his daughter—whom you must see, for she is charming—and a miserable black slave, and there I found these few wretched lamps that are now burning.”
“Did you order him to come to me?”
“Three hours ago, and again a second time, when you were talking with Papias.”
The architect turned his back upon the foreman in angry haste, unrolled the plan of the palace, quickly found upon it the abode of the recalcitrant steward, seized a small red-clay lamp that was standing near him, and being quite accustomed to guide himself by a plan, went straight through the rooms, which were not a few, and by a long corridor from the hall of the Muses, to the lodging of the negligent official. An unclosed door led him into a dark ante-chamber followed by another room, and finally into a large, well-furnished apartment. All these door-ways, into what seemed to be at once the dining and sitting-room of the steward, were bereft of doors, and could only be closed by stuff curtains, just now drawn wide open. Pontius could therefore look in, unhindered and unperceived, at the table on which a three-branched bronze lamp was standing between a dish and some plates. The stout man was sitting with his rubicund moon-face towards the architect, who, indignant as he was, would have gone straight up to him with swift decision, if, before entering the second room, a low but pitiful sob had not fallen on his ear.
The sob proceeded from a slight young girl who came forward from a door beyond the sitting-room, and who now placed a platter with a loaf on the table by the steward.
“Come, do not cry, Selene,” said the steward, breaking the bread slowly and with an evident desire to soothe his child.
“How can I help crying,” said the girl. “But tomorrow morning let me buy a piece of meat for you; the physician forbade you to eat bread.”
“Man must be filled,” replied the fat man, “and meat is dear. I have nine mouths to fill, not counting the slaves. And where am I to get the money to fill us all with meat?”
“We need none, but for you it is necessary.”
“It is of no use, child. The butcher will not trust us any more, the other creditors press us, and at the end of the month we shall have just ten drachmae left us.”
The girl turned pale, and asked in anxiety:
“But, father, it was only to-day that you showed me the three gold pieces which you said had been given you as a present out of the money distributed on the arrival of the Empress.”
The steward absently rolled a piece of bread-crumb between his fingers and said:
“I spent that on this fibula with an incised onyx—and as cheap as dirt, I can tell you. If Caesar comes he must see who and what I am; and if I die any one will give you twice as much for it as I paid. I tell you the Empress’s money was well laid out on the thing.” Selene made no answer, but she sighed deeply, and her eye glanced at a quantity of useless things which her father had acquired and brought home because they were cheap, while she and her seven sisters wanted the most necessary things.
“Father,” the girl began again after a short silence, “I ought not to go on about it, but even if it vexes you, I must—the architect, who is settling all the work out there, has sent for you twice already.”
“Be silent!” shouted the fat man, striking his hand on the table. “Who is this Pontius, and who am I!”
“You are of a noble Macedonian family, related perhaps even to the Ptolemies; you have your seat in the Council of the Citizens—but do, this time, be condescending and kind. The man has his hands full, he is tired out.”
“Nor have I been able to sit still the whole day, and what is fitting, is fitting. I am Keraunus the son of Ptolemy, whose father came into Egypt with Alexander the Great, and helped to found this city, and every one knows it. Our possessions were diminished; but it is for that very reason that I insist on our illustrious blood being recognized. Pontius sends to command the presence of Keraunus! If it were not infuriating it would be laughable—for who is this man, who? I have told you his father was a freedman of the former prefect Claudius Balbillus, and by the favor of the Roman his father rose and grew rich. He is the descendant of slaves, and you expect that I shall be his obedient humble servant, whenever he chooses to call me?”
“But father, my dear father, it is not the son of Ptolemy, but the palace-steward that he desires shall go to hire.”
“Mere chop-logic!—you have nothing to say, not a step do I take to go to him.”
The girl clasped her hands over her face, and sobbed loudly and pitifully. Keraunus started up and cried out, beside himself.
“By great Serapis. I can bear this no longer. What are you whimpering about?”
The girl plucked up courage and going up to the indignant man she said, though more than once interrupted by tears.
“You must go father—indeed you must. I spoke to the foreman, and he told me coolly and decidedly that the architect was placed here in Caesar’s name, and that if you do not obey him you will at once be superseded in your office. And if that were to happen, if that—O father, father, only think of blind Helios and poor Berenice! Arsinoe and I could earn our bread, but the little ones—the little ones.”
With these words the girl fell on her knees lifting her hands in entreaty to her obstinate parent. The blood had mounted to the man’s face and eyes, and pressing his hand to his purple forehead he sank back in his chair as if stricken with apoplexy. His daughter sprang up and offered him the cup full of wine and water which was standing on the table; but Keraunus pushed it aside with his hands, and panted out, while he struggled for breath:
“Supersede me—in my place—turn me out of this palace! Why there, in that ebony trunk, lies the rescript of Euergetes which confers the stewardship of this residence on my ancestor Philip, and as a hereditary dignity in his family. Now Philip’s wife had the honor of being the king’s mistress—or, as some say, his daughter. There lies the document, drawn up in red and black ink on yellow papyrus and ratified with the seal and signature of Euergetes the Second. All the princes of the Lagides have confirmed it, all the Roman prefects have respected it, and now—now.”
“But father” said the girl interrupting her father, and wringing her hands in despair, “you still hold the place and if you will only give in.”
“Give in, give in,” shrieked the corpulent steward shaking his fat hands above his blood-shot face. “I will give in—I will not bring you all to misery—for my children’s sake I will allow myself to be ill-treated and down-trodden, I will go—I will go directly. Like the pelican I will feed my children with my heart’s blood. But you ought to know what it costs me, to humiliate myself thus; it is intolerable to me, and my heart is breaking—for the architect, the architect has trampled upon me as if I were his servant; he wished—I heard him with these ears—he shrieked after me a villainous hope that I might be smothered in my own fat—and the physician has told me I may die of apoplexy! Leave me, leave me. I know those Romans are capable of anything. Well—here I am; fetch me my saffron-colored pallium, that I wear in the council, fetch me my gold fillet for my head. I will deck myself like a beast for sacrifice, and I will show him—”
Not a word of this harangue had escaped the ears of the architect who had been at first indignant and then moved to laughter, and withal it had touched his heart. A sluggish and torpid character was repugnant to his vigorous nature, and the deliberate and indifferent demeanor of the stout steward, on an occasion which had prompted him and all concerned to act as quickly and energetically as possible, had brought words to his lips which he now wished that he had never spoken. It is true that the steward’s false pride had roused his indignation, and who can listen calmly to any comment on a stain on his birth? But the appeal of this miserable father’s daughter had gone to his heart. He pitied the fatuous simpleton whom, with a turn of his hand, he could reduce to beggary, and who had evidently been far more deeply hurt by his words than Pontius had been by what he had overheard, and so he followed the kindly impulse of a noble nature to spare the unfortunate.
He rapped loudly with his knuckles on the inside of the door-post of the ante-room, coughed loudly, and then said, bowing deeply to the steward on the threshold of the sitting-room:
“Noble Keraunus—I have come, as beseems me, to pay you my respects. Excuse the lateness of the hour, but you can scarcely imagine how busy I have been since we parted.”
Keraunus had at first started at the late visitor, then he stared at him in consternation. He now went towards him, stretched out both hands as if suddenly relieved of a nightmare, and a bright expression of such warm and sincere satisfaction overspread his countenance that Pontius wondered how he could have failed to observe what a well-cut face this fat original had.
“Take a seat at our humble table,” said Keraunus. “Go Selene and call the slaves. Perhaps there is yet a pheasant in the house, a roast fowl or something of the kind—but the hour, it is true, is late.”
“I am deeply obliged to you,” replied the architect, smiling. “My supper is waiting for me in the hall of the Muses, and I must return to my work-people. I should be grateful to you if you would accompany me. We must consult together as to the lighting of the rooms, and such matters are best discussed over a succulent roast and a flask of wine.”
“I am quite at your service,” said Keraunus with a bow.
“I will go on ahead,” said the architect, “but first will you have the goodness to give all that you have in the way of cressets, lights and lamps to the slaves, who, in a few minutes, shall await your orders at your door.”
When Pontius had departed, Selene exclaimed with a deep sigh
“Oh! what a fright I have had! I will go now and find the lamps. How terribly it might have ended.”
“It is well that he should have come,” murmured Keraunus. “Considering his birth and origin, the architect is certainly a well-bred man.”
CHAPTER V
Pontius had gone to the steward’s room, with a frowning brow, but it was with a smile on his strongly-marked lips, and a brisk step that he returned to his work-people. The foreman came to meet him with looks of enquiry as he said. “The steward was a little offended and with reason; but now we are capital friends and he will do what he can in the matter of lighting.”
In the hall of the Muses he paused outside the screen, behind which Pollux was working, and called out:
“Friend sculptor, listen to me, it is high time to have supper.”
“It is, indeed,” replied Pollux, “else it will be breakfast.”
“Then lay aside your tools for a quarter of an hour and help me and the palace-steward to demolish the food that has been sent me.”
“You will need no second assistant if Keraunus is there. Food melts before him like ice before the sun.”
“Then come and save him from an overloaded stomach.”
“Impossible, for I am just now dealing most unmercifully with a bowl full of cabbage and sausages. My mother had cooked that food of the gods and my father has brought it in to his first-born son.”
“Cabbage and sausages!” repeated the architect, and its tone betrayed that his hungry stomach would fain have made closer acquaintance with the savory mess.
“Come in here,” continued Pollux, “and be my guest. The cabbage has experienced the process which is impending over this palace—it has been warmed up.”
“Warmed-up cabbage is better than freshly-cooked, but the fire over which we must try to make this palace enjoyable again, burns too hotly and must be too vigorously stirred. The best things have been all taken out, and cannot be replaced.”
“Like the sausages, I have fished out of my cabbages,” laughed the sculptor. “After all I cannot invite you to be my guest, for it would be a compliment to this dish if I were now to call it cabbage with sausages. I have worked it like a mine, and now that the vein of sausages is nearly exhausted, little remains but the native soil in which two or three miserable fragments remain as memorials of past wealth. But my mother shall cook you a mess of it before long, and she prepares it with incomparable skill.”
“A good idea, but you are my guest.”
“I am replete.”
“Then come and spice our meal with your good company.”
“Excuse me, sir; leave me rather here behind my screen. In the first place, I am in a happy vein, and on the right track; I feel that something good will come of this night’s work.”
“And tomorrow—”
“Hear me out.”
“Well.”
“You would be doing your other guest an ill-service by inviting me.”
“Do you know the steward then?”
“From my earliest youth, I am the son of the gatekeeper of the palace.”
“Oh, ho! then you came from that pretty little lodge with the ivy and the birds, and the jolly old lady.”
“She is my mother—and the first time the butcher kills she will concoct for you and me a dish of sausages and cabbage without an equal.”
“A very pleasing prospect.”
“Here comes a hippopotamus—on closer inspection Keraunus, the steward.”
“Are you his enemy?”
“I, no; but he is mine—yes,” replied Pollux. “It is a foolish story. When we sup together don’t ask me about it if you care to have a jolly companion And do not tell Keraunus that I am here, it will lead to no good.”
“As you wish, and here are our lamps too.”
“Enough to light the nether world,” exclaimed Pollux, and waving his hand to the architect in farewell he vanished behind the screens to devote himself entirely to his model.
It was long past midnight, and the slaves who had set to work with much zeal had finished their labors in the hall of the Muses. They were now allowed to rest for some hours on straw that had been spread for them in another wing of the building. The architect himself wished to take advantage of this time to refresh himself by a short sleep, for the exertions of the morrow, but between this intention and its fulfilment an obstacle was interposed, the preposterous dimensions namely of his guest. He had invited the steward on purpose to give him his fill of meat, and Keraunus had shown himself amenable to encouragement in this respect. But after the last dish bad been removed the steward thought that good manners demanded that he should honor his entertainer by his illustrious presence, and at the same time the prefect’s good wine loosened the tongue of the man, who was not usually communicative.
First he spoke of the manifold infirmities which tormented him and endangered his life, and when Pontius, to divert his talk into other channels, was so imprudent as to allude to the Council of Citizens, Keraunus gave full play to his eloquence, and, while he emptied cup after cup of wine, tried to lay down the reasons which had made him and his friends decide on staking everything in order to deprive the members of the extensive community of Jews in the city of their rights as citizens, and to expel them, if possible, from Alexandria. So warm was his zeal that he totally forgot the presence of the architect, and his humble origin, and declared to be indispensable, that even the descendants of freed-slaves should be disenfranchised.
Pontius saw in the steward’s inflamed eyes and cheeks that it was the wine which spoke within him, and he made no answer; and determined that the rest he needed should not be thus abridged, he rose from table and briefly excusing himself he retired to the room in which the couch had been prepared for him. After he had undressed he desired his slave to see what Keraunus was about, and soon received the reassuring information that the steward was fast asleep and snoring.
“Only listen,” said the slave, to confirm his report. “You can hear him grunting and snuffing as far as this. I pushed a cushion under his head, for otherwise, so full as he is, the stout gentleman might come to some harm.”
Love is a plant which springs up for many who have never sown it, and grows into a spreading tree for many who have neither fostered nor tended it. How little had Keraunus ever done to win the heart of his daughter, how much on the contrary which could not fail to overshadow and trouble her young life. And yet Selene, whose youth—for she was but nineteen—needed repose and to whom the evening with the reprieve of sleep brought more pleasure than the morning with its load of cares and labor, sat by the three-branched lamp and watched, and tormented herself more and more as it grew later and later, at her father’s long absence. About a week before the strong man had suddenly lost consciousness; only, it is true, for a few minutes, and the physician had told her that though he appeared to be in superabundant health, the attack indicated that he must follow his prescriptions strictly and avoid all kinds of excess. A single indiscretion, he had declared, might swiftly and suddenly cut the thread of his existence. After her father had gone out in obedience to the architect’s invitation, Selene had brought out her youngest brothers’ and sisters’ garments, in order to mend them. Her sister Arsinoe, who was her junior by two years, and whose fingers were as nimble as her own, might indeed have helped her, but she had gone to bed early and was sleeping by the children who could not be left untended at night. Her female slave, who had been in her grandmother’s service, ought to have assisted her; but the old half-blind negress saw even worse by lamp-light than by daylight, and after a few stitches could do no more. Selene sent her to bed and sat down alone to her work.
For the first hour she sewed away without looking up, considering, meanwhile, how she could best contrive to support the family till the end of the month on the few drachmae she could dispose of. As it got later she grew wearier and wearier, but still she sat at the work, though her pretty head often sank upon her breast. She must await her father’s return, for a potion prepared by the physician stood waiting for him, and she feared he would forget it if she did not remind him.
By the end of the second hour sleep overcame her, and she felt as if the chair she was sitting on was giving way under her, and as if it was sinking at first slowly and then quicker and quicker, into a deep abyss that opened beneath her. Looking up for help in her dream, she could see nothing but her father’s face, which looked aside with indifference. As her dream went on she called him and called him again, but for a long time he did not seem to hear her. At last he looked down at her and when he perceived her he smiled, but instead of helping her he picked up stones and clods from the edge of the gulf and threw them on her hands with which she had clutched the brambles and roots that grew out of the rift of the rocks. She entreated him to cease, implored him, shrieked to him to spare her, but not a muscle moved in the face above her; it seemed set in a vacant smile, and even his heart was dead too, for he ruthlessly flung down now a pebble, now a clod, one after the other, till her hands were losing their last feeble hold and she was on the point of falling into the fatal gulf below. Her own cry of terror aroused her, but during the brief process of returning from her dream to actuality, she saw through swiftly parting mists—only for an instant, and yet quite plainly—the tall grass of a meadow, spangled with ox-eye daisies, white and gold, with violet-hued blue bells and scarlet poppies, among which she was lying—as in a soft green bed, while near the sward lay a sparkling blue lake and behind it rose beautiful swelling hills, with red cliffs, and green groves, and meadows bright in the clear sunshine. A clear sky, across which a soft breeze gently blew light silvery flakes of cloud, bent over the lovely but fleeting picture, which she could not compare with anything she had ever seen near her own home.
She had only slept for a short time, but when, once more thoroughly awake, she rubbed her eyes, she thought her dream must have lasted for hours.
One flame of the three-branched lamp had flickered into extinction and the wick of another was beginning to waste. She hastily put it out with a pair of tongs that hung by a chain, and then after pouring fresh oil into the lamp that was still burning she carried the light into her father’s sleeping room.
He had not yet returned. She was seized with a mortal terror. Had the architect’s wine bereft him of his senses? Had he on his way back to his rooms been seized with a fresh attack of giddiness? In spirit she saw the heavy man incapable of raising himself, dying perhaps where he had fallen.
No choice remained to her; she must go at once to the hall of the Muses and see what had happened to her father, pick him up, give him help or—if he still were feasting—endeavor to tempt him back by any excuse she could find. Everything was at stake; her father’s life and with it maintenance and shelter for eight helpless creatures.
The December night was stormy, a keen and bitter wind blew through the ill-closed opening in the roof of the room as Selene, before she began her expedition, tied a handkerchief over her head and threw over her shoulders a white mantle which had been worn by her dead mother. In the long corridor which lay between her father’s rooms and the front portion of the palace, she had to screen the flickering light of the little lamp with her left hand, carrying it in her right; the flame blown about by the draught and her own figure were mirrored here and there in the polished surface of the dark marble. The thick sandals she had tied on to her feet roused loud echoes in the empty rooms as they fell on the stone pavements, and terror possessed Selene’s anxious soul. Her fingers trembled as they held the lamp and her heart beat audibly as, with bated breath, she went through the cupolaed hall in which Ptolemy Euergetes ‘the fat’ was said, some years ago, to have murdered his own son, and in which even a deep breath roused an echo.
But even in this room she did not forget to look to the right and left for her father. She breathed a sigh of relief when she perceived a streak of light which shone through the gaping rift of a cracked side-door of the hall of the Muses and fell in a broken reflection on the floor and the wall of the last room through which she had to pass. She now entered the large hall which was dimly lighted by the lamps behind the sculptor’s screen, and by several tapers, now burnt down low. These were standing on a table knocked together out of blocks of wood and planks at the extreme end of the hall, and behind this her father was sound asleep.
The deep notes brought out of the sleeper’s broad chest, were echoed in a very uncanny way from the bare walls of the vast empty room, and she was frightened by them and still more by the long black shadows of the pillars, that lay, like barriers, across her path. She stood listening in the middle of the hall and soon recognized in the alarming tones a sound that was only too familiar. Without a moment’s hesitation she started to run, and hastened to the sleeper, shook him, pushed him, called him, sprinkled his forehead with water, and appealed to him by the tenderest names with which her sister Arsinoe was wont to coax him. When, in spite of all this, he neither spoke nor stirred, she flung the full light of the lamp on his face. Then she thought she perceived that a bluish tinge had overspread his bloated features, and she broke into the deep, agonized, weeping which, a few hours previously had touched the architect’s heart.
There was a sudden stir behind the screens which enclosed the sculptor and the work in progress. Pollux had been working for a long time with zeal and pleasure, but at last the steward’s snoring had begun to disturb him. The body of the Muse had already taken a definite form and he could begin to work out the head with the earliest dawn of day. He now dropped his arms wearily, for as soon as he ceased to create with his whole heart and mind he felt tired, and saw plainly that without a model he could do nothing satisfactory with the drapery of his Urania. So he pulled his stool up to a great chest full of gypsum to get a little repose by leaning against it.
