Редьярд Джозеф Киплинг
From Sea to Sea; Letters of Travel

XI

PROVES CONCLUSIVELY THE EXISTENCE OF THE DARK TOWER VISITED BY CHILDE ROLANDE, AND OF "BOGEY" WHO FRIGHTENS CHILDREN.

The Gamberi River – clear as a trout-stream – runs through the waste round Chitor, and is spanned by an old bridge, very solid and massive, said to have been built before the sack of Ala-ud-din. The bridge is in the middle of the stream – the floods have raced round either end of it – and is reached by a steeply sloping stone causeway. From the bridge to the new town of Chitor, which lies at the foot of the hill, runs a straight and well-kept road, flanked on either side by the scattered remnants of old houses, and, here and there, fallen temples. The road, like the bridge, is no new thing, and is wide enough for twenty horsemen to ride abreast.

New Chitor is a very dirty, and apparently thriving, little town, full of grain-merchants and sellers of arms. The ways are barely wide enough for the elephant of dignity and the little brown babies of impudence. The Englishman went through, always on a slope painfully accentuated by Gerowlia who, with all possible respect to her years, must have been a baggage-animal and no true Sahib's mount. Let the local Baedeker speak for a moment: "The ascent to Chitor, which begins from within the southeast angle of the town, is nearly a mile to the upper gate, with a slope of about 1 in 15. There are two zig-zag bends, and on the three portions thus formed, are seven gates, of which one, however, has only the basement left." This is the language of fact, which, very properly, leaves out of all account the Genius of the Place who sits at the gate nearest the new city and is with the sightseer throughout. The first impression of repulsion and awe is given by a fragment of tumbled sculpture close to a red daubed lingam, near the Padal Pol or lowest gate. It is a piece of frieze, and the figures of the men are worn nearly smooth by time. What is visible is finely and frankly obscene to an English mind.

The road is protected on the cliff side by a thick stone wall, loopholed for musketry, one aperture to every two feet, between fifteen and twenty feet high. This wall is being repaired throughout its length by the Maharana of Udaipur. On the hillside, among the boulders, loose stones, and dhak-scrub, lips stone wreckage that must have come down from the brown bastions above.

As Gerowlia laboured up the stone-shod slope, the Englishman wondered how much life had flowed down this sluice of battles, and been lost at the Padal Pol – the last and lowest gate – where, in the old days, the besieging armies put their best and bravest battalions. Once at the head of the lower slope, there is a clear run-down of a thousand yards with no chance of turning aside either to the right or left. Even as he wondered, he was brought abreast of two stone chhatris, each carrying a red daubed stone. They were the graves of two very brave men, Jeemal of Bedmore, and Kalla, who fell in Akbar's sack fighting like Rajputs. Read the story of their deaths, and learn what manner of warriors they were. Their graves were all that spoke openly of the hundreds of struggles on the lower slope where the fight was always fiercest.

At last, after half an hour's climb, the main gate, the Ram Pol, was gained, and the Englishman passed into the City of Chitor and – then and there formed a resolution, since broken, not to write one word about it for fear that he should be set down as a babbling and a gushing enthusiast. Objects of archæological interest are duly described in an admirable little book of Chitor which, after one look, the Englishman abandoned. One cannot "do" Chitor with a guide-book. The Chaplain of the English Mission to Jehangir said the best that was to be said, when he described the place three hundred years ago, writing quaintly: "Chitor, an ancient great kingdom, the chief city so called which standeth on a mighty high hill, flat on the top, walled about at the least ten English miles. There appear to this day above a hundred churches ruined and divers fair palaces which are lodged in like manner among their ruins, as many Englishmen by the observation have guessed. Its chief inhabitants to-day are Zum and Ohim, birds and wild beasts, but the stately ruins thereof give a shadow of its beauty while it flourished in its pride." Gerowlia struck into a narrow pathway, forcing herself through garden-trees and disturbing the peacocks. An evil guide-man on the ground waved his hand, and began to speak; but was silenced. The death of Amber was as nothing to the death of Chitor – a body whence the life had been driven by riot and the sword. Men had parcelled the gardens of her palaces and the courtyards of her temples into fields; and cattle grazed among the remnants of the shattered tombs. But over all – over rent and bastion, split temple-wall, pierced roof, and prone pillar – lay the "shadow of its beauty while it flourished in its pride." The Englishman walked into a stately palace of many rooms, where the sunlight streamed in through wall and roof, and up crazy stone stairways, held together, it seemed, by the marauding trees. In one bastion, a wind-sown peepul had wrenched a thick slab clear of the wall, but held it tight pressed in a crook of a branch, as a man holds down a fallen enemy under his elbow, shoulder, and forearm. In another place, a strange, uncanny wind sprung from nowhere, was singing all alone among the pillars of what may have been a Hall of Audience. The Englishman wandered so far in one palace that he came to an almost black-dark room, high up in a wall, and said proudly to himself: "I must be the first man who has been here;" meaning no harm or insult to any one. But he tripped and fell, and as he put out his hands, he felt that the stairs had been worn hollow and smooth by the thread of innumerable naked feet. Then he was afraid, and came away very quickly, stepping delicately over fallen friezes and bits of sculptured men, so as not to offend the Dead; and was mightily relieved when he recovered his elephant and allowed the guide to take him to Kumbha Rana's Tower of Victory.

This stands, like all things in Chitor, among ruins, but time and the other enemies have been good to it. It is a Jain edifice, nine storeys high, crowned atop – was this designed insult or undesigned repair? – with a purely Mahometan dome, where the pigeons and the bats live. Excepting this blemish, the Tower of Victory is nearly as fair as when it left the hands of the builder whose name has not been handed down to us. It is to be observed here that the first, or more ruined, Tower of Victory, built in Alluji's days, when Chitor was comparatively young, was raised by some pious Jain as proof of conquest over things spiritual. The second tower is more worldly in intent.

Those who care to look, may find elsewhere a definition of its architecture and its more striking peculiarities. It was in kind, but not in degree, like the Jugdesh Temple at Udaipur, and, as it exceeded it in magnificence, so its effect upon the mind was more intense. The confusing intricacy of the figures with which it was wreathed from top to bottom, the recurrence of the one calm face, the God enthroned, holding the Wheel of the Law, and the appalling lavishness of decoration, all worked toward the instilment of fear and aversion.

Surely this must have been one of the objects of the architect. The tower, in the arrangement of its stairways, is like the interior of a Chinese carved ivory puzzle-ball. The idea given is that, even while you are ascending, you are wrapping yourself deeper and deeper in the tangle of a mighty maze. Add to this the half-light, the thronging armies of sculptured figures, the mad profusion of design splashed as impartially upon the undersides of the stone window-slabs as upon the door-beam of the threshold – add, most abhorrent of all, the slippery sliminess of the walls always worn smooth by naked men, and you will understand that the tower is not a soothing place to visit. The Englishman fancied presumptuously that he had, in a way, grasped the builder's idea; and when he came to the top storey and sat among the pigeons his theory was this: To attain power, wrote the builder of old, in sentences of fine stone, it is necessary to pass through all sorts of close-packed horrors, treacheries, battles, and insults, in darkness and without knowledge whether the road leads upward or into a hopeless cul-de-sac. Kumbha Rana must many times have climbed to the top storey, and looked out toward the uplands of Malwa on the one side and his own great Mewar on the other, in the days when all the rock hummed with life and the clatter of hooves upon the stony ways, and Mahmoud of Malwa was safe in hold. How he must have swelled with pride – fine insolent pride of life and rule and power – power not only to break things but to compel such builders as those who piled the tower to his royal will! There was no decoration in the top storey to bewilder or amaze – nothing but well-grooved stone-slabs, and a boundless view fit for kings who traced their ancestry —

 
"From times when forth from the sunlight, the first of our Kings came down,
And had the earth for his footstool, and wore the stars for his crown."
 

The builder had left no mark behind him – not even a mark on the threshold of the door, or a sign in the head of the topmost step. The Englishman looked in both places, believing that those were the places generally chosen for mark-cutting. So he sat and meditated on the beauties of kingship and the unholiness of Hindu art, and what power a shadowland of lewd monstrosities had upon those who believed in it, and what Lord Dufferin, who is the nearest approach to a king in this India, must have thought when aide-de-camps clanked after him up the narrow steps. But the day was wearing, and he came down – in both senses – and, in his descent, the carven things on every side of the tower, and above and below, once more took hold of and perverted his fancy, so that he arrived at the bottom in a frame of mind eminently fitted for a descent into the Gau-Mukh, which is nothing more terrible than a little spring, falling into a reservoir, in the side of the hill.

He stumbled across more ruins and passed between tombs of dead Ranis, till he came to a flight of steps, built out and cut out from rock, going down as far as he could see into a growth of trees on a terrace below him. The stone of the steps had been worn and polished by the terrible naked feet till it showed its markings clearly as agate; and where the steps ended in a rock-slope, there was a visible glair, a great snail-track, upon the rocks. It was hard to keep safe footing upon the sliminess. The air was thick with the sick smell of stale incense, and grains of rice were scattered upon the steps. But there was no one to be seen. Now this in itself was not specially alarming; but the Genius of the Place must be responsible for making it so. The Englishman slipped and bumped on the rocks, and arrived, more suddenly than he desired, upon the edge of a dull blue tank, sunk between walls of timeless masonry. In a slabbed-in recess, water was pouring through a shapeless stone gargoyle, into a trough; which trough again dripped into the tank. Almost under the little trickle of water, was the loathsome Emblem of Creation, and there were flowers and rice around it. Water was trickling from a score of places in the cut face of the hill; oozing between the edges of the steps and welling up between the stone slabs of the terrace. Trees sprouted in the sides of the tank and hid its surroundings. It seemed as though the descent had led the Englishman, firstly, two thousand years away from his own century, and secondly, into a trap, and that he would fall off the polished stones into the stinking tank, or that the Gau-Mukh would continue to pour water until the tank rose up and swamped him, or that some of the stone slabs would fall forward and crush him flat.

Then he was conscious of remembering, with peculiar and unnecessary distinctness, that, from the Gau-Mukh, a passage led to the subterranean chambers in which the fair Pudmini and her handmaids had slain themselves. And, that Tod had written and the Station-master at Chitor had said, that some sort of devil, or ghoul, or Something, stood at the entrance of that approach. All of which was a nightmare bred in full day and folly to boot; but it was the fault of the Genius of the Place, who made the Englishman feel that he had done a great wrong in trespassing into the very heart and soul of all Chitor. And, behind him, the Gau-Mukh guggled and choked like a man in his death-throe. The Englishman endured as long as he could – about two minutes. Then it came upon him that he must go quickly out of this place of years and blood – must get back to the afternoon sunshine, and Gerowlia, and the dak-bungalow with the French bedstead. He desired no archæological information, he wished to take no notes, and, above all, he did not care to look behind him, where stood the reminder that he was no better than the beasts that perish. But he had to cross the smooth, worn rocks, and he felt their sliminess through his bootsoles. It was as though he were treading on the soft, oiled skin of a Hindu. As soon as the steps gave refuge, he floundered up them, and so came out of the Gau-Mukh, bedewed with that perspiration which follows alike on honest toil or – childish fear.

"This," said he to himself, "is absurd!" and sat down on the fallen top of a temple to review the situation. But the Gau-Mukh had disappeared. He could see the dip in the ground and the beginning of the steps, but nothing more.

Perhaps it was absurd. It undoubtedly appeared so, later. Yet there was something uncanny about it all. It was not exactly a feeling of danger or pain, but an apprehension of great evil.

In defence, it may be urged that there is moral, just as much as there is mine, choke-damp. If you get into a place laden with the latter you die, and if into the home of the former you … behave unwisely, as constitution and temperament prompt. If any man doubt this, let him sit for two hours in a hot sun on an elephant, stay half an hour in the Tower of Victory, and then go down into the Gau-Mukh, which, it must never be forgotten, is merely a set of springs "three or four in number, issuing from the cliff face at cow-mouth carvings, now mutilated. The water, evidently percolating from the Hathi Kund above, falls first in an old pillared hall and thence into the masonry reservoir below, eventually, when abundant enough, supplying a little waterfall lower down." That, Gentlemen and Ladies, on the honour of one who has been frightened of the dark in broad daylight, is the Gau-Mukh, as though photographed.

The Englishman regained Gerowlia and demanded to be taken away, but Gerowlia's driver went forward instead and showed him a new Mahal just built by the present Maharana. Carriage drives, however, do not consort well with Chitor and the "shadow of her ancient beauty." The return journey, past temple after temple and palace upon palace, began in the failing light, and Gerowlia was still blundering up and down narrow by-paths – for she possessed all an old woman's delusion as to the slimness of her waist when the twilight fell, and the smoke from the town below began to creep up the brown flanks of Chitor, and the jackals howled. Then the sense of desolation, which had been strong enough in all conscience in the sunshine, began to grow and grow.

Near the Ram Pol there was some semblance of a town with living people in it, and a priest sat in the middle of the road and howled aloud upon his gods, until a little boy came and laughed in his face and he went away grumbling. This touch was deeply refreshing; in the contemplation of it, the Englishman clean forgot that he had overlooked the gathering in of materials for an elaborate statistical, historical, geographical account of Chitor. All that remained to him was a shuddering reminiscence of the Gau-Mukh and two lines of the "Holy Grail,"

 
"And up into the sounding halls he passed,
But nothing in the sounding halls he saw."
 

Post Scriptum.– There was something very uncanny about the Genius of the Place. He dragged an ease-loving egotist out of the French bedstead with the gilt knobs at head and foot, into a more than usually big folly – nothing less than a seeing of Chitor by moonlight. There was no possibility of getting Gerowlia out of her bed, and a mistrust of the Maharana's soldiery who in the day-time guarded the gates, prompted the Englishman to avoid the public way, and scramble straight up the hillside, along an attempt at a path which he had noted from Gerowlia's back. There was no one to interfere, and nothing but an infinity of pestilent nullahs and loose stones to check. Owls came out and hooted at him, and animals ran about in the dark and made uncouth noises. It was an idiotic journey, and it ended – Oh, horror! in that unspeakable Gau-Mukh – this time entered from the opposite or brushwooded side, as far as could be made out in the dusk and from the chuckle of the water which, by night, was peculiarly malevolent.

Escaping from this place, crab-fashion, the Englishman crawled into Chitor and sat upon a flat tomb till the moon, a very inferior and second-hand one, rose, and turned the city of the dead into a city of scurrying ghouls – in sobriety, jackals. The ruins took strange shapes and shifted in the half light and cast objectionable shadows.

It was easy enough to fill the rock with the people of old times, and a very beautiful account of Chitor restored, made out by the help of Tod, and bristling with the names of the illustrious dead, would undoubtedly have been written, had not a woman, a living breathing woman, stolen out of a temple – what was she doing in that galley? – and screamed in piercing and public-spirited fashion. The Englishman got off the tomb and departed rather more noisily than a jackal; feeling for the moment that he was not much better. Somebody opened a door with a crash, and a man cried out: "Who is there?" But the cause of the disturbance was, for his sins, being most horribly scratched by some thorny scrub over the edge of the hill – there are no bastions worth speaking of near the Gau-Mukh – and the rest was partly rolling, partly scrambling, and mainly bad language.

When you are too lucky sacrifice something, a beloved pipe for choice, to Ganesh. The Englishman has seen Chitor by moonlight – not the best moonlight truly, but the watery glare of a nearly spent moon – and his sacrifice to Luck is this. He will never try to describe what he has seen – but will keep it as a love-letter, a thing for one pair of eyes only – a memory that few men to-day can be sharers in. And does he, through this fiction, evade insulting, by pen and ink, a scene as lovely, wild, and unmatchable as any that mortal eyes have been privileged to rest upon?

An intelligent and discriminating public are perfectly at liberty to form their own opinions.

XII

CONTAINS THE HISTORY OF THE BHUMIA OF JHASWARA, AND THE RECORD OF A VISIT TO THE HOUSE OF STRANGE STORIES. DEMONSTRATES THE FELICITY OF LOAFERDOM, WHICH IS THE VERITABLE COMPANIONSHIP OF THE INDIAN EMPIRE, AND PROPOSES A SCHEME FOR THE BETTER OFFICERING OF TWO DEPARTMENTS.

Come away from the monstrous gloom of Chitor and escape northwards. The place is unclean and terrifying. Let us catch To-day by both hands and return to the Station-master who is also booking-parcels and telegraph-clerk, and who never seems to go to bed – and to the comfortably wadded bunks of the Rajputana-Malwa line.

While the train is running, be pleased to listen to the perfectly true story of the bhumia of Jhaswara, which is a story the sequel whereof has yet to be written. Once upon a time, a Rajput landholder; a bhumia, and a Mahometan jaghirdar, were next-door neighbours in Ajmir territory. They hated each other thoroughly for many reasons, all connected with land; and the jaghirdar was the bigger man of the two. In those days, it was the law that the victims of robbery or dacoity should be reimbursed by the owner of the lands on which the affair had taken place. The ordinance is now swept away as impracticable. There was a highway robbery on the bhumia's holding; and he vowed that it had been "put up" by the Mahometan who, he said, was an Ahab. The reive-gelt payable nearly ruined the Rajput, and he, labouring under a galling grievance or a groundless suspicion, fired the jaghirdar's crops, was detected and brought up before the English Judge who gave him four years' imprisonment. To the sentence was appended a recommendation that, on release, the Rajput should be put on heavy securities for good behaviour. "Otherwise," wrote the Judge, who seems to have known the people he was dealing with, "he will certainly kill the jaghirdar." Four years passed, and the jaghirdar obtained wealth and consideration, and was made, let us say, a Khan Bahadur, and an Honorary Magistrate; but the bhumia remained in gaol and thought over the highway robbery. When the day of release came, a new Judge hunted up his predecessor's finding and recommendation, and would have put the bhumia on security. "Sahib," said the bhumia, "I have no people. I have been in gaol. What am I now? And who will find security for me? If you will send me back to gaol again I can do nothing, and I have no friends." So they released him, and he went away into an outlying village and borrowed a sword from one house, and had it sharpened in another, for love. Two days later fell the birthday of the Khan Bahadur and the Honorary Magistrate, and his friends and servants and dependants made a little levee and did him honour after the native custom. The bhumia also attended the levee, but no one knew him, and he was stopped at the door of the courtyard by the servant. "Say that the bhumia of Jhaswara has come to pay his salaams," said he. They let him in, and in the heart of Ajmir City, in broad daylight, and before all the jaghirdar's household, he smote off his enemy's head so that it rolled upon the ground. Then he fled, and though they raised the countryside against him he was never caught, and went into Bikanir.

Five years later, word came to Ajmir that Chimbo Singh, the bhumia of Jhaswara, had taken service under the Thakur Sahib of Palitana. The case was an old one, and the chances of identification misty, but the suspected was caught and brought in, and one of the leading native barristers of the Bombay Bar was retained to defend him. He said nothing and continued to say nothing, and the case fell through. He is believed to be "wanted" now for a fresh murder committed within the last few months, out Bikanir way.

And now that the train has reached Ajmir, the Crewe of Rajputana, whither shall a tramp turn his feet? The Englishman set his stick on end, and it fell with its point Northwest as nearly as might be. This being translated, meant Jodhpur, which is the city of the Houyhnhnms. If you would enjoy Jodhpur thoroughly, quit at Ajmir the decent conventionalities of "station" life, and make it your business to move among gentlemen – gentlemen in the Ordnance or the Commissariat, or, better still, gentlemen on the Railway. At Ajmir, gentlemen will tell you what manner of place Jodhpur is, and their accounts, though flavoured with oaths, are amusing. In their eyes the desert that rings the city has no charms, and they discuss affairs of the State, as they understand them, in a manner that would curl the hair on a Political's august head. Jodhpur has been, but things are rather better now, a much-favoured camping ground for the light-cavalry of the Road – the loafers with a certain amount of brain and great assurance. The explanation is simple. There are more than four hundred horses in His Highness's city stables alone; and where the Houyhnhnm is, there also will be the Yahoo. This is sad but true.

Besides the Uhlans who come and go on Heaven knows what mysterious errands, there are bag-men travelling for the big English firms. Jodhpur is a good customer, and purchases all sorts of things, more or less useful, for the State or its friends. These are the gentlemen to know, if you would understand something of matters which are not written in reports.

The Englishman took a train from Ajmir to Marwar Junction, which is on the road to Mount Abu, westward from Ajmir, and at five in the morning, under pale moonlight, was uncarted at the beginning of the Jodhpur State Railway – one of the quaintest little lines that ever ran a locomotive. It is the Maharaja's very own, and pays about ten per cent; but its quaintness does not lie in these things. It is worked with rude economy, and started life by singularly and completely falsifying the Government estimates for its construction. An intelligent bureau asserted that it could not be laid down for less than – but the error shall be glossed over. It was laid down for a little more than seventeen thousand rupees a mile, with the help of second-hand rails and sleepers; and it is currently asserted that the Station-masters are flagmen, pointsmen, ticket-collectors, and everything else, except platforms, and lamp-rooms. As only two trains are run in the twenty-four hours, this economy of staff does not matter. The State line, with the comparatively new branch to the Pachpadra salt-pits, pays handsomely and is exactly suited to the needs of its users. True, there is a certain haziness as to the hour of starting, but this allows laggards more time, and fills the packed carriages to overflowing.

From Marwar Junction to Jodhpur, the train leaves the Aravalis and goes northwards into the region of death that lies beyond the Luni River. Sand, ak bushes, and sand-hills, varied with occasional patches of unthrifty cultivation, make up the scenery. Rain has been very scarce in Marwar this year, and the country, consequently, shows at its worst, for almost every square mile of a kingdom nearly as large as Scotland is dependent on the sky for its crops. In a good season, a large village can pay from seven to nine thousand rupees revenue without blenching. In a bad one, "all the king's horses and all the king's men" may think themselves lucky if they raise fifteen rupees from the same place. The fluctuation is startling.

From a countryside, which to the uninitiated seems about as valuable as a stretch of West African beach, the State gets a revenue of nearly forty lakhs; and men who know the country vow that it has not been one tithe exploited, and that there is more to be made from salt marble and – curious thing in this wilderness – good forest conservancy, than an open-handed Durbar dreams of. An amiable weakness for unthinkingly giving away villages where ready cash failed, has somewhat hampered the revenue in past years; but now – and for this the Maharaja deserves great credit – Jodhpur has a large and genuine surplus and a very compact little scheme of railway extension. Before turning to a consideration of the City of Jodhpur, hear a true story in connection with the Hyderabad-Pachpadra project which those interested in the scheme may lay to heart.

His State line, his "ownest own," as has been said, very much delighted the Maharaja who, in one or two points, is not unlike Sir Theodore Hope of sainted memory. Pleased with the toy, he said effusively, in words which may or may not have reached the ears of the Hyderabad-Pachpadra people: "This is a good business. If the Government will give me independent jurisdiction, I'll make and open the line straight away from Pachpadra to the end of my dominions, i. e., all but to Hyderabad."

Then "up and spake an elder knight, sat at the King's right knee," who knew something about the railway map of India and the Controlling Power of strategical lines: "Maharaja Sahib – here is the Indus Valley State line and here is the Bombay-Baroda line. Where would you be?" "By Jove," quoth the Maharaja, though he swore by quite another god: "I see!" and thus he abandoned the idea of a Hyderabad line, and turned his attention to an extension to Nagore, with a branch to the Makrana marble quarries which are close to the Sambhar salt lake near Jeypore. And, in the fulness of time, that extension will be made and perhaps extended to Bahawalpur.

The Englishman came to Jodhpur at midday, in a hot, fierce sunshine that struck back from the sands and the ledges of red rock, as though it were May instead of December. The line scorned such a thing as a regular ordained terminus. The single track gradually melted away into the sands. Close to the station was a grim stone dak-bungalow, and in the verandah stood a brisk, bag-and-flask-begirdled individual, cracking his joints with excess of irritation.

Nota Bene.– When one is on the Road it is above all things necessary to "pass the time o' day" to fellow-wanderers. Failure to comply with this law implies that the offender is "too good for his company"; and this, on the Road, is the unpardonable sin. The Englishman "passed the time o' day" in due and ample form. "Ha! Ha!" said the gentleman with the bag. "Isn't this a sweet place? There ain't no ticca-gharies, and there ain't nothing to eat, if you haven't brought your vittles, an' they charge you three-eight for a bottle of whisky. Oh! it's a sweet place." Here he skipped about the verandah and puffed. Then turning upon the Englishman, he said fiercely: "What have you come here for?" Now this was rude, because the ordinary form of salutation on the Road is usually "And what are you for?" meaning "what house do you represent?" The Englishman answered dolefully that he was travelling for pleasure, which simple explanation offended the little man with the courier-bag. He snapped his joints more excruciatingly than ever: "For pleasure? My God! For pleasure? Come here an' wait five weeks for your money, an', mark what I'm tellin' you now, you don't get it then! But per'aps your ideas of pleasure is different from most people's. For pleasure! Yah!" He skipped across the sands toward the station, for he was going back with the down train, and vanished in a whirlwind of luggage and the fluttering of female skirts: in Jodhpur the women are baggage coolies. A level, drawling voice spoke from an inner room: "'E's a bit upset. That's what 'e is! I remember when I was at Gworlior" – the rest of the story was lost, and the Englishman set to work to discover the nakedness of the dak-bungalow. For reasons which do not concern the public, it is made as bitterly uncomfortable as possible. The food is infamous, and the charges seem to be wilfully pitched about eighty per cent above the tariff, so that some portion of the bill, at least, may be paid without bloodshed, or the unseemly defilement of walls with the contents of drinking glasses. This is short-sighted policy, and it would, perhaps, be better to lower the prices and hide the tariff, and put a guard about the house to prevent jackal-molested donkeys from stampeding into the verandahs. But these be details. Jodhpur dak-bungalow is a merry, merry place, and any writer in search of new ground to locate a madly improbable story in, could not do better than study it diligently. In front lies sand, riddled with innumerable ant-holes, and beyond the sand the red sandstone wall of the city, and the Mahometan burying-ground that fringes it. Fragments of sandstone set on end mark the resting places of the Faithful, who are of no great account here. Above everything, a mark for miles around, towers the dun-red pile of the Fort which is also a Palace. This is set upon sandstone rock whose sharper features have been worn smooth by the wash of the windblown sand. It is as monstrous as anything in Dore's illustrations of the Contes Drolatiques and, wherever it wanders, the eye comes back at last to its fantastic bulk. There is no greenery on the rock, nothing but fierce sunlight or black shadow. A line of red hills forms the background of the city, and this is as bare as the picked bones of camels that lie bleaching on the sand below.