Редьярд Джозеф Киплинг
From Sea to Sea; Letters of Travel

No. XIX

THE LEGEND OF NIKKO FORD AND THE STORY OF THE AVOIDANCE OF MISFORTUNE.

 
A rose-red city, half as old as Time.
 

Five hours in the train took us to the beginning of a 'rickshaw journey of twenty-five miles. The guide unearthed an aged cart on Japanese lines, and seduced us into it by promises of speed and comfort beyond anything that a 'rickshaw could offer. Never go to Nikko in a cart. The town of departure is full of pack-ponies who are not used to it, and every third animal tries to get a kick at his friends in the shafts. This renders progress sufficiently exciting till the bumpsomeness of the road quenches all emotions save one. Nikko is reached through one avenue of cryptomerias– cypress-like trees eighty feet high, with red or dull silver trunks and hearse-plume foliage of darkest green. When I say one avenue, I mean one continuous avenue twenty-five miles long, the trees so close to each other throughout that their roots interlace and form a wall of wood on either side of the sunken road. Where it was necessary to make a village along the line of march, – that is to say once every two or three miles, – a few of the giants had been wrenched out – as teeth are wrenched from a full-planted jaw – to make room for the houses. Then the trees closed up as before to mount guard over the road. The banks between which we drove were alight with azaleas, camelias, and violets. "Glorious! Stupendous! Magnificent!" sang the Professor and I in chorus for the first five miles, in the intervals of the bumps. The avenue took not the least notice of our praise except by growing the trees even more closely together. "Vistas of pillared shade" are very pleasant to read about, but on a cold day the ungrateful heart of man could cheerfully dispense with a mile or two of it if that would shorten the journey. We were blind to the beauty around; to the files of pack-ponies with manes like hearth-brooms and the tempers of Eblis kicking about the path; to the pilgrims with blue and white handkerchiefs on their heads, enviable silver-grey leggings on their feet, and Buddha-like babies on their backs; to the trim country drays pulled by miniature cart-horses bringing down copper from the mines and saki from the hills; to the colour and movement in the villages where all the little children shouted "Ohio's!" and all the old people laughed. The grey tree-trunks marched us solemnly along over that horrid bad road which had been mended with brushwood, and after five hours we got Nikko in the shape of a long village at the foot of a hill, and capricious Nature, to reward us for our sore bones, laughed on the instant in floods of sunshine. And upon what a mad scene did the light fall! The cryptomerias rose in front of us a wall of green darkness, a tearing torrent ran deep-green over blue boulders, and between stream and trees was thrown a blood-red bridge – the sacred bridge of red lacquer that no foot save the Mikado's may press.

Very cunning artists are the Japanese. Long ago a great-hearted king came to Nikko River and looked across at the trees, up-stream at the torrent and the hills whence it came, and down-stream at the softer outlines of the crops and spurs of wooded mountains. "It needs only a dash of colour in the foreground to bring this all together," said he, and he put a little child in a blue and white dressing-gown under the awful trees to judge the effect. Emboldened by his tenderness, an aged beggar ventured to ask for alms. Now it was the ancient privilege of the great to try the temper of their blades upon beggars and such cattle. Mechanically the king swept off the old man's head, for he did not wish to be disturbed. The blood spurted across the granite slabs of the river-ford in a sheet of purest vermilion. The king smiled. Chance had solved the problem for him. "Build a bridge here," he said to the court carpenter, "of just such a colour as that stuff on the stones. Build also a bridge of grey stone close by, for I would not forget the wants of my people." So he gave the little child across the stream a thousand pieces of gold and went his way. He had composed a landscape. As for the blood, they wiped it up and said no more about it; and that is the story of Nikko Bridge. You will not find it in the guide-books.

I followed the voice of the river through a rickety toy-village, across some rough bottom-land, till, crossing a bridge, I found myself among lichened stones, scrub, and the blossoms of spring. A hillside, steep and wooded as the flanks of the red Aravallis, rose on my left; on my right, the eye travelled from village to cropland, crop to towering cypress, and rested at last on the cold blue of an austere hill-top encircled by streaks of yet unmelted snow. The Nikko hotel stood at the foot of this hill; and the time of the year was May. Then a sparrow came by with a piece of grass in her beak, for she was building her nest; and I knew that the spring was come to Nikko. One is so apt to forget the changes of the year over there with you in India.

Sitting in a solemn line on the banks of the river were fifty or sixty cross-legged images which the untrained eye put down immediately as so many small Buddhas. They had all, even when the lichen had cloaked them with leprosy, the calm port and unwinking regard of the Lord of the World. They are not Buddhas really, but other things – presents from forgotten great men to dead and gone institutions, or else memorials of ancestors. The guide-book will tell you. They were a ghostly crew. As I examined them more closely I saw that each differed from the other. Many of them held in their joined arms a little store of river pebbles, evidently put there by the pious. When I inquired the meaning of the gift from a stranger who passed, he said: "Those so distinguished are images of the God who Plays with Little Children up in the Sky. He tells them stories and builds them houses of pebbles. The stones are put in his arms either that he may not forget to amuse the babies or to prevent his stock running low."

I have no means of telling whether the stranger spoke the truth, but I prefer to believe that tale as gospel truth. Only the Japanese could invent the God who Plays with Little Children. Thereafter the images took a new aspect in my eyes and were no longer "Græco-Buddhist sculptures," but personal friends. I added a great heap of pebbles to the stock of the cheeriest among them. His bosom was ornamented with small printed slips of prayers which gave him the appearance of a disreputable old parson with his bands in disorder. A little further up the bank of the river was a rough, solitary rock hewn with what men called a Shinto shrine. I knew better: the thing was Hindu, and I looked at the smooth stones on every side for the familiar dab of red paint. On a flat rock overhanging the water were carved certain characters in Sanscrit, remotely resembling those on a Thibetan prayer-wheel. Not comprehending these matters, and grateful that I had brought no guide-book with me, I clambered down to the lip of the river – now compressed into a raging torrent. Do you know the Strid near Bolton – that spot where the full force of the river is pent up in two yards' breadth? The Nikko Strid is an improvement upon the Yorkshire one. The blue rocks are hollowed like soapstone by the rush of the water. They rise above head-level and in spring are tufted with azalea blossom. The stranger of the godlings came up behind me as I basked on a boulder. He pointed up the little gorge of rocks, "Now if I painted that as it stands, every critic in the papers would say I was a liar."

The mad stream came down directly from a blue hill blotched with pink, through a sky-blue gorge also pink-blotched. An obviously impossible pine mounted guard over the water. I would give much to see an accurate representation of that view. The stranger departed growling over some hidden grief – connected with the Academy perhaps.

Hounded on by the Professor, the guide sought me by banks of the river and bade me "come and see temples." Then I fairly and squarely cursed all temples, being stretched at my ease on some warm sand in the hollow of a rock, and ignorant as the grass-shod cattle that tramped the further bank. "Very fine temples," said the guide, "you come and see. By and by temple be shut up because priests make half an hour more time." Nikko time is half an hour ahead of the standard, because the priests of the temples have discovered that travellers arriving at three p.m. try to do all the temples before four – the official-hour of closing. This defrauds the church of her dues, so her servants put the clock on, and Nikko, knowing naught of the value of time, is well content.

When I cursed the temples I did a foolish thing, and one for which this poor pen can never make fitting reparation. We went up a hill by way of a flight of grey stone slabs. The cryptomerias of the Nikko road were as children to the giants that overshadowed us here. Between their iron-grey boles were flashes of red – the blood-red of the Mikado's bridge. That great king who killed the beggar at the ford had been well pleased with the success of his experiment. Passing under a mighty stone arch we came into a square of splendour alive with the sound of hammers. Thirty or forty men were tapping the pillars and steps of a carnelian shrine heavy with gold. "That," said the guide, impassively, "is a godown. They are renewing the lacquer. First they extract it."

Have you ever "extracted" lacquer from wood? I smote the foot of a pillar with force, and after half a dozen blows chipped off one small fragment of the stuff, in texture like red horn. Betraying no surprise, I demanded the name of a yet more magnificent shrine across the courtyard. It was red lacquered like the others, but above its main door were carved in open work three apes – one with his hands to his ears, another covering his mouth, and a third blinding his eyes.

"That place," said the guide, "used to be a stable when the Daimio kept his horses there. The monkeys are the three who hear no wrong, say no wrong, and see no wrong."

"Of course," I said. "What a splendid device for a stable where the grooms steal the grain!" I was angry because I had grovelled before a godown and a stable, though the round world cannot hold their equals.

We entered a temple, or a tomb, I do not know which, through a gateway of carven pillars. Eleven of them bore a running pattern of trefoil – the apex pointing earthward – the twelfth had its pattern reversed.

"Make 'em all the same – no good," said the guide, emphatically. "Something sure to come bad by an' by. Make one different all right. Save him so. Nothing happen then."

Unless I am mistaken, that voluntarily breaking of the set was the one sacrifice that the designer had made to the great Gods above who are so jealous of the craft of men. For the rest he had done what he pleased – even as a god might have done – with the wood in its gleaming lacquer sheath, with enamel and inlay and carving and bronze, hammered work, and the work of the inspired chisel. When he went to his account he saved himself from the jealousy of his judges, by pointing to the trefoil pillars for proof that he was only a weak mortal and in no sense their equals. Men say that never man has given complete drawings, details, or descriptions of the temples of Nikko. Only a German would try, and he would fail in spirit. Only a Frenchman could succeed in spirit, but he would be inaccurate. I have a recollection of passing through a door with cloisonnée hinges, with a golden lintel and red lacquer jambs, with panels of tortoise-shell lacquer and clamps of bronze tracery. It opened into a half-lighted hall on whose blue ceiling a hundred golden dragons romped and spat fire. A priest moved about the gloom with noiseless feet, and showed me a pot-bellied lantern four feet high, that the Dutch traders of old time had sent as a present to the temple. There were posts of red lacquer dusted over with gold, to support the roof. On one post lay a rib of lacquer, six inches thick, that had been carved or punched over with high relief carvings and had set harder than crystal.

The temple steps were of black lacquer, and the frames of the sliding screens red. That money, lakhs and lakhs of money, had been lavished on the wonder impressed me but little. I wished to know who were the men that, when the cryptomerias were saplings, had sat down and spent their lives on a niche or corner of the temple, and dying passed on the duty of adornment to their sons, though neither father nor child hoped to see the work completed. This question I asked the guide, who plunged me in a tangle of Daimios and Shoguns, all manifestly extracted from a guide-book.

After a while the builder's idea entered into my soul.

He had said: "Let us build blood-red chapels in a Cathedral." So they planted the Cathedral three hundred years ago, knowing that tree-boles would make the pillars and the sky the roof.

Round each temple stood a small army of priceless bronze or stone lanterns, stamped, as was everything else, with the three leaves that make the Daimio's crest. The lanterns were dark green or lichened grey, and in no way lightened the gloom of the red. Down below, by the sacred bridge, I believed red was a joyous colour. Up the hillside under the trees and the shadow of the temple eaves I saw that it was the hue of sorrow. When the great king killed the beggar at the ford he did not laugh, as I have said. He was very sorry, and said: "Art is Art, and worth any sacrifice. Take that corpse away and pray for the naked soul." Once, in one of the temple courtyards, nature dared to rebel against the scheme of the hillside. Some forest tree, all unimpressed by the cryptomerias, had tossed a torrent of tenderest pink flowers down the face of a grey retaining wall that guarded a cutting. It was as if a child had laughed aloud at some magnificence it could not understand.

"You see that cat?" said the guide, pointing out a pot-bellied pussy painted above a door. "That is the Sleeping Cat. The artist he paint it left-handed. We are proud of that cat."

"And did they let him remain left-handed after he had painted that thing?"

"Oh yes. You see he was always left-handed."

The infinite tenderness of the Japanese towards their children extends, it would seem, even to artists. Every guide will take you to see the Sleeping Cat. Don't go. It is bad. Coming down the hill, I learned that all Nikko was two feet under snow in the winter, and while I was trying to imagine how fierce red, white, and black-green would look under the light of a winter sun I met the Professor murmuring expletives of admiration.

"What have you done? What have you seen?" said he.

"Nothing. I've accumulated a lot of impressions of no use to any one but the owner."

"Which means you are going to slop over for the benefit of the people in India," said the Professor.

And the notion so disgusted me that I left Nikko that very afternoon, the guide clamouring that I had not seen half its glories. "There is a lake," he said; "there are mountains. You must go see!"

"I will return to Tokio and study the modern side of Japan. This place annoys me because I do not understand it."

"Yet I am the good guide of Yokohama," said the guide.

No. XX

SHOWS HOW I GROSSLY LIBELLED THE JAPANESE ARMY, AND EDITED A CIVIL AND MILITARY GAZETTE WHICH IS NOT IN THE LEAST TRUSTWORTHY.

"And the Duke said, 'Let there be cavalry,' and there were cavalry. And he said, 'Let them be slow,' and they were slow, d – d slow; and the Japanese Imperial Horse called he them."

I was wrong. I know it. I ought to have clamoured at the doors of the Legation for a pass to see the Imperial Palace. I ought to have investigated Tokio and called upon some of the political leaders of the Liberal and Radical parties. There are a hundred things which I ought to have done, but somehow or other the bugles began to blare through the chill of the morning, and I heard the tramp of armed men under my window. The parade-ground was within a stone's throw of the Tokio hotel; the Imperial troops were going on parade. Would you have bothered your head about politics or temples? I ran after them.

It is rather difficult to get accurate information about the Japanese army. It seems to be in perpetual throes of reorganisation. At present, so far as one can gather, it is about one hundred and seventy thousand strong. Everybody has to serve for three years, but payment of one hundred dollars will shorten the term of service by one year at least. This is what a man who had gone through the mill told me. He capped his information with this verdict: "English army no use. Only navy any good. Have seen two hundred English army. No use."

On the parade-ground they had a company of foot and a wing of what, for the sake of brevity, I will call cavalry under instruction. The former were being put through some simple evolutions in close order; the latter were variously and singularly employed. To the former I took off the hat of respect; at the latter I am ashamed to say I pointed the finger of derision. But let me try to describe what I saw. The likeness of the Jap infantryman to the Gurkha grows when you see him in bulk. Thanks to their wholesale system of conscription the quality of conscripts varies immensely. I have seen scores of persons with spectacles whom it were base flattery to call soldiers, and who I hope were in the medical or commissariat departments. Again I have seen dozens of bull-necked, deep-chested, flat-backed, thin-flanked little men who were as good as a colonel commanding could desire. There was a man of the 2d Infantry whom I met at an up-country railway station. He carried just the proper amount of insolent swagger that a soldier should, refused to answer any questions of mine, and parted the crowd round him without ceremony. A Gurkha of the Prince of Wales' Own could not have been trimmer. In the crush of a ticket-collecting – we both got out together – I managed to run my hand over that small man's forearm and chest. They must have a very complete system of gymnastics in the Japanese army, and I would have given much to have stripped my friend and seen how he peeled. If the 2d Infantry are equal to sample, they are good.

The men on parade at Tokio belonged either to the 4th or the 9th, and turned out with their cowskin valises strapped, but I think not packed. Under full kit, such as I saw on the sentry at Osaka Castle, they ought to be much too heavily burdened. Their officers were as miserable a set of men as Japan could furnish – spectacled, undersized even for Japan, hollow-backed and hump-shouldered. They squeaked their words of command and had to trot by the side of their men to keep up with them. The Jap soldier has the long stride of the Gurkha, and he doubles with the easy lope of the 'rickshaw coolie. Throughout the three hours that I watched them they never changed formation but once, when they doubled in pairs across the plain, their rifles at the carry. Their step and intervals were as good as those of our native regiments, but they wheeled rather promiscuously, and were not checked for this by their officers. So far as my limited experience goes, their formation was not Ours, but continental. The words of command were as beautifully unintelligible as anything our parade-grounds produce; and between them the officers of each half-company vehemently harangued their men, and shook their swords at 'em in distinctly unmilitary style. The precision of their movements was beyond praise. They enjoyed three hours of steady drill, and in the rare intervals when they stood easy to draw breath I looked for slackness all down the ranks, inasmuch as "standing easy" is the crucial test of men after the first smartness of the morning has worn off. They stood "easy," neither more nor less, but never a hand went to a shoe or stock or button while they were so standing. When they knelt, still in this queer column of company, I understood the mystery of the long-sword bayonet which has puzzled me sorely. I had expected to see the little fellows lifted into the air as the bayonet-sheath took ground; but they were not. They kicked it sideways as they dropped. All the same, the authorities tie men to the bayonets instead of bayonets to the men. When at the double there was no grabbing at the cartridge pouch with one hand or steadying the bayonet with the other, as may be seen any day at running-firing on Indian ranges. They ran cleanly – as our Gurkhas run.

It was an unchristian thought, but I would have given a good deal to see that company being blooded on an equal number of Our native infantry – just to know how they would work. If they have pluck, and there is not much in their past record to show that they have not, they ought to be first-class enemies. Under British officers instead of the little anatomies at present provided, and with a better rifle, they should be as good as any troops recruited east of Suez. I speak here only for the handy little men I saw. The worst of conscription is that it sweeps in such a mass of fourth and fifth-rate citizens who, though they may carry a gun, are likely, by their own excusable ineptitude, to do harm to the morale and set-up of a regiment. In their walks abroad the soldiery never dream of keeping step. They tie things to their side-arms, they carry bundles, they slouch, and dirty their uniforms.

And so much for a raw opinion on Japanese infantry. The cavalry were having a picnic on the other side of the parade-ground – circling right and left by sections, trying to do something with a troop, and so forth. I would fain believe that the gentlemen I saw were recruits. But they wore all their arms, and their officers were just as clever as themselves. Half of them were in white fatigue-dress and flat cap, – and wore half-boots of brown leather with short hunting-spurs and black straps; no chains. They carried carbine and sword – the sword fixed to the man, and the carbine slung over the back. No martingales, but breastplates and crupper, a huge, heavy saddle, with single hide-girth, over two numdahs, completed the equipment which a thirteen-hand pony, all mane and tail, was trying to get rid of. When you thrust a two-pound bit and bridoon into a small pony's mouth, you hurt his feelings. When the riders wear, as did my friends, white worsted gloves, they cannot take a proper hold of the reins. When they ride with both hands, sitting well on the mount's neck, knuckles level with its ears and the stirrup leathers as short as they can be, the chances of the pony getting rid of the rider are manifestly increased. Never have I seen such a wild dream of equitation as the Tokio parade-ground showed. Do you remember the picture in Alice in Wonderland, just before Alice found the Lion and the Unicorn; when she met the armed men coming through the woods? I thought of that, and I thought of the White Knight in the same classic, and I laughed aloud. Here were a set of very fair ponies, sure-footed as goats, mostly entires, and full of go. Under Japanese weights they would have made very thorough mounted infantry. And here was this blindly imitative nation trying to turn them into heavy cavalry. As long as the little beasts were gravely trotting in circles they did not mind their work. But when it came to slashing at the Turk's head they objected very much indeed. I affiliated myself to a section who, armed with long wooden swords, were enjoying some Turk's-heading. Out started a pony at the gentlest of canters, while the rider bundled all the reins into one hand, and held his sword like a lance. Then the pony shied a little shy, shook his shaggy head, and began to passage round the Turk's head. There was no pressure of knee or rein to tell him what was wanted. The man on top began kicking with the spurs from shoulder to rump, and shaking up the ironmongery in the poor brute's mouth. The pony could neither rear, nor kick, nor buck; but it shook itself free of the incubus who slid off. Three times I saw this happen. The catastrophe didn't rise to the dignity of a fall. It was the blundering collapse of incompetence plus worsted gloves, two-handed riding, and a haystack of equipment. Very often the pony went at the post, and the man delivered a back-handed cut at the Turk's head which nearly brought him out of his world-too-wide saddle. Again and again this solemn performance was repeated. I can honestly say that the ponies are very willing to break rank and leave their companions, which is what an English troop-horse fails in; but I fancy this is more due to the urgent private affairs of the pony than any skill in training. The troops charged once or twice in a terrifying canter. When the men wished to stop they leaned back and tugged, and the pony put his head to the ground, and bored all he knew. They charged me, but I was merciful, and forebore to empty half the saddles, as I assuredly could have done by throwing up my arms and yelling "Hi!" The saddest thing of all was the painful conscientiousness displayed by all the performers in the circus. They had to turn these rats into cavalry. They knew nothing about riding, and what they did know was wrong; but the rats must be made troop-horses. Why wouldn't the scheme work? There was a patient, pathetic wonder on the faces of the men that made me long to take one of them in my arms and try to explain things to him – bridles, for instance, and the futility of hanging on by the spurs. Just when the parade was over, and the troops were ambling off, Providence sent diagonally across the parade-ground, at a gallop, a big, rawboned man on a lathy-red American horse. The brute cracked his nostrils, and switched his flag abroad, and romped across the plain, while his rider dropped one hand and sat still, swaying lightly from the hips. The two served to scale the surroundings. Some one really ought to tell the Mikado that ponies were never intended for dragoons.

If the changes and chances of military service ever send you against Japanese troops, be tender with their cavalry. They mean no harm. Put some fusees down for the horses to step on, and send a fatigue-party out to pick up the remnants. But if you meet Japanese infantry, led by a Continental officer, commence firing early and often and at the longest ranges compatible with getting at them. They are bad little men who know too much.

Having thoroughly settled the military side of the nation exactly as my Japanese friend at the beginning of this letter settled Us, – on the strength of two hundred men caught at random, – I devoted myself to a consideration of Tokio. I am wearied of temples. Their monotony of splendour makes my head ache. You also will weary of temples unless you are an artist, and then you will be disgusted with yourself. Some folk say that Tokio covers an area equal to London. Some folk say that it is not more than ten miles long and eight miles broad. There are a good many ways of solving the question. I found a tea-garden situated on a green plateau far up a flight of steps, with pretty girls smiling on every step. From this elevation I looked forth over the city, and it stretched away from the sea, far as the eye could reach – one grey expanse of packed house-roof, the perspective marked by numberless factory chimneys. Then I went several miles away and found a park, another eminence, and some more tea-girls prettier than the last; and, looking again, the city stretched out in a new direction as far as the eye could reach. Taking the scope of the eye on a clear day at eighteen miles, I make Tokio thirty-six miles long by thirty-six miles broad exactly; and there may be some more which I missed. The place roared with life through all its quarters. Double lines of trams ran down the main streets for mile on mile, rows of omnibuses stood at the principal railway station, and the "Compagnie General des Omnibus de Tokio" paraded the streets with gold and vermilion cars. All the trams were full, all the private and public omnibuses were full, and the streets were full of 'rickshaws. From the sea-shore to the shady green park, from the park to the dim distance, the land pullulated with people.

Here you saw how Western civilisation had eaten into them. Every tenth man was attired in Europe clothes from hat to boots. It is a queer race. It can parody every type of humanity to be met in a large English town. Eat and prosperous merchant with mutton-chop whiskers; mild-eyed, long-haired professor of science, his clothes baggy about him; schoolboy in Eton jacket, broadcloth trousers; young clerk, member of the Clapham Athletic Club in tennis flannels; artisans in sorely worn tweeds; top-hatted lawyer with clean-shaven upper lip and black leather bag; sailor out of work; and counter-jumper; all these and many, many more you shall find in the streets of Tokio in half an hour's walk. But when you come to speak to the imitation, behold it can only talk Japanese. You touch it, and it is not what you thought. I fluctuated down the streets addressing myself to the most English-looking folk I saw. They were polite with a graciousness that in no way accorded with their raiment, but they knew not a word of my tongue. One small boy in the uniform of the Naval College said suddenly: "I spik Inglees," and collapsed. The rest of the people in our clothes poured their own vernacular upon my head. Yet the shop-signs were English, the tramway under my feet was English gauge, the commodities sold were English, and the notices on the streets were in English. It was like walking in a dream. I reflected. Far away from Tokio and off the line of rail I had met men like these men in the streets. Perfectly dressed Englishmen to the outer eye, but dumb. The country must be full of their likes.

"Good gracious! Here is Japan going to run its own civilisation without learning a language in which you can say Damn satisfactorily. I must inquire into this."