полная версия
Редьярд Джозеф Киплинг
Departmental Ditties and Barrack Room Ballads
MANDALAY
By the old Moulmein Pagoda, lookin’ lazy at the sea,
There’s a Burma girl a-settin’, and I know she thinks o’ me;
For the wind is in the palm-trees, and the temple-bells they say:
“Come you back, you British soldier; come you back to Mandalay!”
Come you back to Mandalay,
Where the old Flotilla lay:
Can’t you ‘ear their paddles chunkin’ from Rangoon to Mandalay?
On the road to Mandalay,
Where the flyin’-fishes play,
An’ the dawn comes up like thunder outer China ‘crost the Bay!
‘Er petticoat was yaller an’ ‘er little cap was green,
An’ ‘er name was Supi-yaw-lat – jes’ the same as Theebaw’s Queen,
An’ I seed her first a-smokin’ of a whackin’ white cheroot,
An’ a-wastin’ Christian kisses on an ‘eathen idol’s foot:
Bloomin’ idol made o’mud —
Wot they called the Great Gawd Budd —
Plucky lot she cared for idols when I kissed ‘er where she stud!
On the road to Mandalay…
When the mist was on the rice-fields an’ the sun was droppin’ slow,
She’d git ‘er little banjo an’ she’d sing “Kulla-lo-lo!”
With ‘er arm upon my shoulder an’ ‘er cheek agin’ my cheek
We useter watch the steamers an’ the hathis pilin’ teak.
Elephints a-pilin’ teak
In the sludgy, squdgy creek,
Where the silence ‘ung that ‘eavy you was ‘arf afraid to speak!
On the road to Mandalay…
But that’s all shove be’ind me – long ago an’ fur away,
An’ there ain’t no ‘busses runnin’ from the Bank to Mandalay;
An’ I’m learnin’ ‘ere in London what the ten-year soldier tells:
“If you’ve ‘eard the East a-callin’, you won’t never ‘eed naught else.”
No! you won’t ‘eed nothin’ else
But them spicy garlic smells,
An’ the sunshine an’ the palm-trees an’ the tinkly temple-bells;
On the road to Mandalay…
I am sick o’ wastin’ leather on these gritty pavin’-stones,
An’ the blasted Henglish drizzle wakes the fever in my bones;
Tho’ I walks with fifty ‘ousemaids outer Chelsea to the Strand,
An’ they talks a lot o’ lovin’, but wot do they understand?
Beefy face an’ grubby ‘and —
Law! wot do they understand?
I’ve a neater, sweeter maiden in a cleaner, greener land!
On the road to Mandalay…
Ship me somewheres east of Suez, where the best is like the worst,
Where there aren’t no Ten Commandments an’ a man can raise a thirst;
For the temple-bells are callin’, an’ it’s there that I would be —
By the old Moulmein Pagoda, looking lazy at the sea;
On the road to Mandalay,
Where the old Flotilla lay,
With our sick beneath the awnings when we went to Mandalay!
On the road to Mandalay,
Where the flyin’-fishes play,
An’ the dawn comes up like thunder outer China ‘crost the Bay!
TROOPIN’
(Our Army in the East)
Troopin’, troopin’, troopin’ to the sea:
‘Ere’s September come again – the six-year men are free.
O leave the dead be’ind us, for they cannot come away
To where the ship’s a-coalin’ up that takes us ‘ome today.
We’re goin’ ‘ome, we’re goin’ ‘ome,
Our ship is at the shore,
An’ you must pack your ‘aversack,
For we won’t come back no more.
Ho, don’t you grieve for me,
My lovely Mary-Ann,
For I’ll marry you yit on a fourp’ny bit
As a time-expired man.
The Malabar’s in ‘arbour with the Jumner at ‘er tail,
An’ the time-expired’s waitin’ of ‘is orders for to sail.
Ho! the weary waitin’ when on Khyber ‘ills we lay,
But the time-expired’s waitin’ of ‘is orders ‘ome today.
They’ll turn us out at Portsmouth wharf in cold an’ wet an’ rain,
All wearin’ Injian cotton kit, but we will not complain;
They’ll kill us of pneumonia – for that’s their little way —
But damn the chills and fever, men, we’re goin’ ‘ome today!
Troopin’, troopin’, winter’s round again!
See the new draf’s pourin’ in for the old campaign;
Ho, you poor recruities, but you’ve got to earn your pay —
What’s the last from Lunnon, lads? We’re goin’ there today.
Troopin’, troopin’, give another cheer —
‘Ere’s to English women an’ a quart of English beer.
The Colonel an’ the regiment an’ all who’ve got to stay,
Gawd’s mercy strike ‘em gentle – Whoop! we’re goin’ ‘ome today.
We’re goin’ ‘ome, we’re goin’ ‘ome,
Our ship is at the shore,
An’ you must pack your ‘aversack,
For we won’t come back no more.
Ho, don’t you grieve for me,
My lovely Mary-Ann,
For I’ll marry you yit on a fourp’ny bit
As a time-expired man.
FORD O’ KABUL RIVER
Kabul town’s by Kabul river —
Blow the bugle, draw the sword —
There I lef’ my mate for ever,
Wet an’ drippin’ by the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
There’s the river up and brimmin’, an’ there’s ‘arf a squadron swimmin’
‘Cross the ford o’ Kabul river in the dark.
Kabul town’s a blasted place —
Blow the bugle, draw the sword —
‘Strewth I sha’n’t forget ‘is face
Wet an’ drippin’ by the ford!
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
Keep the crossing-stakes beside you, an’ they will surely guide you
‘Cross the ford o’ Kabul river in the dark.
Kabul town is sun and dust —
Blow the bugle, draw the sword —
I’d ha’ sooner drownded fust
‘Stead of ‘im beside the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
You can ‘ear the ‘orses threshin’, you can ‘ear the men a-splashin’,
‘Cross the ford o’ Kabul river in the dark.
Kabul town was ours to take —
Blow the bugle, draw the sword —
I’d ha’ left it for ‘is sake —
‘Im that left me by the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
It’s none so bloomin’ dry there; ain’t you never comin’ nigh there,
‘Cross the ford o’ Kabul river in the dark?
Kabul town’ll go to hell —
Blow the bugle, draw the sword —
‘Fore I see him ‘live an’ well —
‘Im the best beside the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
Gawd ‘elp ‘em if they blunder, for their boots’ll pull ‘em under,
By the ford o’ Kabul river in the dark.
Turn your ‘orse from Kabul town —
Blow the bugle, draw the sword —
‘Im an’ ‘arf my troop is down,
Down an’ drownded by the ford.
Ford, ford, ford o’ Kabul river,
Ford o’ Kabul river in the dark!
There’s the river low an’ fallin’, but it ain’t no use o’ callin’
‘Cross the ford o’ Kabul river in the dark.
ROUTE MARCHIN’
We’re marchin’ on relief over Injia’s sunny plains,
A little front o’ Christmas-time an’ just be’ind the Rains;
Ho! get away you bullock-man, you’ve ‘eard the bugle blowed,
There’s a regiment a-comin’ down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An’ every bloomin’ campin’-ground exactly like the last;
While the Big Drum says,
With ‘is “rowdy-dowdy-dow!” —
“Kiko kissywarsti don’t you hamsher argy jow?” 2
Oh, there’s them Injian temples to admire when you see,
There’s the peacock round the corner an’ the monkey up the tree,
An’ there’s that rummy silver grass a-wavin’ in the wind,
An’ the old Grand Trunk a-trailin’ like a rifle-sling be’ind.
While it’s best foot first…
At half-past five’s Revelly, an’ our tents they down must come,
Like a lot of button mushrooms when you pick ‘em up at ‘ome.
But it’s over in a minute, an’ at six the column starts,
While the women and the kiddies sit an’ shiver in the carts.
An’ it’s best foot first…
Oh, then it’s open order, an’ we lights our pipes an’ sings,
An’ we talks about our rations an’ a lot of other things,
An’ we thinks o’ friends in England, an’ we wonders what they’re at,
An’ ‘ow they would admire for to hear us sling the bat.1
An’ it’s best foot first…
It’s none so bad o’ Sunday, when you’re lyin’ at your ease,
To watch the kites a-wheelin’ round them feather-’eaded trees,
For although there ain’t no women, yet there ain’t no barrick-yards,
So the orficers goes shootin’ an’ the men they plays at cards.
Till it’s best foot first…
So ‘ark an’ ‘eed, you rookies, which is always grumblin’ sore,
There’s worser things than marchin’ from Umballa to Cawnpore;
An’ if your ‘eels are blistered an’ they feels to ‘urt like ‘ell,
You drop some tallow in your socks an’ that will make ‘em well.
For it’s best foot first…
We’re marchin’ on relief over Injia’s coral strand,
Eight ‘undred fightin’ Englishmen, the Colonel, and the Band;
Ho! get away you bullock-man, you’ve ‘eard the bugle blowed,
There’s a regiment a-comin’ down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An’ every bloomin’ campin’-ground exactly like the last;
While the Big Drum says,
With ‘is “rowdy-dowdy-dow!” —
“Kiko kissywarsti don’t you hamsher argy jow?"2
1 Thomas’s first and firmest conviction is that he is a profound
Orientalist and a fluent speaker of Hindustani. As a matter of fact, he depends largely on the sign-language.
2 Why don’t you get on
