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полная версияLes Misérables, v. 2

Виктор Мари Гюго
Les Misérables, v. 2

CHAPTER IV
A DOLL COMES ON THE STAGE

The file of open-air shops, it will be remembered, ran as far as Thénardier's inn. These stalls, owing to the approaching passage of persons going to midnight mass, were all lit up with candles in paper funnels, which, as the schoolmaster, who was seated at this moment in Thénardier's tap-room, declared, produced a "magical effect." To make up for this, not a star glittered in the sky. The last of these shops, exactly facing Thénardier's door, was a child's toy establishment, all flashing with tinsel, glass beads, and magnificent things in block-tin. Right in front the dealer had placed upon a white napkin an enormous doll, nearly two feet high, which was dressed in a pink crape gown, with golden wheat-ears in her hair, – which was real hair, – and had enamel eyes. The whole day had this marvel been displayed, to the amazement of all passers-by under ten years of age; but not a mother in Montfermeil had been rich enough or extravagant enough to give it to her child, Éponine and Azelma had spent hours in contemplating it, and even Cosette had ventured to take a furtive look at it.

At the moment when Cosette went out, bucket in hand, though she felt so sad and desolate, she could not refrain from raising her eyes to the prodigious doll, the "lady" as she called it. The poor child stopped petrified, for she had not seen this doll so close before. The whole stall seemed to her a palace, and this doll was not a doll, but a vision. Joy, splendor, wealth, and happiness appeared in a sort of chimerical radiance to the unhappy little creature who was deeply buried in mournful and cold wretchedness. Cosette measured with the simple and sad sagacity of childhood the abyss which separated her from this doll. She said to herself that a person must be a queen or a princess to have a "thing" like that. She looked at the fine dress, the long smooth hair, and thought, "How happy that doll must be!" She could not take her eyes off this fantastic shop, and the more she looked the more dazzled she became, and she fancied she saw Paradise. There were other dolls behind the large one, which appeared to her fairies and genii. The tradesman, who walked about at the back of the shop, seemed to her something more than mortal. In this adoration she forgot everything, even the task on which she was sent; but suddenly the rough voice of her mistress recalled her to the reality. "What, you little devil, you have not gone! Just wait till I come to you, you little viper!" Madame Thénardier had taken a look out into the street, and noticed Cosette in ecstasy. The child ran off with her bucket, taking enormous strides.

CHAPTER V
THE LITTLE ONE ALONE

As Thénardier's inn was in that part of the village near the church, Cosette had to fetch the water from the spring in the forest on the Chelles side. She did not look at another stall; so long as she was in the lane and the vicinity of the church, the illuminated booths lit up the road, but the last gleam of the last stall soon disappeared, and the poor child found herself in darkness. She went farther into it; but, as she felt some emotion while walking, she shook the handle of her bucket as much as she could, which produced a noise that gave her company. The farther she went, the more dense the gloom became; there was no one in the streets except a woman, who turned on seeing her pass, and muttered between her teeth, "Wherever can the child be going? Can she be a goblin?" Then she recognized Cosette. "Why," she said, "it is the Lark." Cosette in this way went through the labyrinth of winding deserted streets which end the village of Montfermeil on the side of Chelles; and so long as she had houses, or even walls on both sides of the way, she walked rather boldly. From time to time she saw a candle glimmering through the crack of a shutter; it was light and life, people were there, and this reassured her. Still, in proportion as she advanced, her step became slower, as if mechanical, and when she had passed the corner of the last house, Cosette stopped. Going beyond the last stall had been difficult, but going farther than the last house became an impossibility. She put her bucket on the ground, plunged her hand into her hair, and began scratching her head slowly, – a gesture peculiar to terrified and undecided children. It was no longer Montfermeil, but the fields, and black deserted space was before her. She looked despairingly at this space in which there was nobody, but where there were beasts, and there might be ghosts. She looked out, and heard the beasts walking in the grass, and distinctly saw the ghosts moving among the trees. Then she took her bucket again, and fear gave her boldness. "Well," she said, "I will tell her that there was no water;" and she boldly re-entered Montfermeil. She had scarce gone one hundred yards when she stopped, and began scratching her head again. Now it was her mistress who appeared to her, – her hideous mistress with her hyena mouth, and her eyes flashing with passion. The child took a lamentable glance before and behind her. What should she do? What would become of her? Where should she go? It was from her mistress she recoiled; she turned back in the direction of the spring, and began running. She left the village running, she entered the wood running, looking at nothing, hearing nothing. She did not stop till breath failed her, but she still went on ahead, wildly. While running she felt inclined to cry, for the nocturnal rustling of the forest completely surrounded her. She did not think, she did not see; the immensity of night was opposed to this little creature; on one side was darkness, on the other an atom. It was only seven or eight minutes' walk from the skirt of the wood to the spring, and Cosette knew the road from having gone there several times by day. Strange to say, she did not lose her way, for a remnant of instinct vaguely guided her; still she did not look either to the right or left, for fear of seeing things in the branches and shrubs. In this way she reached the spring; it was a narrow natural basin hollowed by the water in the dry soil, about two feet in depth, surrounded by moss and that gauffered grass which is called Henri IV.'s ruff, and paved with a few heavy stones. A rivulet escaped from it with a little gentle murmur.

Cosette did not take the time to breathe; it was very dark, but she was accustomed to come to this fountain. She felt in the obscurity for a young oak that leaned over the spring, and usually served her as a support, caught a branch, stooped down, and plunged the bucket into the water. She was in such a violent state that her strength was tripled. While thus bent, she did not notice that the pocket of her apron emptied itself into the stream, and that the fifteen-sous piece fell into the water. Cosette neither saw nor heard it fall; she drew up the bucket nearly full, and placed it on the grass. This done, she felt that she was exhausted with fatigue; she would have liked to start again at once, but the effect of filling the bucket had been so great that she found it impossible to move a step. She fell on to the grass, and lay there utterly exhausted. She shut her eyes, then opened them again, not knowing why, but unable to do otherwise. By her side the water stirring in the bucket made circles that resembled snakes of white fire. Over her head the sky was covered with large black clouds, which seemed like smoke; the tragic mask of the gloom seemed to bend vaguely over this child. Jupiter was setting in the profundity; the child gazed with a wondering eye at this large star, which she did not know, and which terrified her. The planet, in fact, was at this moment very near the horizon, and was passing through a dense fog, which gave it a horrible redness. The fog, which was of a gloomy purple hue, enlarged the planet and it looked like a luminous wound. A cold wind blew from the plain; the wood was dark, but there was no rustling of leaves, and none of the vague and fresh gleams of summer. Large branches stood out frightfully, and shapeless, stunted bushes soughed in the glades. The tall grass twined under the breeze like eels, and the brambles writhed like long arms provided with claws seeking to clutch their prey. A few withered patches of fern, impelled by the breeze, passed rapidly, and seemed to be flying before something that was coming up.

Darkness produces a dizziness. Man requires light, and any one who enters the opposite of light, feels his heart contracted. When the eye sees darkness, the soul sees trouble: in an eclipse, in night, in sooty opaqueness, there is anxiety even for the strongest men. No one walks alone at night in a forest without a tremor, for shadows and trees are formidable densities. A chimerical reality appears in the indistinct profundity; the inconceivable is visible a few paces from you with spectral clearness. You see floating in space, or in your own brain, something vague and intangible, like the dreams of sleeping flowers. There are stern attitudes on the horizon, and you breathe the effluvia of the great black vacuum. You feel frightened and inclined to look behind you. The cavities of night, the silent outlines which disperse as you advance, the irritated tufts, the lurid pools, the lugubrious reflected in the mournful, the sepulchral immensity of silence, the possible strange beings, the bending of mysterious branches, the frightful torsos of trees, the long waves of quivering grass, – you are defenceless against this. There is no man, however bold, who does not shudder and feel this proximity of agony; something hideous is experienced, as if the soul were amalgamated with the shades. This penetration of darkness is indescribably sinister in a child. Forests are apocalypses, and the beating of the wings of a little soul produces a sound of death beneath their monstrous dome.

 

Without understanding what she experienced, Cosette felt herself affected by this black enormity of nature: it was no longer terror alone that over-powered her, but something even more terrible than terror. She shuddered, and words fail us to describe the strange nature of this shudder which chilled her to the heart. Her eye had become stern, and she felt as if she could not prevent herself from returning to the same spot on the morrow. Then, by a species of instinct, and in order to emerge from this singular state which she did not understand, but which terrified her, she began counting aloud one, two, three, four, up to ten, and when she finished, she began again. This restored her a true perception of the things that surrounded her: she felt the coldness of her hands, which she had wetted in drawing the water. She rose, for fear had seized upon her again, a natural and insurmountable fear. She had only one thought left, to fly, fly at full speed through the wood, and across the fields, as far as the houses, the windows, and the lighted candles. Her eye fell on the bucket before her; and such was the terror with which her mistress inspired her that she did not dare fly without the bucket. She seized the handle with both hands and found it difficult to lift. She proceeded thus for about a dozen yards, but the bucket was full and heavy, and she was compelled to set it on the ground. She breathed for a moment, and then lifted the bucket and started again, this time going a little farther. But she was still obliged to stop once more, and after a few moments' rest, set out again. She walked with body bent forward and drooping head, like an old woman, and the weight of the bucket stiffened her thin arms. The iron handle swelled and froze her small white hands. From time to time she was forced to stop, and each time she did so, the cold water from the bucket plashed her bare legs. This occurred in the heart of a wood, at night, in winter, far from any human eye. She was a child of eight years of age, and God alone at this moment saw this sorrowful sight, and her mother too, doubtless! for there are things which open the eyes of the dead in their graves.

She breathed with a sort of dolorous rattle; sobs contracted her throat, but she did not dare cry, for she was so afraid of her mistress, even at a distance. It was her habit always to imagine Madame Thénardier present. Still, she did not make much progress in this way, and she walked very slowly, although she strove to lessen the length of her halts and walk as long as she possibly could between them. She thought with agony that it would take her more than an hour to get back to Montfermeil in this way, and that her mistress would beat her. This agony was mingled with her terror at being alone in the wood at night; she was worn out with fatigue, and had not yet left the forest. On reaching an old chestnut-tree which she knew, she made a longer halt than the others to rest herself thoroughly; then she collected all her strength, took up the bucket again, and began walking courageously. Still the poor little creature in her despair could not refrain from exclaiming, – "My God! my God!" All at once she suddenly felt that the bucket no longer weighed anything; a hand which seemed to her enormous had seized it, and was vigorously lifting it. She raised her head, and saw a tall black form walking by her side; it was a man who had come up behind her, and whom she had not heard. This man, without saying a word, had seized the handle of the bucket which she was carrying. There is an instinct in every meeting of this life. The child felt no fear.

CHAPTER VI
BOULATRUELLE MAY HAVE BEEN RIGHT

On the afternoon of this same Christmas day, 1823, a man walked for a long time about the most desolate part of the Boulevard de l'Hôpital, at Paris. He seemed to be looking for a lodging, and to stop for choice at the most shabby houses in this skirt of the Faubourg St. Marceau. As we shall see presently, this man had really hired a bed-room in this isolated district. Both in dress and person he realized the type of what might be called the respectable mendicant, or extreme misery combined with extreme cleanliness. This is a very rare blending, which inspires intelligent minds with the twofold respect which is felt for the very poor and the very worthy man. He wore a very old and carefully-brushed round hat, a threadbare coat of coarse yellow-ochre colored cloth, – a color which was not absolutely odd at that day, – a long waistcoat with enormous pockets, black breeches which had turned gray at the knees, black worsted stockings, and stout shoes with brass buckles. He looked like the ex-tutor of a good family returned from emigration. From his white hair, wrinkled forehead, livid lips, and his face in which everything revealed weariness of life, he might have been supposed much beyond sixty years of age; but his firm though slow step, and the singular vigor imprinted on all his movements, made him look scarce fifty. The wrinkles on his forehead were well placed, and would have favorably disposed any one who observed him closely; his lip was contracted by a strange curve, which seemed stern, but was humble, and there was a lugubrious serenity in his look. He carried in his left hand a small parcel tied up in a handkerchief; and in his right he had a stick cut from a hedge. This stick had been carved with some care, and was not too bad-looking; advantage had been taken of the knots, and a coral knob had been made with red sealing-wax, – it was a cudgel and seemed a cane.

Few people pass along this boulevard, especially in winter; this man, however, seemed to avoid rather than seek them, though without affectation. At this period Louis XVIII. went almost daily to Choisy le Roi, which was one of his favorite drives. At two o'clock the royal carriage and escort could almost invariably be seen passing at full gallop along the Boulevard de l'Hôpital. This did as well as a clock or watch for the poor women of the district, who said, "It is two o'clock, for he is returning to the Tuileries." And some ran up and others drew up, for a king who passes always produces a tumult. Moreover, the appearance and disappearance of Louis XVIII. produced a certain effect in the streets of Paris, for it was rapid but majestic. This impotent king had a taste for galloping; unable to walk, he wished to run; and this cripple would have liked to be drawn by lightning. He passed, peaceful and stern, amid drawn sabres; his heavy gilded berline, with large branches of lilies painted on the panels, rolled noisily along. There was scarce time to take a glance at him; you saw in the right-hand corner a broad, firm, red face, a healthy forehead powdered à l'oiseau royal, a proud, harsh, artful eye, an intelligent smile, two heavy epaulettes with hanging fringe upon a civilian coat; the golden fleece, the Cross of St. Louis, the Cross of the Legion of Honor, the silver plate of the Holy Ghost, a large stomach, and a wide blue ribbon, – it was the king. When out of Paris he carried his white feathered hat on his knees, up to which came tall English gaiters; when he returned to the city he put his hat on his head, and bowed rarely. He looked at the people coldly, and they returned the compliment; when he appeared for the first time in the Faubourg St. Marceau, his entire success consisted in a remark made by a workman to his chum, – "That fat man is the government."

The infallible passage of the king at the same hour was hence the daily event of the Boulevard de l'Hôpital. The promenader in the yellow coat plainly did not belong to that quarter, and probably not to Paris, for he was ignorant of the fact. When at two o'clock the royal carriage, surrounded by Life Guards with their silver aiguillettes, turned into the boulevard, after coming round the Salpêtrière, he seemed surprised and almost terrified. As he was alone in the walk, he quickly concealed himself behind an angle of the wall; but this did not prevent the Duc d'Havre from noticing him. As Captain of the Guards on duty that day, he was seated in the carriage opposite to the king, and said to his Majesty, – "There is an ill-looking fellow." The policemen, who cleared the way for the king, also noticed him, and one of them received orders to follow him. But the man turned into the solitary streets of the Faubourg, and, as night was setting in, the agent lost his trail, as is proved by a report addressed the same evening to Count Anglès, Minister of State and Prefect of Police. When the man in the yellow coat had thrown out the agent, he doubled his pace, though not without looking back many times to make sure that he was not followed. At a quarter-past four, that is to say, at nightfall, he passed in front of the Porte St. Martin theatre, where the "Two Convicts" would be performed that evening. This bill, lit up by theatre lamps, struck him, for though he was walking rapidly, he stopped to read it. A moment later he entered "The Pewter Platter," which was at that time the office of the Lagny coach, which started at half-past four. The horses were put in, and the passengers, summoned by the driver, were hastily clambering up the iron steps of the vehicle. The man asked, —

"Have you a seat left?"

"Only one, by my side, on the box," the driver said.

"I will take it."

"Get up," the driver said.

Before starting, however, he took a glance at the passenger's poor dress and the smallness of his bundle, and asked for the fare.

"Are you going all the way to Lagny?" he said.

"Yes," the man answered.

The traveller paid his fare to Lagny and the coach started. After passing the city gate, the driver tried to get up a conversation, but the traveller only answered in monosyllables; so the driver began whistling and swearing at his horses. As the night was cold, he wrapped himself in his cloak, but the passenger did not seem to notice it. At about six o'clock they reached Chelles, where the driver stopped for a moment to let his horses breathe, at an inn opened in the old buildings of the Royal Abbey.

"I shall get down here," the man said.

He took his bundle and stick and jumped off the coach. A moment after he had disappeared, but he did not enter the inn. When the coachman started again a few moments after, he did not meet him in the high street of Lagny, and he turned round to his inside passengers: —

"That man," he said, "does not belong to these parts, for I do not know him. He looks as if he had not a penny; and yet he don't care for money, as he paid his fare to Lagny and only came as far as Chelles. It is night, all the houses are closed, he has not gone into the inn, and yet I can't see him, so he must have sunk into the ground."

The man had not sunk into the ground, but walked hastily along the main street of Chelles, in the darkness; then he turned to his left before reaching the church, into a cross-road that runs to Montfermeil, like a man who knows the country and had been there before. He followed this road rapidly, and at the spot where it is intersected by the old road that runs from Lagny to Gagny, he heard wayfarers coming. He hurriedly concealed himself in a ditch, and waited till they had passed; the precaution, however, was almost superfluous, for, as we have said, it was a very dark December night, and only two or three stars were visible in the sky. The man did not return to the Montfermeil road, but went to his right, across the fields, and hurried in the direction of the wood. When he was in it, he slackened his pace, and began looking carefully at all the trees, walking step by step, as if seeking and following a mysterious road known to himself alone. There was a moment at which he seemed to lose himself and appeared undecided; but at last, by repeated groping, he reached a glade in which there was a pile of large white stones. He walked hurriedly toward these stones and attentively examined them, as if passing them in review. A large tree, covered with those excrescences which are the warts of vegetation, was a few paces from the heap; he went up to it and passed his hand over the back as if trying to recognize and count all the warts. Opposite this tree, which was an ash, there was a sickly chestnut shedding its bark, upon which a ring of zinc had been placed as a poultice. He stood on tip-toe and felt this ring; then he examined for some time the ground in the space contained between the tree and the stones, as if assuring himself that the ground had not been freshly turned up. This done, he looked about him, and resumed his walk through the wood.

It was this man who came across Cosette. While proceeding in the direction of Montfermeil, he perceived this little shadow depositing a load on the ground, then taking it up again and continuing her journey. He went up and saw that it was a young child carrying an enormous bucket; then he drew to her side and silently took the bucket handle.

 
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