Герберт Джордж Уэллс
The Soul of a Bishop
“It is not the poverty I fear,” said Lady Ella.
And she did face the worldly situation, if a little sadly, at any rate with the courage of practical energy. It was she who stood in one ungainly house after another and schemed how to make discomforts tolerable, while Scrope raged unhelpfully at landlordism and the responsibility of the church for economic disorder. It was she who at last took decisions into her hands when he was too jaded to do anything but generalize weakly, and settled upon the house in Pembury Road which became their London home. She got him to visit Hunstanton again for half a week while she and Miriam, who was the practical genius of the family, moved in and made the new home presentable. At the best it was barely presentable. There were many plain hardships. The girls had to share one of the chief bedrooms in common instead of their jolly little individual dens at Princhester… One little room was all that could be squeezed out as a study for “father”; it was not really a separate room, it was merely cut off by closed folding doors from the dining-room, folding doors that slowly transmitted the dinner flavours to a sensitive worker, and its window looked out upon a blackened and uneventful yard and the skylights of a populous, conversational, and high-spirited millinery establishment that had been built over the corresponding garden of the house in Restharrow Street. Lady Ella had this room lined with open shelves, and Clementina (in the absence of Eleanor at Newuham) arranged the pick of her father’s books. It is to be noted as a fact of psychological interest that this cramped, ill-lit little room distressed Lady Ella more than any other of the discomforts of their new quarters. The bishop’s writing-desk filled a whole side of it. Parsimony ruled her mind, but she could not resist the impulse to get him at least a seemly reading-lamp.
He came back from Hunstanton full of ideas for work in London. He was, he thought, going to “write something” about his views. He was very grateful and much surprised at what she had done to that forbidding house, and full of hints and intimations that it would not be long before they moved to something roomier. She was disposed to seek some sort of salaried employment for Clementina and Miriam at least, but he would not hear of that. “They must go on and get educated,” he said, “if I have to give up smoking to do it. Perhaps I may manage even without that.” Eleanor, it seemed, had a good prospect of a scholarship at the London School of Economics that would practically keep her. There would be no Cambridge for Clementina, but London University might still be possible with a little pinching, and the move to London had really improved the prospects of a good musical training for Miriam. Phoebe and Daphne, Lady Ella believed, might get in on special terms at the Notting Hill High School.
Scrope found it difficult to guess at what was going on in the heads of his younger daughters. None displayed such sympathy as Eleanor had confessed. He had a feeling that his wife had schooled them to say nothing about the change in their fortunes to him. But they quarrelled a good deal, he could hear, about the use of the one bathroom – there was never enough hot water after the second bath. And Miriam did not seem to enjoy playing the new upright piano in the drawing-room as much as she had done the Princhester grand it replaced. Though she was always willing to play that thing he liked; he knew now that it was the Adagio of Of. 111; whenever he asked for it.
London servants, Lady Ella found, were now much more difficult to get than they had been in the Holy Innocents’ days in St. John’s Wood. And more difficult to manage when they were got. The households of the more prosperous clergy are much sought after by domestics of a serious and excellent type; an unfrocked clergyman’s household is by no means so attractive. The first comers were young women of unfortunate dispositions; the first cook was reluctant and insolent, she went before her month was up; the second careless; she made burnt potatoes and cindered chops, underboiled and overboiled eggs; a “dropped” look about everything, harsh coffee and bitter tea seemed to be a natural aspect of the state of being no longer a bishop. He would often after a struggle with his nerves in the bedroom come humming cheerfully to breakfast, to find that Phoebe, who was a delicate eater, had pushed her plate away scarcely touched, while Lady Ella sat at the end of the table in a state of dangerous calm, framing comments for delivering downstairs that would be sure to sting and yet leave no opening for repartee, and trying at the same time to believe that a third cook, if the chances were risked again, would certainly be “all right.”
The drawing-room was papered with a morose wallpaper that the landlord, in view of the fact that Scrope in his optimism would only take the house on a yearly agreement, had refused to replace; it was a design of very dark green leaves and grey gothic arches; and the apartment was lit by a chandelier, which spilt a pool of light in the centre of the room and splashed useless weak patches elsewhere. Lady Ella had to interfere to prevent the monopolization of this centre by Phoebe and Daphne for their home work. This light trouble was difficult to arrange; the plain truth was that there was not enough illumination to go round. In the Princhester drawing-room there had been a number of obliging little electric pushes. The size of the dining-room, now that the study was cut off from it, forbade hospitality. As it was, with only the family at home, the housemaid made it a grievance that she could scarcely squeeze by on the sideboard side to wait.
The house vibrated to the trains in the adjacent underground railway. There was a lady next door but one who was very pluckily training a contralto voice that most people would have gladly thrown away. At the end of Restharrow Street was a garage, and a yard where chauffeurs were accustomed to “tune up” their engines. All these facts were persistently audible to any one sitting down in the little back study to think out this project of “writing something,” about a change in the government of the whole world. Petty inconveniences no doubt all these inconveniences were, but they distressed a rather oversensitive mind which was also acutely aware that even upon this scale living would cost certainly two hundred and fifty pounds if not more in excess of the little private income available.
(5)
These domestic details, irrelevant as they may seem in a spiritual history, need to be given because they added an intimate keenness to Scrope’s readiness for this private chapel enterprise that he was discussing with Lady Sunderbund. Along that line and along that line alone, he saw the way of escape from the great sea of London dinginess that threatened to submerge his family. And it was also, he felt, the line of his duty; it was his “call.”
At least that was how he felt at first. And then matters began to grow complicated again.
Things had gone far between himself and Lady Sunderbund since that letter he had read upon the beach at Old Hunstanton. The blinds of the house with the very very blue door in Princhester had been drawn from the day when the first vanload of the renegade bishop’s private possessions had departed from the palace. The lady had returned to the brightly decorated flat overlooking Hyde Park. He had seen her repeatedly since then, and always with a fairly clear understanding that she was to provide the chapel and pulpit in which he was to proclaim to London the gospel of the Simplicity and Universality of God. He was to be the prophet of a reconsidered faith, calling the whole world from creeds and sects, from egotisms and vain loyalties, from prejudices of race and custom, to the worship and service of the Divine King of all mankind. That in fact had been the ruling resolve in his mind, the resolve determining his relations not only with Lady Sunderbund but with Lady Ella and his family, his friends, enemies and associates. He had set out upon this course unchecked by any doubt, and overriding the manifest disapproval of his wife and his younger daughters. Lady Sunderbund’s enthusiasm had been enormous and sustaining…
Almost imperceptibly that resolve had weakened. Imperceptibly at first. Then the decline had been perceived as one sometimes perceives a thing in the background out of the corner of one’s eye.
In all his early anticipations of the chapel enterprise, he had imagined himself in the likeness of a small but eloquent figure standing in a large exposed place and calling this lost misled world back to God. Lady Sunderbund, he assumed, was to provide the large exposed place (which was dimly paved with pews) and guarantee that little matter which was to relieve him of sordid anxieties for his family, the stipend. He had agreed in an inattentive way that this was to be eight hundred a year, with a certain proportion of the subscriptions. “At first, I shall be the chief subscriber,” she said. “Before the rush comes.” He had been so content to take all this for granted and think no more about it – more particularly to think no more about it – that for a time he entirely disregarded the intense decorative activities into which Lady Sunderbund incontinently plunged. Had he been inclined to remark them he certainly might have done so, even though a considerable proportion was being thoughtfully veiled for a time from his eyes.
For example, there was the young architect with the wonderful tie whom he met once or twice at lunch in the Hyde Park flat. This young man pulled the conversation again and again, Lady Sunderbund aiding and abetting, in the direction of the “ideal church.” It was his ambition, he said, someday, to build an ideal church, “divorced from tradition.”
Scrope had been drawn at last into a dissertation. He said that hitherto all temples and places of worship had been conditioned by orientation due to the seasonal aspects of religion, they pointed to the west or – as in the case of the Egyptian temples – to some particular star, and by sacramentalism, which centred everything on a highly lit sacrificial altar. It was almost impossible to think of a church built upon other lines than that. The architect would be so free that —
“Absolutely free,” interrupted the young architect. “He might, for example, build a temple like a star.”
“Or like some wondyful casket,” said Lady Sunderbund…
And also there was a musician with fuzzy hair and an impulsive way of taking the salted almonds, who wanted to know about religious music.
Scrope hazarded the idea that a chanting people was a religious people. He said, moreover, that there was a fine religiosity about Moussorgski, but that the most beautiful single piece of music in the world was Beethoven’s sonata, Opus 111, – he was thinking, he said, more particularly of the Adagio at the end, molto semplice e cantabile. It had a real quality of divinity.
The musician betrayed impatience at the name of Beethoven, and thought, with his mouth appreciatively full of salted almonds, that nowadays we had got a little beyond that anyhow.
“We shall be superhuman before we get beyond either Purcell or Beethoven,” said Scrope.
Nor did he attach sufficient importance to Lady Sunderbund’s disposition to invite Positivists, members of the Brotherhood Church, leaders among the Christian Scientists, old followers of the Rev. Charles Voysey, Swedenborgians, Moslem converts, Indian Theosophists, psychic phenomena and so forth, to meet him. Nevertheless it began to drift into his mind that he was by no means so completely in control of the new departure as he had supposed at first. Both he and Lady Sunderbund professed universalism; but while his was the universalism of one who would simplify to the bare fundamentals of a common faith, hers was the universalism of the collector. Religion to him was something that illuminated the soul, to her it was something that illuminated prayer-books. For a considerable time they followed their divergent inclinations without any realization of their divergence. None the less a vague doubt and dissatisfaction with the prospect before him arose to cloud his confidence.
At first there was little or no doubt of his own faith. He was still altogether convinced that he had to confess and proclaim God in his life. He was as sure that God was the necessary king and saviour of mankind and of a man’s life, as he was of the truth of the Binomial Theorem. But what began first to fade was the idea that he had been specially called to proclaim the True God to all the world. He would have the most amiable conference with Lady Sunderbund, and then as he walked back to Notting Hill he would suddenly find stuck into his mind like a challenge, Heaven knows how: “Another prophet?” Even if he succeeded in this mission enterprise, he found himself asking, what would he be but just a little West-end Mahomet? He would have founded another sect, and we have to make an end to all sects. How is there to be an end to sects, if there are still to be chapels – richly decorated chapels – and congregations, and salaried specialists in God?
That was a very disconcerting idea. It was particularly active at night. He did his best to consider it with a cool detachment, regardless of the facts that his private income was just under three hundred pounds a year, and that his experiments in cultured journalism made it extremely improbable that the most sedulous literary work would do more than double this scanty sum. Yet for all that these nasty, ugly, sordid facts were entirely disregarded, they did somehow persist in coming in and squatting down, shapeless in a black corner of his mind – from which their eyes shone out, so to speak – whenever his doubt whether he ought to set up as a prophet at all was under consideration.
(6)
Then very suddenly on this October afternoon the situation had come to a crisis.
He had gone to Lady Sunderbund’s flat to see the plans and drawings for the new church in which he was to give his message to the world. They had brought home to him the complete realization of Lady Sunderbund’s impossibility. He had attempted upon the spur of the moment an explanation of just how much they differed, and he had precipitated a storm of extravagantly perplexing emotions…
She kept him waiting for perhaps ten minutes before she brought the plans to him. He waited in the little room with the Wyndham Lewis picture that opened upon the balcony painted with crazy squares of livid pink. On a golden table by the window a number of recently bought books were lying, and he went and stood over these, taking them up one after another. The first was “The Countess of Huntingdon and Her Circle,” that bearder of lightminded archbishops, that formidable harbourer of Wesleyan chaplains. For some minutes he studied the grim portrait of this inspired lady standing with one foot ostentatiously on her coronet and then turned to the next volume. This was a life of Saint Teresa, that energetic organizer of Spanish nunneries. The third dealt with Madame Guyon. It was difficult not to feel that Lady Sunderbund was reading for a part.
She entered.
She was wearing a long simple dress of spangled white with a very high waist; she had a bracelet of green jade, a waistband of green silk, and her hair was held by a wreath of artificial laurel, very stiff and green. Her arms were full of big rolls of cartridge paper and tracing paper. “I’m so pleased,” she said. “It’s ‘eady at last and I can show you.”
She banged the whole armful down upon a vivid little table of inlaid black and white wood. He rescued one or two rolls and a sheet of tracing paper from the floor.
“It’s the Temple,” she panted in a significant whisper. “It’s the Temple of the One T’ue God!”
She scrabbled among the papers, and held up the elevation of a strange square building to his startled eyes. “Iszi’t it just pe’fect?” she demanded.
He took the drawing from her. It represented a building, manifestly an enormous building, consisting largely of two great, deeply fluted towers flanking a vast archway approached by a long flight of steps. Between the towers appeared a dome. It was as if the Mosque of Saint Sophia had produced this offspring in a mesalliance with the cathedral of Wells. Its enormity was made manifest by the minuteness of the large automobiles that were driving away in the foreground after “setting down.” “Here is the plan,” she said, thrusting another sheet upon him before he could fully take in the quality of the design. “The g’eat Hall is to be pe’fectly ‘ound, no aisle, no altar, and in lettas of sapphiah, ‘God is ev’ywhe’.’”
She added with a note of solemnity, “It will hold th’ee thousand people sitting down.”
“But – !” said Scrope.
“The’e’s a sort of g’andeur,” she said. “It’s young Venable’s wo’k. It’s his fl’st g’ate oppo’tunity.”
“But – is this to go on that little site in Aldwych?”
“He says the’ isn’t ‘oom the’!” she explained. “He wants to put it out at Golda’s G’een.”
“But – if it is to be this little simple chapel we proposed, then wasn’t our idea to be central?”
“But if the’ isn’t ‘oem!” she said – conclusively. “And isn’t this – isn’t it rather a costly undertaking, rather more costly – ”
“That doesn’t matta. I’m making heaps and heaps of money. Half my p’ope’ty is in shipping and a lot of the ‘eat in munitions. I’m ‘icher than eva. Isn’t the’ a sort of g’andeur?” she pressed.
He put the elevation down. He took the plan from her hands and seemed to study it. But he was really staring blankly at the whole situation.
“Lady Sunderbund,” he said at last, with an effort, “I am afraid all this won’t do.”
“Won’t do!”
“No. It isn’t in the spirit of my intention. It isn’t in a great building of this sort – so – so ornate and imposing, that the simple gospel of God’s Universal Kingdom can be preached.”
“But oughtn’t so gate a message to have as g’ate a pulpit?”
And then as if she would seize him before he could go on to further repudiations, she sought hastily among the drawings again.
“But look,” she said. “It has ev’ything! It’s not only a p’eaching place; it’s a headquarters for ev’ything.”
With the rapid movements of an excited child she began to thrust the remarkable features and merits of the great project upon him. The preaching dome was only the heart of it. There were to be a library, “‘efecto’ies,” consultation rooms, classrooms, a publication department, a big underground printing establishment. “Nowadays,” she said, “ev’y gate movement must p’int.” There was to be music, she said, “a gate invisible o’gan,” hidden amidst the architectural details, and pouring out its sounds into the dome, and then she glanced in passing at possible “p’ocessions” round the preaching dome. This preaching dome was not a mere shut-in drum for spiritual reverberations, around it ran great open corridors, and in these corridors there were to be “chapels.”
“But what for?” he asked, stemming the torrent. “What need is there for chapels? There are to be no altars, no masses, no sacraments?”
“No,” she said, “but they are to be chapels for special int’ests; a chapel for science, a chapel for healing, a chapel for gov’ment. Places for peoples to sit and think about those things – with paintings and symbols.”
“I see your intention,” he admitted. “I see your intention.”
“The’ is to be a gate da’k blue ‘ound chapel for sta’s and atoms and the myst’ry of matta.” Her voice grew solemn. “All still and deep and high. Like a k’ystal in a da’k place. You will go down steps to it. Th’ough a da’k ‘ounded a’ch ma’ked with mathematical symbols and balances and scientific app’atus… And the ve’y next to it, the ve’y next, is to be a little b’ight chapel for bi’ds and flowas!”
“Yes,” he said, “it is all very fine and expressive. It is, I see, a symbolical building, a great artistic possibility. But is it the place for me? What I have to say is something very simple, that God is the king of the whole world, king of the ha’penny newspaper and the omnibus and the vulgar everyday things, and that they have to worship him and serve him as their leader in every moment of their lives. This isn’t that. This is the old religions over again. This is taking God apart. This is putting him into a fresh casket instead of the old one. And… I don’t like it.”
“Don’t like it,” she cried, and stood apart from him with her chin in the air, a tall astonishment and dismay.
“I can’t do the work I want to do with this.”
“But – Isn’t it you’ idea?”
“No. It is not in the least my idea. I want to tell the whole world of the one God that can alone unite it and save it – and you make this extravagant toy.”
He felt as if he had struck her directly he uttered that last word.
“Toy!” she echoed, taking it in, “you call it a Toy!”
A note in her voice reminded him that there were two people who might feel strongly in this affair.
“My dear Lady Sunderbund,” he said with a sudden change of manner, “I must needs follow the light of my own mind. I have had a vision of God, I have seen him as a great leader towering over the little lives of men, demanding the little lives of men, prepared to take them and guide them to the salvation of mankind and the conquest of pain and death. I have seen him as the God of the human affair, a God of politics, a God of such muddy and bloody wars as this war, a God of economics, a God of railway junctions and clinics and factories and evening schools, a God in fact of men. This God – this God here, that you want to worship, is a God of artists and poets – of elegant poets, a God of bric-a-brac, a God of choice allusions. Oh, it has its grandeur! I don’t want you to think that what you are doing may not be altogether fine and right for you to do. But it is not what I have to do… I cannot – indeed I cannot – go on with this project – upon these lines.”
He paused, flushed and breathless. Lady Sunderbund had heard him to the end. Her bright face was brightly flushed, and there were tears in her eyes. It was like her that they should seem tears of the largest, most expensive sort, tears of the first water.
“But,” she cried, and her red delicate mouth went awry with dismay and disappointment, and her expression was the half incredulous expression of a child suddenly and cruelly disappointed: “You won’t go on with all this?”
“No,” he said. “My dear Lady Sunderbund – ”
“Oh! don’t Lady Sunderbund me!” she cried with a novel rudeness. “Don’t you see I’ve done it all for you?”
He winced and felt boorish. He had never liked and disapproved of Lady Sunderbund so much as he did at that moment. And he had no words for her.
“How can I stop it all at once like this?”
And still he had no answer.
She pursued her advantage. “What am I to do?” she cried.
She turned upon him passionately. “Look what you’ve done!” She marked her points with finger upheld, and gave odd suggestions in her face of an angry coster girl. “Eva’ since I met you, I’ve wo’shipped you. I’ve been ‘eady to follow you anywhe’ – to do anything. Eva’ since that night when you sat so calm and dignified, and they baited you and wo’id you. When they we’ all vain and cleva, and you – you thought only of God and ‘iligion and didn’t mind fo’ you’self… Up to then – I’d been living – oh! the emptiest life…”
The tears ran. “Pe’haps I shall live it again…” She dashed her grief away with a hand beringed with stones as big as beetles.
“I said to myself, this man knows something I don’t know. He’s got the seeds of ete’nal life su’ely. I made up my mind then and the’ I’d follow you and back you and do all I could fo’ you. I’ve lived fo’ you. Eve’ since. Lived fo’ you. And now when all my little plans are ‘ipe, you – ! Oh!”
She made a quaint little gesture with pink fists upraised, and then stood with her hand held up, staring at the plans and drawings that were littered over the inlaid table. “I’ve planned and planned. I said, I will build him a temple. I will be his temple se’vant… Just a me’ se’vant…”
She could not go on.
“But it is just these temples that have confused mankind,” he said.
“Not my temple,” she said presently, now openly weeping over the gay rejected drawings. “You could have explained…”
“Oh!” she said petulantly, and thrust them away from her so that they went sliding one after the other on to the floor. For some long-drawn moments there was no sound in the room but the slowly accelerated slide and flop of one sheet of cartridge paper after another.
“We could have been so happy,” she wailed, “se’ving oua God.”
And then this disconcerting lady did a still more disconcerting thing. She staggered a step towards Scrape, seized the lapels of his coat, bowed her head upon his shoulder, put her black hair against his cheek, and began sobbing and weeping.
“My dear lady!” he expostulated, trying weakly to disengage her.
“Let me k’y,” she insisted, gripping more resolutely, and following his backward pace. “You must let me k’y. You must let me k’y.”
His resistance ceased. One hand supported her, the other patted her shining hair. “My dear child!” he said. “My dear child! I had no idea. That you would take it like this…”
(7)
That was but the opening of an enormous interview. Presently he had contrived in a helpful and sympathetic manner to seat the unhappy lady on a sofa, and when after some cramped discourse she stood up before him, wiping her eyes with a wet wonder of lace, to deliver herself the better, a newborn appreciation of the tactics of the situation made him walk to the other side of the table under colour of picking up a drawing.
In the retrospect he tried to disentangle the threads of a discussion that went to and fro and contradicted itself and began again far back among things that had seemed forgotten and disposed of. Lady Sunderbund’s mind was extravagantly untrained, a wild-grown mental thicket. At times she reproached him as if he were a heartless God; at times she talked as if he were a recalcitrant servant. Her mingling of utter devotion and the completest disregard for his thoughts and wishes dazzled and distressed his mind. It was clear that for half a year her clear, bold, absurd will had been crystallized upon the idea of giving him exactly what she wanted him to want. The crystal sphere of those ambitions lay now shattered between them.
She was trying to reconstruct it before his eyes.
She was, she declared, prepared to alter her plans in any way that would meet his wishes. She had not understood. “If it is a Toy,” she cried, “show me how to make it not a Toy! Make it ‘eal!”
He said it was the bare idea of a temple that made it impossible. And there was this drawing here; what did it mean? He held it out to her. It represented a figure, distressingly like himself, robed as a priest in vestments.
She snatched the offending drawing from him and tore it to shreds.
“If you don’t want a Temple, have a meeting-house. You wanted a meeting-house anyhow.”
“Just any old meeting-house,” he said. “Not that special one. A place without choirs and clergy.”
“If you won’t have music,” she responded, “don’t have music. If God doesn’t want music it can go. I can’t think God does not app’ove of music, but – that is for you to settle. If you don’t like the’ being o’naments, we’ll make it all plain. Some g’ate g’ey Dome – all g’ey and black. If it isn’t to be beautiful, it can be ugly. Yes, ugly. It can be as ugly” – she sobbed – “as the City Temple. We will get some otha a’chitect – some City a’chitect. Some man who has built B’anch Banks or ‘ailway stations. That’s if you think it pleases God… B’eak young Venable’s hea’t… Only why should you not let me make a place fo’ you’ message? Why shouldn’t it be me? You must have a place. You’ve got ‘to p’each somewhe’.”
“As a man, not as a priest.”
“Then p’each as a man. You must still wea’ something.”
“Just ordinary clothes.”
“O’dina’y clothes a’ clothes in the fashion,” she said. “You would have to go to you’ taila for a new p’eaching coat with b’aid put on dif’ently, or two buttons instead of th’ee…”
“One needn’t be fashionable.”
“Ev’ybody is fash’nable. How can you help it? Some people wea’ old fashions; that’s all… A cassock’s an old fashion. There’s nothing so plain as a cassock.”
“Except that it’s a clerical fashion. I want to be just as I am now.”
“If you think that – that owoble suit is o’dina’y clothes!” she said, and stared at him and gave way to tears of real tenderness.
“A cassock,” she cried with passion. “Just a pe’fectly plain cassock. Fo’ deecency!.. Oh, if you won’t – not even that!”
(8)
As he walked now after his unsuccessful quest of Dr. Brighton-Pomfrey towards the Serpentine he acted that stormy interview with Lady Sunderbund over again. At the end, as a condition indeed of his departure, he had left things open. He had assented to certain promises. He was to make her understand better what it was he needed. He was not to let anything that had happened affect that “spi’tual f’enship.” She was to abandon all her plans, she was to begin again “at the ve’y beginning.” But he knew that indeed there should be no more beginning again with her. He knew that quite beyond these questions of the organization of a purified religion, it was time their association ended. She had wept upon him; she had clasped both his hands at parting and prayed to be forgiven. She was drawing him closer to her by their very dissension. She had infected him with the softness of remorse; from being a bright and spirited person, she had converted herself into a warm and touching person. Her fine, bright black hair against his cheek and the clasp of her hand on his shoulder was now inextricably in the business. The perplexing, the astonishing thing in his situation was that there was still a reluctance to make a conclusive breach.
He was not the first of men who have tried to find in vain how and when a relationship becomes an entanglement. He ought to break off now, and the riddle was just why he should feel this compunction in breaking off now. He had disappointed her, and he ought not to have disappointed her; that was the essential feeling. He had never realized before as he realized now this peculiar quality of his own mind and the gulf into which it was leading him. It came as an illuminating discovery.
