Bender Ida Catherine
Eighth Reader
POEMS OF HOME AND COUNTRY
I. "This is My Own, My Native Land" 40
Breathes there the man with soul so dead,
Who never to himself hath said,
This is my own, my native land!
Whose heart hath ne'er within him burned
As home his footsteps he hath turned,
From wandering on a foreign strand?
If such there breathe, go, mark him well.
For him no minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim;
Despite those titles, power, and pelf,
The wretch concentered all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonored, and unsung.
O Caledonia! stern and wild,
Meet nurse for a poetic child!
Land of brown heath and shaggy wood,
Land of the mountain and the flood,
Land of my sires! what mortal hand
Can e'er untie the filial band,
That knits me to thy rugged strand?
II. The Green Little Shamrock of Ireland 41
There's a dear little plant that grows in our isle,
'Twas St. Patrick himself, sure, that set it;
And the sun on his labor with pleasure did smile,
And with dew from his eye often wet it.
It thrives through the bog, through the brake, through the mireland,
And its name is the dear little shamrock of Ireland —
The sweet little shamrock, the dear little shamrock,
The sweet little, green little shamrock of Ireland.
This dear little plant still grows in our land,
Fresh and fair as the daughters of Erin,
Whose smiles can bewitch, whose eyes can command,
In what climate they chance to appear in;
For they shine through the bog, through the brake, through the mireland,
Just like their own dear little shamrock of Ireland —
The sweet little shamrock, the dear little shamrock,
The sweet little, green little shamrock of Ireland.
This dear little plant that springs from our soil,
When its three little leaves are extended,
Betokens that each for the other should toil,
And ourselves by ourselves be befriended, —
And still through the bog, through the brake, through the mireland,
From one root should branch like the shamrock of Ireland —
The sweet little shamrock, the dear little shamrock,
The sweet little, green little shamrock of Ireland!
III. My Heart's in the Highlands 42
My heart's in the Highlands, my heart is not here;
My heart's in the Highlands a-chasing the deer,
Chasing the wild deer and following the roe —
My heart's in the Highlands wherever I go.
Farewell to the Highlands, farewell to the North,
The birthplace of valor, the country of worth;
Wherever I wander, wherever I rove,
The hills of the Highlands forever I love.
Farewell to the mountains high covered with snow;
Farewell to the straths and green valleys below;
Farewell to the forests and wild-hanging woods;
Farewell to the torrents and loud-pouring floods.
My heart's in the Highlands, my heart is not here;
My heart's in the Highlands a-chasing the deer,
Chasing the wild deer and following the roe —
My heart's in the Highlands wherever I go.
IV. The Fatherland 43
Where is the true man's fatherland?
Is it where he by chance is born?
Doth not the yearning spirit scorn
In such scant borders to be spanned?
Oh, yes! his fatherland must be
As the blue heaven wide and free!
Is it alone where freedom is,
Where God is God, and man is man?
Doth he not claim a broader span
For the soul's love of home than this?
Oh, yes! his fatherland must be
As the blue heaven wide and free!
Where'er a human heart doth wear
Joy's myrtle wreath or sorrow's gyves,
Where'er a human spirit strives
After a life more true and fair,
There is the true man's birthplace grand,
His is a world-wide fatherland!
Where'er a single slave doth pine,
Where'er one man may help another, —
Thank God for such a birthright, brother, —
That spot of earth is thine and mine!
There is the true man's birthplace grand,
His is a world-wide fatherland!
V. Home 44
But where to find that happiest spot below,
Who can direct when all pretend to know?
The shuddering tenant of the frigid zone
Boldly proclaims that happiest spot his own —
Extols the treasures of his stormy seas,
And his long nights of revelry and ease;
The naked negro, panting at the line,
Boasts of his golden sands and palmy wine,
Basks in the glare, or stems the tepid wave,
And thanks his gods for all the good they gave.
Such is the patriot's boast, where'er we roam,
His first, best country, ever is at home.
And yet, perhaps, if countries we compare,
And estimate the blessings which they share,
Though patriots flatter, still shall wisdom find
An equal portion dealt to all mankind;
As different good, by art or nature given,
To different nations makes their blessing even.
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Expression: Read all of these poems silently with a view towards sympathizing with the feelings which they express. Now read each one separately, and compare them, one with another. What is the leading sentiment inculcated by each? Which poem appeals the most strongly to your own emotions?
Word Study: Caledonia, shamrock, brake, Erin, gyves, yearning, frigid, tepid, patriot.
THE AGE OF COAL 45
Come with me, in fancy, back to those early ages of the world, thousands, yes millions, of years ago. Stand with me on some low ancient hill, which overlooks the flat and swampy lands that are to become the American continent.
Few heights are yet in sight. The future Rocky Mountains lie still beneath the surface of the sea. The Alleghanies are not yet heaved up above the level surface of the ground, for over them are spread the boggy lands and thick forests of future coal fields. The Mississippi River is not yet in existence, or if in existence, is but an unimportant little stream.
Below us, as we stand, we can see a broad and sluggish body of water, in places widening into shallow lakes. On either side of this stream, vast forests extend in every direction as far as the horizon, bounded on one side by the distant ocean, clothing each hilly rise, and sending islets of matted trees and shrubs floating down the waters.
Strange forests these are to us. No oaks, no elms, no beeches, no birches, no palms, nor many colored wild flowers are there. The deciduous plants so common in our modern forests are nowhere found; but enormous club mosses are seen, as well as splendid pines and an abundance of ancient trees with waving, frondlike leaves. Here also are graceful tree ferns and countless ferns of lower growth filling up all gaps.
No wild quadrupeds are yet in existence, and the silent forests are enlivened only by the stirring of the breeze among the trees or the occasional hum of monstrous insects. But upon the margin of yonder stream a huge four-footed creature creeps slowly along. He looks much like a gigantic salamander, and his broad, soft feet make deep impressions in the yielding mud.
No sunshine but only a gleam of light can creep through the misty atmosphere. The earth seems clothed in a garment of clouds, and the air is positively reeking with damp warmth, like the air of a hothouse. This explains the luxuriant growth of foliage.
Could we thus stand upon the hilltops and keep watch through the long coal building ages, we should see generation after generation of forest trees and underwoods living, withering, dying, falling to earth. Slowly a layer of dead and decaying vegetation thus collects, over which the forest flourishes still – tree for tree, and shrub for shrub, springing up in the place of each one that dies.
Then, after a very long time, through the working of mighty underground forces, the broad lands sink a little way – perhaps only a few feet – and the ocean tide rushes in, overwhelming the forests, trees and plants and living creatures, in one dire desolation. – No, not dire, for the ruin is not objectless or needless. It is all a part of the wonderful preparation for the life of man on earth.
Under the waves lie the overwhelmed forests – prostrate trunks and broken stumps in countless numbers overspreading the gathered vegetable remains of centuries before. Upon these the sea builds a protective covering of sand or mud, more or less thick. Here sea creatures come to live, fishes swim hungrily to and fro, and shellfishes die in the mud which, by and by, is to become firm rock with stony animal remains embedded in it.
After a while the land rises again to its former position. There are bare, sandy flats as before, but they do not remain bare. Lichens and hardier plants find a home. The light spores of the ancient forest trees take root and grow, and luxuriant forests, like those of old, spring again into being. Upon river and lake bottoms, and over the low damp lands, rich layers of decaying vegetation again collect. Then once more the land sinks and the ocean tide pours in; and another sandy or muddy stratum is built up on the overflowed lands. Thus the second layer of forest growth is buried like the first, and both lie quietly through the long ages following, hidden from sight, slowly changing in their substance from wood to shining coal.
Thus time after time, the land rose and sank, rose and sank, again and again. Not the whole continent is believed to have risen or sunk at the same time; but here at one period, there at another period, the movements probably went on.
The greater part of the vegetable mass decayed slowly; but when the final ruin of the forest came, whole trunks were snapped off close to the roots and flung down. These are now found in numbers on the tops of the coal layers, the barks being flattened and changed to shining black coal.
How wonderful the tale of those ancient days told to us by these buried forests!
SOMETHING ABOUT THE MOON 46
I am going to say a few words about the moon; but there are many matters relating to her of great interest which I must leave untouched, for the simple reason that there is not room to speak of them in a single paper.
Thus the moon's changes of shape from the horned moon to the half, and thence to the full moon, with the following changes from full to half, and so to the horned form again, are well worth studying; but I should want all the space I am going to occupy, merely to explain properly those changes alone.
So a study of the way in which the moon rules the tides would, I am sure, interest every thoughtful reader; but there is not room for it here.
Let us now turn to consider the moon; not as the light which makes our nights beautiful, nor as the body which governs the mighty ocean in its tidal sway, but as another world, – the companion planet of the earth.
It has always been a matter not only of the deepest curiosity, but of the greatest scientific import, whether other planets, and particularly our own satellite, are inhabited or exhibit any traces whatever of animal or vegetable life.
One or two astronomers have claimed the discovery of vegetation on the moon's surface by reason of the periodic appearance of a greenish tint; but as the power of the telescope can bring the moon to within only about a hundred and twenty miles of us, these alleged appearances cannot be satisfactorily verified.
The moon is a globe, two thousand one hundred and sixty-five miles in diameter; very much less, therefore, than our earth, which has a diameter of about seven thousand nine hundred and twenty miles.
Thus the moon's surface is less than one thirteenth of the earth's. Instead of two hundred millions of square miles as the earth has, the moon has only about fourteen millions of square miles, or about the same surface as North and South America together, without the great American Islands of the Arctic regions.
The volume of the earth exceeds that of the moon more than forty-nine times. But the moon's substance is somewhat lighter. Thus the mass, or quantity of matter in the moon, instead of being a forty-ninth part of the earth's, is about an eighty-first part.
This small companion world travels like our own earth around the sun, at a distance of ninety-three millions of miles. The path of the moon around the sun is, in fact, so nearly the same as that of the earth that it would be almost impossible to distinguish one from the other, if they were both drawn on a sheet of paper a foot or so in diameter.
You may perhaps be surprised to find me thus saying that the moon travels round the sun, when you have been accustomed to hear that the moon travels round the earth. In reality, however, it is round the sun the moon travels, though certainly the moon and the earth circle around each other.
The distance of the moon from the earth is not always the same; but the average, or mean distance, amounts to about two hundred and thirty-eight thousand eight hundred and twenty-eight miles. This is the distance between the centers of the two globes. With this distance separating them, the companion worlds – the earth and the moon – circle round each other, as they both travel round the central sun.
But now you will be curious to learn whether our companion planet, the moon, really presents the appearance of a world, when studied with a powerful telescope.
If we judged the moon in this way, we should say that she is not only not inhabited by living creatures, but that she could not possibly be inhabited. What is it that makes our earth a fit abode for us who live upon it? Her surface is divided into land and water. We live on the land; but without the water we should perish.
Were there no water, there would be no clouds, no rain, no snow, no rivers, brooks, or other streams. Without these, there could be no vegetable life; and without vegetable life, there could be no animal life, even if animals themselves could live without water.
Yet again, the earth's globe is enwrapped in an atmosphere, – the air we breathe. Without this air, neither animals nor vegetables could live. I might go further and show other features of the earth, which we are at present justified in regarding as essential to the mere existence, and still more to the comfort, of creatures living upon the earth.
Now, before the telescope was invented, many astronomers believed that there was water on the moon, and probably air also. But as soon as Galileo examined the moon with his largest telescope (and a very weak telescope it was), he found that whatever the dark parts of the moon may be, they certainly are not seas.
More and more powerful telescopes have since been turned on the moon. It has been shown that there are not only no seas, but no rivers, pools, lakes, or other water surfaces. No clouds are ever seen to gather over any part of the moon's surface. In fact, nothing has ever yet been seen on the moon which suggests in the slightest degree the existence of water on her surface, or even that water could at present possibly exist; and, of course, without water it is safe to infer there could be neither vegetable nor animal existence.
It would seem, then, that apart from the absence of air on the moon, there is such an entire absence of water that no creatures now living on the earth could possibly exist upon the moon. Certainly man could not exist there, nor could animals belonging to any except the lowest orders of animal life.
THE COMING OF THE BIRDS 47
I know the trusty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march, —
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight;
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage and probity and grace!
THE RETURN OF THE BIRDS 48
The coming and going of the birds is more or less a mystery and a surprise. We go out in the morning, and no thrush or finch is to be heard; we go out again, and every tree and grove is musical; yet again, and all is silent. Who saw them come? Who saw them depart?
This pert little winter wren, for instance, darting in and out the fence, diving under the rubbish here and coming up yards away, – how does he manage with those little circular wings to compass degrees and zones, and arrive always in the nick of time? Last August I saw him in the remotest wilds of the Adirondacks, impatient and inquisitive as usual; a few weeks later, on the Potomac, I was greeted by the same hardy little busybody. Does he travel by easy stages from bush to bush and from wood to wood? or has that compact little body force and courage to brave the night and the upper air, and so achieve leagues at one pull?
And yonder bluebird, with the earth tinge on his breast and the sky tinge on his back, – did he come down out of heaven on that bright March morning when he told us so softly and plaintively that spring had come? Indeed, there is nothing in the return of the birds more curious and suggestive than in the first appearance, or rumors of the appearance, of this little bluecoat.
The bird at first seems a mere wandering voice in the air; one hears its call or carol on some bright March morning, but is uncertain of its source or direction; it falls like a drop of rain when no cloud is visible; one looks and listens, but to no purpose. The weather changes, perhaps a cold snap with snow comes on, and it may be a week before I hear the note again, and this time or the next perchance see the bird sitting on a stake in the fence, lifting his wing as he calls cheerily to his mate. Its notes now become daily more frequent; the birds multiply, and, flitting from point to point, call and warble more confidently and gleefully.
Not long after the bluebird comes the robin, sometimes in March, but in most of the Northern states April is the month of the robin. In large numbers they scour the field and groves. You hear their piping in the meadow, in the pasture, on the hillside. Walk in the woods, and the dry leaves rustle with the whir of their wings, the air is vocal with their cheery call. In excess of joy and vivacity, they run, leap, scream, chase each other through the air, diving and sweeping among the trees with perilous rapidity.
In that free, fascinating, half work and half play pursuit, – sugar making, – a pursuit which still lingers in many parts of New York, as in New England, the robin is one's constant companion. When the day is sunny and the ground bare, you meet him at all points and hear him at all hours. At sunset, on the tops of the tall maples, with look heavenward, and in a spirit of utter abandonment, he carols his simple strain. And sitting thus amid the stark, silent trees, above the wet, cold earth, with the chill of winter in the air, there is no fitter or sweeter songster in the whole round year. It is in keeping with the scene and the occasion. How round and genuine the notes are, and how eagerly our ears drink them in! The first utterance, and the spell of winter is thoroughly broken, and the remembrance of it afar off.
Another April bird, which makes her appearance sometimes earlier and sometimes later than Robin, and whose memory I fondly cherish, is the Phœbe bird, the pioneer of the fly catchers. In the inland fanning districts, I used to notice her, on some bright morning about Easter Day, proclaiming her arrival with much variety of motion and attitude, from the peak of the barn or hay shed. As yet, you may have heard only the plaintive, homesick note of the bluebird, or the faint trill of the song sparrow; and Phœbe's clear, vivacious assurance of her veritable bodily presence among us again is welcomed by all ears. At agreeable intervals in her lay she describes a circle, or an ellipse in the air, ostensibly prospecting for insects, but really, I suspect, as an artistic flourish, thrown in to make up in some way for the deficiency of her musical performance.
Another April comer, who arrives shortly after robin redbreast, with whom he associates both at this season and in the autumn, is the golden-winged woodpecker, alias "high-hole," alias "flicker," alias "yarup." He is an old favorite of my boyhood, and his note to me means very much. He announces his arrival by a long, loud call, repeated from the dry branch of some tree, or a stake in the fence, – a thoroughly melodious April sound. I think how Solomon finished that beautiful climax on spring, "And the voice of the turtle is heard in the land," and see that a description of spring in this farming country, to be equally characteristic, should culminate in like manner, "And the call of the high-hole comes up from the wood."
The song sparrow, that universal favorite and firstling of the spring, comes before April, and its simple strain gladdens all hearts.
May is the month of the swallows and the orioles. There are many other distinguished arrivals, indeed, nine tenths of the birds are here by the last week in May, yet the swallows and orioles are the most conspicuous. The bright plumage of the latter seems really like an arrival from the tropics. I see them flash through the blossoming trees, and all the forenoon hear their incessant warbling and wooing. The swallows dive and chatter about the barn, or squeak and build beneath the eaves; the partridge drums in the fresh sprouting woods; the long, tender note of the meadow lark comes up from the meadow; and at sunset, from every marsh and pond come the ten thousand voices of the hylas. May is the transition month, and exists to connect April and June, the root with the flower.
With June the cup is full, our hearts are satisfied, there is no more to be desired. The perfection of the season, among other things, has brought the perfection of the song and plumage of the birds. The master artists are all here, and the expectations excited by the robin and the song sparrow are fully justified. The thrushes have all come; and I sit down upon the first rock, with hands full of the pink azalea, to listen. In the meadows the bobolink is in all his glory; in the high pastures the field sparrow sings his breezy vesper hymn; and the woods are unfolding to the music of the thrushes.
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Expression: Read again the four descriptive selections beginning on page 179. Observe the wide difference in style of composition. Of the three prose extracts, which is the most interesting to you? Give reasons why this is so. Which passages require the most animation in reading? Read these passages so that those who are listening to you may fully appreciate their meaning.