Gustave Aimard
The Guide of the Desert

CHAPTER XVI
FRIENDS AND ENEMIES

Let us say, in a few words, what was the political situation of the ancient viceroyalty of Buenos Aires at the moment when our history commences.

Notwithstanding the royal decree of Jan. 22, 1809, declaring the provinces of Spanish America an integral part of the monarchy, with equal rights to those of the other provinces of the metropolis, Don Baltazar de Cisneros, named viceroy, arrived with the title of Count of Buenos Aires, and with the authority to receive an annual payment of 100,000 reals.

Indignation, for a long time subdued, at last burst out.

A commission, at the head of which figured two devoted patriots, named don Juan José Castelli and don Manuel Belgrano, was instituted.

On the 14th of May, 1810, a deputation, composed of nearly 600 notables of Buenos Aires, waited on the viceroy to invite him to abandon an authority henceforth ridiculous and illegal, since it emanated from a power which no longer existed in Europe.

A Junta was formed which, after having proclaimed the abolition of the Cour des Comptes, the impost on tobacco, and all dealings with the viceroy, sent an imposing force to Córdoba against General Liniers, French in origin, but devoted to the Spanish monarchy, which for a long time he had served with éclat in America.

Liniers had succeeded in collecting a considerable army, supported by a little squadron which, starting from Monte Video, had come to blockade Buenos Aires.

Unhappily, this event, which was to save the royal cause, compromised it in the most serious way.

The army of Liniers was disbanded; the greater part of the soldiers fell into the hands of the independent party. Moreno, Concha, and Liniers himself, met with the same fate.

The Junta, on learning this unlooked-for result of a campaign from which so much was expected, resolved to strike a decisive blow, in order to intimidate the partisans of the royal cause.

General Liniers was much loved by the people, for he had rendered them many great services. They could have been saved and freed by him. It was necessary to avoid this misfortune.

Don Juan José Castelli consequently received the orders to go in advance of the captives; he obeyed, and they met in the neighbourhood of Mont Pappagallo.

Then there transpired a horrible scene, that history has justly branded with disgrace. Without form of trial, in cold blood, all the prisoners' throats were cut; the bishop of Córdoba alone was spared – not out of respect for his sacred office, but merely to flatter the popular prejudices.

Thus died, cowardly assassinated, General Liniers, a man to whom France justly boasts of having given birth, who rendered such great services to his adopted country, and whose name will everlastingly live on American shores, by reason of his noble and splendid qualities.

A new storm burst over the independent party.

The viceroy of Peru sent, under the command of Colonel Córdoba, a corps d'armée against the Buenos Aireans.

On the 7th November, the two parties met at Hupacha. After a sanguinary fight, the royalists were conquered, and the greater part made prisoners.

Castelli, who, we have seen, massacred Liniers and his companions, had followed the royalist troops in their march. He did not wish to leave his work incomplete: the prisoners were all shot on the field of battle.

The viceroy of Peru, dismayed by this disaster, asked a truce, which the Junta consented to accord to him.

But the struggle was far from ended. Spain was by no means disposed to abandon, without being constrained to do so by force of arms, the magnificent countries where, during a long time, her flag had peaceably floated, and from whence she derived immense riches; and, at the moment when our history recommences, the independence of the Buenos Airean provinces, far from being assured, was again seriously imperilled.

The subjects of the new power had not been long in entering into battle with each other, and in sacrificing to their own miserably ambitious views the most sacred interests of their country, in inaugurating that era of fratricidal war which is not yet finished, and which is leading these beautiful and rich territories to an inevitable ruin.

At the moment when we resume our recital, the Spanish party, for a time subdued, had raised their head again; the colonists, scarcely emancipated, had never found themselves in so great danger of perishing.

The Spanish general, Pezuela, at the head of his experienced troops, made great progress in Peru. On the 25th November he gained a signal victory at Viluma, had retaken Chuguisaca, Potosí, and Tunca; his guards reached Cinti, and some squadrons of volunteer guerillas, partisans of Spain, ravaged almost with impunity the frontier of the province of Tucumán.

The situation was then most critical. The war had lost nothing of its original ferocity; each party appeared to be composed of brigands thirsting for blood and pillage, rather than of brave soldiers or loyal patriots. The road was infested by people without abode, who turned coats according to circumstances, and made war on the two parties according to the exigencies of the moment. The Indians, profiting by these disorders, fished in troubled waters, and chased the whites – royalists or insurgents.

Then, to put the finishing touch to so many misfortunes, a Brazilian army, ten thousand strong, commanded by General Lesort, had invaded the province of Monte Video, which had been for a long time coveted by Brazil, and on which it hoped, favoured by the intestine dissensions of the Buenos Aireans, to seize almost without striking a blow.

It will be easily understood how precarious was the situation of European travellers, necessarily isolated in this country, not knowing either the language or the manners of the people into whose midst they found themselves thrown, and thus cast unawares into the midst of this revolutionary whirlwind, which, like an African simoom, was pitilessly devouring all with which it came in contact.

We shall now return to the two Frenchmen, whom we left carelessly stretched on the grass on the shore of the river, discoursing of various matters.

The view of the second troop, discovered by the painter, had excited to the highest degree the curiosity of his companion. Let us hasten to state that this uneasiness was more than justified by the excessively suspicious appearance of the horsemen.

They were about fifty in number, well mounted, and armed to the teeth with long lances, sabres, poignards, and blunderbusses. These horsemen were evidently Spaniards. Their features, bronzed by the sun and the air of the desert, indicated intelligence and bravery; there was in them something of the haughty and determined bearing of the first Spanish conquerors, from whom they descended in a direct line, without degenerating. Still masters of a great part of the American territory, they did not admit that they could ever be chased from it by the independent party, notwithstanding the victories gained by the latter.

Although riding at a gallop, they advanced in good order; their chests covered with a cuirass of buffalo skin, intended to shield them from the Indian arrows, the lance fixed in the stirrup, the blunderbuss in the bow, the turned sabre in the scabbard, knocking against the spur with a metallic sound.

At ten paces in advance of the troop came a young man of haughty mien, of proud and noble features, with a full black eye, a sarcastic mouth, shaded by a fine black moustache, coquettishly oiled and turned up at the ends.

This young man bore the insignia of a captain, and commanded the troop which followed him. He was about twenty-five years of age; while galloping, he played, with a charming air, with his horse, a magnificent specimen of the untamed coursers of the pampa, who, while spoken to and handled with the nervous delicacy of a woman, curvetted, leaped on one side, and sometimes brought a frown and an ill-humoured grimace to the bronzed and battered countenance of an old sergeant, who was galloping in the rear of the right of the company.

Meanwhile, the distance between the two troops rapidly diminished, and the travellers found themselves, so to speak, the common centre of them.

The two Frenchmen, without saying a word, but as by common consent, had put themselves in the saddle, and in the middle of the track waited, calm and dignified, but their hands on their weapons, and doubtless inwardly uneasy, although they did not wish to appear so.

The second troop, of which we have not yet spoken, was composed of some thirty horsemen at the most, all wearing the characteristic and picturesque costume of the gauchos of the pampa. In the midst they led a dozen mules, loaded with baggage.

Arrived at fifteen paces from the travellers, the two troops halted, appearing to measure one another with their eyes, and mutually preparing for the combat.

To an indifferent spectator, certainly it would have been a strange spectacle offered by these three groups of men, thus boldly camped in the midst of the desert plain, looking defiantly at each other, and, nevertheless, stationary, and appearing to hesitate to charge.

Some minutes passed by.

The young officer, no doubt wishing to bring affairs to a crisis, and wearied with a hesitation he did not appear to share, advanced, making his horse to caracole, and carelessly twirling his moustache.

Arrived at some five or six paces from the travellers:

"Hola, good people," said he, in a sardonic voice, "what do you do there? With a frightened air like nandus in a covey altogether. You do not intend, I suppose, to bar our passage?"

"We have no pretensions of the kind, Señor Captain," answered M. Dubois, in the best Castilian he could manage – Castilian which, notwithstanding his efforts, was deplorable; "we are peaceable travellers."

"¡Caray!" cried the officer, turning round and laughing; "Whom have we here; English, I suppose?"

"No, Señor; Frenchmen," said M. Dubois, with a somewhat nettled look.

"Bah! English or French, what matters?" pursued the officer, with raillery "They are all heretics."

At this manifestation of ignorance, the two travellers shrugged their shoulders with contempt.

"What does that mean?" said the officer.

"Parbleu," answered the painter, "it means that you are deceiving yourself grossly, that is all. We are as good Catholics as you are, if not better."

"Aye, rye, you crow very loud, my young cock."

"Young," said the artist, with a sneer, "you are deceived there again; I am at least two years older than you; as to crowing, it is very easy to swagger and act the 'eater up of little children,' when you are fifty to two."

"Those people down there," pursued the officer, "are they not with you?"

"Yes, they are with us; but what matters that? In the first place, they are inferior to you in number, and next, they are not soldiers."

"Agreed," answered the captain, twirling his moustache with a mocking smile, "I grant you that; what do you wish to conclude from it?"

"Only this, Captain; that we Frenchmen bear insults with great difficulty, no matter where they come from; and that if we were only equal in numbers, this would not have happened."

"Aha, you are brave!"

"Pardieu; revenge is sweet."

"That is swagger also, it appears to me."

"It is an honourable boast."

"Listen," said the captain, after a moment, with exquisite politeness. "I fear I have been deceived with regard to you, and I sincerely ask your pardon for it. I agree to give you free passage, and to those who accompany you, but on one condition."

"Let us have it!"

"You told me a little while ago that I should not speak as I did, had I not believed I should be supported."

"I told you so, because I thought so."

"And you think so still, no doubt?"

"Pardieu!"

"Well, here is what I propose; we are both armed. Let us alight, draw our sabres, and he who shall conquer the other shall be free to act as he thinks proper – that is to say, if it is you, you can pass on your road without fear of being molested, and if it is me, well, a general battle. Does that suit you?"

"Perfectly well," answered the painter, laughing.

"What are you going to do, Monsieur Émile?" cried the old man, briskly. "Do you mean to expose yourself to great danger for a cause which in truth is indifferent to you, and only concerns me?"

"Come," said he, shrugging his shoulders, "are we not fellow countrymen? Your cause is mine. Let me give a lesson to that Spanish braggart, who imagines that Frenchmen are poltroons."

And, without wishing to hear more, he disengaged his foot from the stirrup, leaped to the ground, drew his sabre, and struck its point in the earth, waiting the good pleasure of his adversary.

"But, at least, do you know how to fight?" cried M. Dubois, a prey to the greatest anxiety.

"You are joking," said he, laughing. "Of what use would be the five-and-twenty years' war that France has had, if her sons had not learnt to fight? But make yourself easy," added he, seriously, "I have had eighteen months' instruction in sword exercise, and learned to wield the sabre like a hussar; moreover, we artists know this sort of thing by instinct."

Meanwhile, the captain had also alighted, after having ordered his troop to remain spectators of the combat. The horsemen had shaken their heads; they had, however, not made any remark, but the old sergeant, of whom we have spoken, and who, without doubt, enjoyed certain liberties with his chief, took a few steps in advance, and thought proper to hazard a respectful protest.

The captain, without answering him, made him a mute gesture of a character so decided and imperious, that the worthy soldier stepped back quite snubbed, and resumed his former position without daring to risk a second remonstrance.

"Never mind," he grumbled, between his teeth, twirling his moustache with a furious air; "if this heretic gets the best of it, whatever Don Lucio may say, I know well what I shall do."

The young captain briskly alighted, and advanced towards his adversary, whom he saluted politely.

"I am fortunate," said he, graciously, "in the opportunity which presents itself of receiving from a Frenchman a lesson in fencing, for you have the reputation of being a complete master in arms."

"Eh! Perhaps what you say is more true than you think, Señor," answered the painter, with a smile of raillery; "but if service fails us sometimes, goodwill never forsakes us."

"I am convinced of it, Monsieur."

"Whenever you please to commence, Captain, I am at your orders."

"And I at yours, Señor."

The two adversaries saluted one another with the sabre, and put themselves on guard at the same moment, with perfect grace.

The sabre is, in our opinion, an arm too much disdained, and which ought, on the contrary, to have the preference over the sword in duels, as it has in battles.

The sabre is the true weapon of the military man – officer or soldier. The sword is, on the contrary, only an arm for a gentleman on parade, and is now assumed by persons who, for the most part, carry it at their sides without knowing how to use it.

The sword is a serpent, its bite is mortal. It makes one liable, in using it for a futile cause in a duel, to kill a brave man. The sabre, on the contrary, only makes large wounds which it is easy to heal, and which nearly always it is possible to graduate according to the gravity of the offence received, without risking the life of one's adversary.

The two men, as we have said, had put themselves on their guard. After another bow, the combat commenced, and they exchanged a few passes, mutually feeling their way, as it were, and only using their weapons with extreme prudence.

The Spanish officer was what may be called a good duellist. With a somewhat effeminate appearance, he had a wrist of iron and muscles of steel. His style of fencing was broad and elegant; he appeared to handle his weapon, which was rather heavy, as if he had had a mere reed in his hand.

The style of the French painter was more compact, more nervous, his blows, more unforeseen, and certainly more rapid.

However, the combat did not last long, before it was easy to see with whom would rest the victory. On a sudden, the sabre of the captain leaped into the air, carried away as if by a sling, and fell at a great distance off.

The Frenchman darted off immediately, picked up his adversary's weapon, and presenting it to him:

"Pardon me, Señor," he said, "and be so good, I beg you, to resume a weapon which you use so well. I have only taken it from you by surprise, and I remain at your orders."

"Señor," answered the captain, putting his sabre in the scabbard, "I have merited the lesson that you have given me. Ten times you have had my life in your hands without wishing to take advantage of it. Our combat is finished. I acknowledge myself vanquished, more even by your courtesy than by your skill in the management of arms."

"I do not admit, caballero," pursued the painter, "that any but trifling credit is due to me for the advantage that chance alone has given me over you."

"Go in peace, wherever it may appear good to you, as well as your companions, Señor. You have no insult to fear from us; only I do not consider myself quit of you. My name is Don Lucio Ortega, remember that name. In any circumstances in which you may find yourself, if you have need of me, be it twenty years hence, boldly ask your old adversary and friend."

"I really do not know how to thank you, Señor. I am but a poor French painter, named Émile Gagnepain; but if the opportunity ever presents itself, I shall be happy to prove how much I value the sentiments of goodwill that you manifest towards me."

After this mutual exchange of courtesy, the two men mounted on horseback.

The Spaniards remained motionless at the place where they first stopped, and they allowed to defile before them, without making the least hostile movement, the little troop, at the head of which walked side by side the two Frenchmen. When they passed before him, the captain exchanged a courteous salute with them, and then he gave his troop the order to depart. It darted off at a gallop, and before long had disappeared in the meandering of the track.

"You have been more fortunate than wise," said M. Dubois, to his young companion, when they had crossed the river, and had made the distance between them and the Spaniards rather considerable.

"Why so?" asked the painter, with surprise.

"Why, because you have risked being killed."

"My dear sir, in the country where we now are, we continually run the risk of being killed. In leaving France, I have made a complete abnegation of my life, persuaded that I shall never again see my country. I therefore consider every moment which passes without bringing me misfortune as a favour done me by Providence; so that, my mind being made up, I do not attach the least value to an existence which at any moment can be taken from me under the first pretext that turns up, and even, if need be, under the very slightest provocation."

"You have a rather strange philosophy."

"What can you expect? With the patriots, the royalists, the bandits, the Indians, and the wild animals that infest this country – blessed by Heaven as it is – it would be, in my opinion, folly to reckon on more than four-and-twenty hours of existence, and to form projects for the future."

M. Dubois burst out laughing.

"Nevertheless," said he, "it is necessary for us to think a little of the future just now, if it be but to choose the place where we shall camp for the night."

"Do not let that disquiet you. Have I not said that I would conduct you to my house."

"You have proposed it to me, it is true, but I do not know if I ought to accept your hospitality."

"It will be modest, for I am not rich – far from it; but you may depend it will be cordial."

"But the embarrassment that so great a number of guests will occasion you – "

"You are jesting, Monsieur, or you know very little of Spanish customs. Your people will not cause me any embarrassment."

"Since it is so, then, I accept without further ceremony, so as to pass a few hours more in your charming company."

"Bravo; that is agreed," gaily said the young man; "now, if you will permit me, I will be your guide; for without my assistance, it would be very difficult to find my habitation."

The painter then, in fact, assumed the superintendence of the caravan, and, turning it to the left, he led it by the tracks of wild animals, scarcely perceptible in the grass, to the summit of a gently rising hill, which commanded a view of the plain to a great distance. It was crowned by several buildings, the extent and importance of which the darkness prevented the travellers from deciding.

M. Dubois had only been joined at an hour considerably advanced by his assistants and his escort. The quarrel that had so suddenly been raised by the Spanish captain had caused a rather considerable loss of time, so that the day was far advanced when the travellers could at last resume their journey, and the night had closed in upon them when they ultimately reached the habitation of the young Frenchman.

They had arrived at the foot of the hill, when they saw several lights moving rapidly, and two or three men furnished with torches running before them.

These men were the Indian servants of the painter, who had been a long time watching for the arrival of their master, and who, at the sound of the horses, came to offer him their services.

The installation of the travellers was neither long nor difficult. The mules unloaded, and the baggage placed under a shed, the animals were unsaddled and tied up. The servants gave them provender; then they lighted large fires to cook their supper, and gaily prepared themselves to pass the night in the open air.

M. Dubois and his young companion alone had entered the house, or rather the rancho – for this modest dwelling, built of reeds and clay, and covered with leaves, gave access on all sides to wind and rain, and scarcely merited the name of a cottage.

The interior, however, was neat, and carefully arranged, and supplied with simple but good furniture.

"Here is the salon and the dining room, which we shall later in the evening transform into a sleeping room," said the artist, laughing; "for the present, we will put it to use as a dining room, and will proceed to supper, if you please."

"Nothing will suit me better," answered M. Dubois, pleasantly; "I even promise you that I shall do honour to the supper. I have a tremendous appetite."

"So much the better, then, for the quantity of the repast will make you overlook its quality."

The young man clapped his hands. Almost immediately an Indian woman appeared, and prepared the table, which, in a very brief time was covered with simple dishes, hastily prepared. M. Dubois had opened his bottle case, and had taken from it several bottles, which produced an excellent effect in the primitive receptacle on the middle of the table.

On the invitation of his host, the old man seated himself, and the repast commenced.

After a long day of travelling in the desert, exposed to the heat of the sun and to the dust, people are not very particular as to the quality of the provisions. Appetite makes one consider that to be good which, at another time, would not be touched with the end of the finger. Thus, the aristocratic guest of the painter, making the best of his position, resolutely commenced the attack on what was placed before him; and, contrary to his presentiments, everything was found, if not excellent, at all events eatable.

When supper was over, and the wine vessel taken away, the painter, after a few minutes' conversation, wished his guest a cordial good night, and withdrew.

The latter, as soon as he was alone, changed his mantle into a mattress – that is to say, he stretched it on the table, laid himself down on it, enveloped himself carefully in it, and slept.

He could not have told how long he had been sleeping, when all of a sudden he was rudely awakened by cries of fright and of rage raised at a little distance from him, and with which were almost immediately mingled several shots.

M. Dubois rose in the utmost anxiety, and rushed out to discover the cause of this extraordinary tumult.