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The Alhambra
"O wise son of Abu Ayub!" exclaimed Aben Habuz, trembling with eagerness, "thou art a traveller indeed, and hast seen and learned marvellous things! Contrive me such a paradise, and ask any reward, even to the half of my kingdom."
"Alas!" replied the other, "thou knowest I am an old man, and a philosopher, and easily satisfied; all the reward I ask is the first beast of burden, with its load, which shall enter the magic portal of the palace."
The monarch gladly agreed to so moderate a stipulation, and the astrologer began his work. On the summit of the hill, immediately above his subterranean hermitage, he caused a great gateway or barbican to be erected, opening through the centre of a strong tower.
There was an outer vestibule or porch, with a lofty arch, and within it a portal secured by massive gates. On the keystone of the portal the astrologer, with his own hand, wrought the figure of a huge key; and on the keystone of the outer arch of the vestibule, which was loftier than that of the portal, he carved a gigantic hand. These were potent talismans, over which he repeated many sentences in an unknown tongue.
When this gateway was finished, he shut himself up for two days in his astrological hall, engaged in secret incantations; on the third he ascended the hill, and passed the whole day on its summit. At a late hour of the night he came down, and presented himself before Aben Habuz. "At length, O king," said he, "my labour is accomplished. On the summit of the hill stands one of the most delectable palaces that ever the head of man devised, or the heart of man desired. It contains sumptuous halls and galleries, delicious gardens, cool fountains, and fragrant baths; in a word, the whole mountain is converted into a paradise. Like the garden of Irem, it is protected by a mighty charm, which hides it from the view and search of mortals, excepting such as possess the secret of its talismans."
"Enough!" cried Aben Habuz, joyfully, "to-morrow morning with the first light we will ascend and take possession." The happy monarch slept but little that night. Scarcely had the rays of the sun begun to play about the snowy summit of the Sierra Nevada, when he mounted his steed, and, accompanied only by a few chosen attendants, ascended a steep and narrow road leading up the hill. Beside him, on a white palfrey, rode the Gothic princess, her whole dress sparkling with jewels, while round her neck was suspended her silver lyre. The astrologer walked on the other side of the king, assisting his steps with his hieroglyphic staff, for he never mounted steed of any kind.
Aben Habuz looked to see the towers of the palace brightening above him, and the embowered terraces of its gardens stretching along the heights; but as yet nothing of the kind was to be descried. "That is the mystery and safeguard of the place," said the astrologer, "nothing can be discerned until you have passed the spell-bound gateway, and been put in possession of the place."
As they approach the gateway, the astrologer paused, and pointed out to the king the mystic hand and key carved upon the portal of the arch. "These," said he, "are the talismans which guard the entrance to this paradise. Until yonder hand shall reach down and seize that key, neither mortal power nor magic artifice can prevail against the lord of this mountain."
While Aben Habuz was gazing, with open mouth and silent wonder, at these mystic talismans, the palfrey of the princess proceeded and bore her in at the portal, to the very centre of the barbican.
"Behold," cried the astrologer, "my promised reward; the first animal with its burden which should enter the magic gateway."
Aben Habuz smiled at what he considered a pleasantry of the ancient man; but when he found him to be in earnest, his gray beard trembled with indignation.
"Son of Abu Ayub," said he, sternly, "what equivocation is this? Thou knowest the meaning of my promise: the first beast of burden, with its load, that should enter this portal. Take the strongest mule in my stables, load it with the most precious things of my treasury, and it is thine; but dare not raise thy thoughts to her who is the delight of my heart."
"What need I of wealth?" cried the astrologer, scornfully; "have I not the book of knowledge of Solomon the Wise, and through it the command of the secret treasures of the earth? The princess is mine by right; thy royal word is pledged; I claim her as my own."
The princess looked down haughtily from her palfrey, and a light smile of scorn curled her rosy lip at this dispute between two gray beards for the possession of youth and beauty. The wrath of the monarch got the better of his discretion. "Base son of the desert," cried he, "thou mayst be master of many arts, but know me for thy master, and presume not to juggle with thy king."
"My master! my king!" echoed the astrologer, – "the monarch of a mole-hill to claim sway over him who possesses the talismans of Solomon! Farewell, Aben Habuz; reign over thy petty kingdom, and revel in thy paradise of fools; for me I will laugh at thee in my philosophic retirement."
So saying, he seized the bridle of the palfrey, smote the earth with his staff, and sank with the Gothic princess through the centre of the barbican. The earth closed over them, and no trace remained of the opening by which they had descended.
Aben Habuz was struck dumb for a time with astonishment. Recovering himself, he ordered a thousand workmen to dig, with pickaxe and spade, into the ground where the astrologer had disappeared. They digged and digged, but in vain; the flinty bosom of the hill resisted their implements; or if they did penetrate a little way, the earth filled in again as fast as they threw it out. Aben Habuz sought the mouth of the cavern at the foot of the hill, leading to the subterranean palace of the astrologer; but it was nowhere to be found. Where once had been an entrance, was now a solid surface of primeval rock. With the disappearance of Ibrahim Ebn Abu Ayub ceased the benefit of his talismans. The bronze horseman remained fixed, with his face turned toward the hill, and his spear pointed to the spot where the astrologer had descended, as if there still lurked the deadliest foe of Aben Habuz.
From time to time the sound of music, and the tones of a female voice, could be faintly heard from the bosom of the hill; and a peasant one day brought word to the king, that in the preceding night he had found a fissure in the rock, by which he had crept in, until he looked down into a subterranean hall, in which sat the astrologer, on a magnificent divan, slumbering and nodding to the silver lyre of the princess, which seemed to hold a magic sway over his senses.
Aben Habuz sought the fissure in the rock, but it was again closed. He renewed the attempt to unearth his rival, but all in vain. The spell of the hand and key was too potent to be counteracted by human power. As to the summit of the mountain, the site of the promised palace and garden, it remained a naked waste; either the boasted elysium was hidden from sight by enchantment, or was a mere fable of the astrologer. The world charitably supposed the latter, and some used to call the place "The King's Folly"; while others named it "The Fool's Paradise."
To add to the chagrin of Aben Habuz, the neighbours whom he had defied and taunted, and cut up at his leisure while master of the talismanic horseman, finding him no longer protected by magic spell, made inroads into his territories from all sides, and the remainder of the life of the most pacific of monarchs was a tissue of turmoils.
At length Aben Habuz died, and was buried. Ages have since rolled away. The Alhambra has been built on the eventful mountain, and in some measure realises the fabled delights of the garden of Irem. The spellbound gateway still exists entire, protected no doubt by the mystic hand and key, and now forms the Gate of Justice, the grand entrance to the fortress. Under that gateway, it is said, the old astrologer remains in his subterranean hall, nodding on his divan lulled by the silver lyre of the princess.
The old invalid sentinels who mount guard at the gate hear the strains occasionally in the summer nights; and, yielding to their soporific power, doze quietly at their posts. Nay, so drowsy an influence pervades the place, that even those who watch by day may generally be seen nodding on the stone benches of the barbican, or sleeping under the neighbouring trees; so that in fact it is the drowsiest military post in all Christendom. All this, say the ancient legends, will endure from age to age. The princess will remain captive to the astrologer; and the astrologer, bound up in magic slumber by the princess, until the last day, unless the mystic hand shall grasp the fated key, and dispel the whole charm of this enchanted mountain.
VISITORS TO THE ALHAMBRA
For nearly three months had I enjoyed undisturbed my dream of sovereignty in the Alhambra, – a longer term of quiet than had been the lot of many of my predecessors. During this lapse of time the progress of the season had wrought the usual change. On my arrival I had found everything in the freshness of May; the foliage of the trees was still tender and transparent; the pomegranate had not yet shed its brilliant crimson blossoms; the orchards of the Xenil and the Darro were in full bloom; the rocks were hung with wild-flowers, and Granada seemed completely surrounded by a wilderness of roses; among which innumerable nightingales sang, not merely in the night, but all day long.
Now the advance of summer had withered the rose and silenced the nightingale, and the distant country began to look parched and sunburnt; though a perennial verdure reigned immediately round the city and in the deep narrow valleys at the foot of the snow-capped mountains.
The Alhambra possesses retreats graduated to the heat of the weather, among which the most peculiar is the almost subterranean apartment of the baths. This still retains its ancient Oriental character, though stamped with the touching traces of decline. At the entrance, opening into a small court formerly adorned with flowers, is a hall, moderate in size, but light and graceful in architecture. It is overlooked by a small gallery supported by marble pillars and moresco arches. An alabaster fountain in the centre of the pavement still throws up a jet of water to cool the place. On each side are deep alcoves with raised platforms, where the bathers, after their ablutions, reclined on cushions, soothed to voluptuous repose by the fragrance of the perfumed air and the notes of soft music from the gallery. Beyond this hall are the interior chambers, still more retired; the sanctum sanctorum of female privacy; for here the beauties of the Harem indulged in the luxury of the baths. A soft mysterious light reigns through the place, admitted through small apertures (lumbreras) in the vaulted ceiling. The traces of ancient elegance are still to be seen; and the alabaster baths in which the sultanas once reclined. The prevailing obscurity and silence have made these vaults a favourite resort of bats, who nestle during the day in the dark nooks and corners, and on being disturbed, flit mysteriously about the twilight chambers, heightening, in an indescribable degree, their air of desertion and decay.
In this cool and elegant, though dilapidated retreat, which had the freshness and seclusion of a grotto, I passed the sultry hours of the day as summer advanced, emerging towards sunset; and bathing, or rather swimming, at night in the great reservoir of the main court. In this way I was enabled in a measure to counteract the relaxing and enervating influence of the climate.
My dream of absolute sovereignty, however, came at length to an end. I was roused one morning by the report of firearms, which reverberated among the towers as if the castle had been taken by surprise. On sallying forth, I found an old cavalier with a number of domestics in possession of the Hall of Ambassadors. He was an ancient count who had come up from his palace in Granada to pass a short time in the Alhambra for the benefit of purer air; and who, being a veteran and inveterate sportsman, was endeavouring to get an appetite for his breakfast by shooting at swallows from the balconies. It was a harmless amusement; for though, by the alertness of his attendants in loading his pieces, he was enabled to keep up a brisk fire, I could not accuse him of the death of a single swallow. Nay, the birds themselves seemed to enjoy the sport, and to deride his want of skill, skimming in circles close to the balconies, and twittering as they darted by.
The arrival of this old gentleman changed essentially the aspect of affairs, but caused no jealousy nor collision. We tacitly shared the empire between us, like the last kings of Granada, excepting that we maintained a most amicable alliance. He reigned absolute over the Court of the Lions and its adjacent halls, while I maintained peaceful possession of the regions of the baths and the little garden of Lindaraxa. We took our meals together under the arcades of the court, where the fountains cooled the air, and bubbling rills ran along the channels of the marble pavement.
In the evenings a domestic circle would gather about the worthy old cavalier. The countess, his wife by a second marriage, would come up from the city accompanied by her step-daughter Carmen, an only child, a charming little being, still in her girlish years. Then there were always some of his official dependants, his chaplain, his lawyer, his secretary, his steward, and other officers and agents of his extensive possessions, who brought him up the news or gossip of the city, and formed his evening party of tresillo or ombre. Thus he held a kind of domestic court, where each one paid him deference, and sought to contribute to his amusement, without, however, any appearance of servility, or any sacrifice of self-respect. In fact, nothing of the kind was exacted by the demeanour of the count; for whatever may be said of Spanish pride, it rarely chills or constrains the intercourse of social or domestic life. Among no people are the relations between kindred more unreserved and cordial, or between superior and dependant more free from haughtiness on the one side, and obsequiousness on the other. In these respects there still remains in Spanish life, especially in the provinces, much of the vaunted simplicity of the olden time.
The most interesting member of this family group, in my eyes, was the daughter of the count, the lovely little Carmen. She was but about sixteen years of age, and appeared to be considered a mere child, though the idol of the family, going generally by the childlike but endearing appellation of la Niña. Her form had not yet attained full maturity and development, but possessed already the exquisite symmetry and pliant grace so prevalent in this country. Her blue eyes, fair complexion, and light hair, were unusual in Andalusia, and gave a mildness and gentleness to her demeanour in contrast to the usual fire of Spanish beauty, but in unison with the guileless and confiding innocence of her manners. She had at the same time the innate aptness and versatility of her fascinating countrywomen. Whatever she undertook to do she did well and apparently without effort. She sang, played the guitar and other instruments, and danced the picturesque dances of her country to admiration, but never seemed to seek admiration. Everything was spontaneous, prompted by her own gay spirits and happy temper.
The presence of this fascinating little being spread a new charm about the Alhambra, and seemed to be in unison with the place. While the count and countess, with the chaplain or secretary, were playing their game of tresillo under the vestibule of the Court of Lions, she, attended by Dolores, who acted as her maid of honour, would sit by one of the fountains, and accompanying herself on the guitar, would sing some of those popular romances which abound in Spain, or, what was still more to my taste, some traditional ballad about the Moors.
Never shall I think of the Alhambra without remembering this lovely little being, sporting in happy and innocent girlhood in its marble halls, dancing to the sound of the Moorish castanets, or mingling the silver warbling of her voice with the music of its fountains.
THE GENERALIFE
High above the Alhambra, on the breast of the mountain, amidst embowered gardens and stately terraces, rise the lofty towers and white walls of the Generalife; a fairy palace full of storied recollections. Here are still to be seen the famous cypresses of enormous size which flourished in the time of the Moors, and which tradition has connected with the fabulous story of Boabdil and his sultana.
Here are preserved the portraits of many who figured in the romantic drama of the Conquest. Ferdinand and Isabella, Ponce de Leon, the gallant Marquis of Cadiz, and Garcilaso de la Vega, who slew in desperate fight Tarfe the Moor, a champion of Herculean strength. Here too hangs a portrait which has long passed for that of the unfortunate Boabdil, but which is said to be that of Aben Hud, the Moorish king from whom descended the princes of Almeria. From one of these princes, who joined the standard of Ferdinand and Isabella towards the close of the Conquest, and was Christianised by the name of Don Pedro de Granada Venegas, was descended the present proprietor of the palace, the Marquis of Campotejar. The proprietor, however, dwells in a foreign land, and the palace has no longer a princely inhabitant.
Yet here is everything to delight a southern voluptuary: fruits, flowers, fragrance, green arbours and myrtle hedges, delicate air and gushing waters. Here I had an opportunity of witnessing those scenes which painters are fond of depicting about southern palaces and gardens. It was the saint's day of the count's daughter, and she had brought up several of her youthful companions from Granada, to sport away a long summer's day among the breezy halls and bowers of the Moorish palaces. A visit to the Generalife was the morning's entertainment. Here some of the gay company dispersed itself in groups about the green walks, the bright fountains, the flights of Italian steps, the noble terraces and marble balustrades. Others, among whom I was one, took their seats in an open gallery or colonnade commanding a vast prospect; with the Alhambra, the city, and the Vega, far below, and the distant horizon of mountains – a dreamy world, all glimmering to the eye in summer sunshine. While thus seated, the all-pervading tinkling of the guitar and click of the castanets came stealing up from the valley of the Darro, and half-way down the mountain we descried a festive party under the trees, enjoying themselves in true Andalusian style; some lying on the grass, others dancing to the music.
All these sights and sounds together with the princely seclusion of the place, the sweet quiet which prevailed around, and the delicious serenity of the weather, had a witching effect upon the mind, and drew from some of the company, versed in local story, several of the popular fancies and traditions connected with this old Moorish palace; they were "such stuff as dreams are made of," but out of them I have shaped the following legend, which I hope may have the good fortune to prove acceptable to the reader.
LEGEND OF PRINCE AHMED AL KAMEL;
OR,
THE PILGRIM OF LOVE
There was once a Moorish king of Granada, who had but one son, whom he named Ahmed, to which his courtiers added the surname of al Kamel, or the Perfect, from the indubitable signs of super-excellence which they perceived in him in his very infancy. The astrologers countenanced them in their foresight, predicting everything in his favour that could make a perfect prince and a prosperous sovereign. One cloud only rested upon his destiny, and even that was of a roseate hue: he would be of an amorous temperament, and run great perils from the tender passion. If, however, he could be kept from the allurements of love until of mature age, these dangers would be averted, and his life thereafter be one uninterrupted course of felicity.
To prevent all danger of the kind, the king wisely determined to rear the prince in a seclusion where he should never see a female face, nor hear even the name of love. For this purpose he built a beautiful palace on the brow of the hill above the Alhambra, in the midst of delightful gardens, but surrounded by lofty walls, being, in fact, the same palace known at the present day by the name of the Generalife. In this palace the youthful prince was shut up, and intrusted to the guardianship and instruction of Eben Bonabben, one of the wisest and dryest of Arabian sages, who had passed the greater part of his life in Egypt, studying hieroglyphics, and making researches among the tombs and pyramids, and who saw more charms in an Egyptian mummy than in the most tempting of living beauties. The sage was ordered to instruct the prince in all kinds of knowledge but one, – he was to be kept utterly ignorant of love. "Use every precaution for the purpose you may think proper," said the king, "but remember, O Eben Bonabben, if my son learns aught of that forbidden knowledge while under your care, your head shall answer for it." A withered smile came over the dry visage of the wise Bonabben at the menace. "Let your majesty's heart be as easy about your son, as mine is about my head: am I a man likely to give lessons in the idle passion?"
Under the vigilant care of the philosopher, the prince grew up in the seclusion of the palace and its gardens. He had black slaves to attend upon him – hideous mutes who knew nothing of love, or if they did, had not words to communicate it. His mental endowments were the peculiar care of Eben Bonabben, who sought to initiate him into the abstruse lore of Egypt; but in this the prince made little progress, and it was soon evident that he had no turn for philosophy.
He was, however, amazingly ductile for a youthful prince, ready to follow any advice, and always guided by the last counsellor. He suppressed his yawns, and listened patiently to the long and learned discourses of Eben Bonabben, from which he imbibed a smattering of various kinds of knowledge, and thus happily attained his twentieth year, a miracle of princely wisdom – but totally ignorant of love.
About this time, however, a change came over the conduct of the prince. He completely abandoned his studies, and took to strolling about the gardens, and musing by the sides of the fountains. He had been taught a little music among his various accomplishments; it now engrossed a great part of his time, and a turn for poetry became apparent. The sage Eben Bonabben took the alarm, and endeavoured to work these idle humours out of him by a severe course of Algebra; but the prince turned from it with distaste. "I cannot endure algebra," said he; "it is an abomination to me. I want something that speaks more to the heart."
The sage Eben Bonabben shook his dry head at the words.
"Here is an end to philosophy," thought he. "The prince has discovered he has a heart!" He now kept anxious watch upon his pupil, and saw that the latent tenderness of his nature was in activity, and only wanted an object. He wandered about the gardens of the Generalife in an intoxication of feelings of which he knew not the cause. Sometimes he would sit plunged in a delicious reverie; then he would seize his lute and draw from it the most touching notes, and then throw it aside, and break forth into sighs and ejaculations.
By degrees this loving disposition began to extend to inanimate objects; he had his favourite flowers, which he cherished with tender assiduity; then he became attached to various trees, and there was one in particular, of a graceful form and drooping foliage, on which he lavished his amorous devotion, carving his name on its bark, hanging garlands on its branches, and singing couplets in its praise, to the accompaniment of his lute.
Eben Bonabben was alarmed at this excited state of his pupil. He saw him on the very brink of forbidden knowledge – the least hint might reveal to him the fatal secret. Trembling for the safety of the prince and the security of his own head, he hastened to draw him from the seductions of the garden, and shut him up in the highest tower of the Generalife. It contained beautiful apartments, and commanded an almost boundless prospect, but was elevated far above that atmosphere of sweets and those witching bowers so dangerous to the feelings of the too susceptible Ahmed.
What was to be done, however, to reconcile him to this restraint and to beguile the tedious hours? He had exhausted almost all kinds of agreeable knowledge; and algebra was not to be mentioned. Fortunately Eben Bonabben had been instructed, when in Egypt, in the language of birds by a Jewish Rabbin, who had received it in lineal transmission from Solomon the Wise, who had been taught it by the queen of Sheba. At the very mention of such a study, the eyes of the prince sparkled with animation, and he applied himself to it with such avidity, that he soon became as great an adept as his master.
The tower of the Generalise was no longer a solitude; he had companions at hand with whom he could converse. The first acquaintance he formed was with a hawk, who built his nest in a crevice of the lofty battlements, whence he soared far and wide in quest of prey. The prince, however, found little to like or esteem in him. He was a mere pirate of the air, swaggering and boastful, whose talk was all about rapine and carnage, and desperate exploits.
His next acquaintance was an owl, a mighty wise-looking bird, with a huge head and staring eyes, who sat blinking and goggling all day in a hole in the wall, but roamed forth at night. He had great pretensions to wisdom, talked something of astrology and the moon, and hinted at the dark sciences; he was grievously given to metaphysics, and the prince found his prosings even more ponderous than those of the sage Eben Bonabben.
Then there was a bat, that hung all day by his heels in the dark corner of a vault, but sallied out in slipshod style at twilight. He, however, had but twilight ideas on all subjects, derided things of which he had taken but an imperfect view, and seemed to take delight in nothing.
Besides these there was a swallow, with whom the prince was at first much taken. He was a smart talker, but restless, bustling, and for ever on the wing; seldom remaining long enough for any continued conversation. He turned out in the end to be a mere smatterer, who did but skim over the surface of things, pretending to know everything, but knowing nothing thoroughly.
These were the only feathered associates with whom the prince had any opportunity of exercising his newly acquired language; the tower was too high for any other birds to frequent it. He soon grew weary of his new acquaintances, whose conversation spoke so little to the head and nothing to the heart, and gradually relapsed into his loneliness. A winter passed away, spring opened with all its bloom and verdure and breathing sweetness, and the happy time arrived for birds to pair and build their nests. Suddenly, as it were, a universal burst of song and melody broke forth from the groves and gardens of the Generalife, and reached the prince in the solitude of his tower. From every side he heard the same universal theme – love – love – love – chanted forth, and responded to in every variety of note and tone. The prince listened in silence and perplexity. "What can be this love," thought he, "of which the world seems so full, and of which I know nothing?" He applied for information to his friend the hawk. The ruffian bird answered in a tone of scorn: "You must apply," said he, "to the vulgar peaceable birds of earth, who are made for the prey of us princes of the air. My trade is war, and fighting my delight. I am a warrior, and know nothing of this thing called love."
The prince turned from him with disgust, and sought the owl in his retreat. "This is a bird," said he, "of peaceful habits, and may be able to solve my question." So he asked the owl to tell him what was this love about which all the birds in the groves below were singing.
Upon this the owl put on a look of offended dignity. "My nights," said he, "are taken up in study and research, and my days in ruminating in my cell upon all that I have learnt. As to these singing birds of whom you talk, I never listen to them – I despise them and their themes. Allah be praised, I cannot sing; I am a philosopher, and know nothing of this thing called love."
The prince now repaired to the vault, where his friend the bat was hanging by the heels, and propounded the same question. The bat wrinkled up his nose into a most snappish expression. "Why do you disturb me in my morning's nap with such an idle question?" said he, peevishly. "I only fly by twilight, when all birds are asleep, and never trouble myself with their concerns. I am neither bird nor beast, and I thank heaven for it. I have found out the villainy of the whole of them, and hate them one and all. In a word, I am a misanthrope – and know nothing of this thing called love."
As a last resort, the prince now sought the swallow, and stopped him just as he was circling about the summit of the tower. The swallow, as usual, was in a prodigious hurry, and had scarce time to make a reply. "Upon my word," said he, "I have so much public business to attend to, and so many pursuits to follow, that I have had no time to think on the subject. I have every day a thousand visits to pay; a thousand affairs of importance to examine into, that leave me not a moment of leisure for these little sing-song matters. In a word, I am a citizen of the world – I know nothing of this thing called love." So saying, the swallow dived into the valley, and was out of sight in a moment.
