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полная версияA Philosophical Dictionary, Volume 05

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A Philosophical Dictionary, Volume 05

"But the Lord came down to see the city and the tower which the sons of Adam had built, and he said, 'Behold a people which have but one language. They have begun to do this, and they will not desist until they have completed it. Come, then, let us go and confound their language, that no one may understand his neighbor.'" Observe here, that the sacred writer always continues to conform to the popular opinions. He always speaks of God as of a man who endeavors to inform himself of what is passing, who is desirous of seeing with his own eyes what is going on in his dominions, who calls together his council in order to deliberate with them.

"And Abraham having divided his men – who were three hundred and eighteen in number – fell upon the five kings, and pursued them unto Hoba, on the left hand of Damascus." From the south bank of the lake of Sodom to Damascus was a distance of eighty leagues, not to mention crossing the mountains Libanus and Anti-Libanus. Infidels smile and triumph at such exaggeration. But as the Lord favored Abraham, nothing was in fact exaggerated.

"And two angels arrived at Sodom at even." The whole history of these two angels, whom the inhabitants of Sodom wished to violate, is perhaps the most extraordinary in the records of all antiquity. But it must be considered that almost all Asia believed in the existence of the demoniacal incubus and succubus; and moreover, that these two angels were creatures more perfect than mankind, and must have possessed more beauty to stimulate their execrable tendencies. It is possible that the passage may be only meant as a rhetorical figure to express the atrocious depravity of Sodom and Gomorrah. It is not without the greatest diffidence that we suggest to the learned this solution.

As to Lot, who proposes to the people of Sodom the substitution of his two daughters in the room of the angels; and his wife, who was changed into a statue of salt, and all the rest of that history, what shall we venture to say? The old Arabian tale of Kinyras and Myrrha has some resemblance to the incest of Lot with his daughters; and the adventure of Philemon and Baucis is somewhat similar to the case of the two angels who appeared to Lot and his wife. With respect to the statue of salt, we know not where to find any resemblance; perhaps in the history of Orpheus and Eurydice.

Many ingenious men are of opinion, with the great Newton and the learned Leclerc that the Pentateuch was written by Samuel when the Jews had a little knowledge of reading and writing, and that all these histories are imitations of Syrian fables.

But it is enough that all this is in the Holy Scripture to induce us to reverence it, without attempting to find out in this book anything besides what is written by the Holy Spirit. Let us always recollect that those times were not like our times; and let us not fail to repeat, after so many great men, that the Old Testament is a true history; and that all that has been written differing from it by the rest of the world is fabulous.

Some critics have contended that all the incredible passages in the canonical books, which scandalize weak minds, ought to be suppressed; but it has been observed in answer that those critics had bad hearts, and ought to be burned at the stake; and that it is impossible to be a good man without believing that the people of Sodom wanted to violate two angels. Such is the reasoning of a species of monsters who wish to lord it over the understandings of mankind.

It is true that many eminent fathers of the Church have had the prudence to turn all these histories into allegories, after the example of the Jews, and particularly of Philo. The popes, more discreet, have endeavored to prevent the translation of these books into the vulgar tongue, lest some men should in consequence be led to think and judge, about what was proposed to them only to adore.

We are certainly justified in concluding hence, that those who thoroughly understand this book should tolerate those who do not understand it at all; for if the latter understand nothing of it, it is not their own fault: on the other hand, those who comprehend nothing that it contains should tolerate those who comprehend everything in it.

Learned and ingenious men, full of their own talents and acquirements, have maintained that it is impossible that Moses could have written the Book of Genesis. One of their principal reasons is that in the history of Abraham that patriarch is stated to have paid for a cave which he purchased for the interment of his wife, in silver coin, and the king of Gerar is said to have given Sarah a thousand pieces of silver when he restored her, after having carried her off for her beauty at the age of seventy-five. They inform us that they have consulted all the ancient authors, and that it appears very certain that at the period mentioned silver money was not in existence. But these are evidently mere cavils, as the Church has always firmly believed Moses to have been the author of the Pentateuch. They strengthen all the doubts suggested by Aben-Ezra, and Baruch Spinoza. The physician Astruc, father-in-law of the comptroller-general Silhouette, in his book – now become very scarce – called "Conjectures on the Book of Genesis," adds some objections, inexplicable undoubtedly to human learning, but not so to a humble and submissive piety. The learned, many of them, contradict every line, but the devout consider every line sacred. Let us dread falling into the misfortune of believing and trusting to our reason; but let us bring ourselves into subjection in understanding as well as in heart.

"And Abraham said that Sarah was his sister, and the king of Gerar took her for himself." We admit, as we have said under the article on "Abraham," that Sarah was at this time ninety years of age, that she had been already carried away by a king of Egypt, and that a king of this same horrid wilderness of Gerar, likewise, many years afterwards, carried away the wife of Isaac, Abraham's son. We have also spoken of his servant, Hagar, who bore him a son, and of the manner in which the patriarch sent her and her son away. It is well known how infidels triumph on the subject of all these histories, with what a disdainful smile they speak of them, and that they place the story of one Abimelech falling in love with Sarah whom Abraham had passed off as his sister, and of another Abimelech falling in love with Rebecca, whom Isaac also passes as his sister, even beneath the thousand and one nights of the Arabian fables. We cannot too often remark that the great error of all these learned critics is their wishing to try everything by the test of our feeble reason, and to judge of the ancient Arabs as they judge of the courts of France or of England.

"And the soul of Shechem, King Hamor's son, was bound up with the soul of Dinah, and he soothed her grief by his tender caresses, and he went to Hamor his father, and said to him, give me that woman to be my wife."

Here our critics exclaim in terms of stronger disgust than ever. "What!" say they; "the son of a king is desirous to marry a vagabond girl;" the marriage is celebrated; Jacob the father, and Dinah the daughter, are loaded with presents; the king of Shechem deigns to receive those wandering robbers called patriarchs within his city; he has the incredible politeness or kindness to undergo, with his son, his court, and his people, the rite of circumcision, thus condescending to the superstition of a petty horde that could not call half a league of territory their own! And in return for this astonishing hospitality and goodness, how do our holy patriarchs act? They wait for the day when the process of circumcision generally induces fever, when Simeon and Levi run through the whole city with poniards in their hands and massacre the king, the prince his son, and all the inhabitants. We are precluded from the horror appropriate to this infernal counterpart of the tragedy of St. Bartholomew, only by a sense of its absolute impossibility. It is an abominable romance; but it is evidently a ridiculous romance. It is impossible that two men could have slaughtered in quiet the whole population of a city. The people might suffer in a slight degree from the operation which had preceded, but notwithstanding this, they would have risen in self-defence against two diabolical miscreants; they would have instantly assembled, would have surrounded them, and destroyed them with the summary and complete vengeance merited by their atrocity.

But there is a still more palpable impossibility. It is, that according to the accurate computation of time, Dinah, this daughter of Jacob, could be only three years old; and that, even by forcing up chronology as far as possible in favor of the narrative, she could at the very most be only five. It is here, then, that we are assailed with bursts of indignant exclamation! "What!" it is said, "what! is it this book, the book of a rejected and reprobate people; a book so long unknown to all the world; a book in which sound reason and decent manners are outraged in every page, that is held up to us as irrefragable, holy, and dictated by God Himself? Is it not even impious to believe it? or could anything less than the fury of cannibals urge to the persecution of sensible and modest men for not believing it?"

To this we reply: "The Church declares its belief in it. The copyists may have mixed up some revolting absurdities with respectable and genuine histories. It belongs to the holy church only to decide. The profane ought to be guided by her. Those absurdities, those alleged horrors do not affect the substance of our faith. How lamentable would be the fate of mankind, if religion and virtue depended upon what formerly happened to Shechem and to little Dinah!"

"These are the kings who reigned in the land of Edom before the children of Israel had a king." This is the celebrated passage which has proved one of the great stumbling stones. This it was which decided the great Newton, the pious and acute Samuel Clarke, the profound and philosophic Bolingbroke, the learned Leclerc, the ingenious Fréret, and a host of other enlightened men, to maintain that it was impossible Moses could have been the author of Genesis.

 

We admit that in fact these words could not have been written until after the time that the Jews had kings.

It is principally this verse that determined Astruc to give up the inspired authority of the whole Book of Genesis, and suppose the author had derived his materials from existing memoirs and records. His work is ingenious and accurate, but it is rash, not to say audacious. Even a council would scarcely have ventured on such an enterprise. And to what purpose has it served Astruc's thankless and dangerous labor – to double the darkness he wished to enlighten? Here is the fruit of the tree of knowledge, of which we are all so desirous of eating. Why must it be, that the fruit of the tree of ignorance should be more nourishing and more digestible?

But of what consequence can it be to us, after all, whether any particular verse or chapter was written by Moses, or Samuel, or the priest (sacrificateur) who came to Samaria, or Esdras, or any other person? In what respect can our government, our laws, our fortunes, our morals, our well-being, be bound up with the unknown chiefs of a wretched and barbarous country called Edom or Idumæa, always inhabited by robbers? Alas! those poor Arabs, who have not shirts to their backs, neither know nor care whether or not we are in existence! They go on steadily plundering caravans, and eating barley bread, while we are perplexing and tormenting ourselves to know whether any petty kings flourished in a particular canton of Arabia Petræa, before they existed in a particular canton adjoining the west of the lake of Sodom!

 
O miseras hominum curas! Opectora cœca!
 
– LUCRETIUS, ii. 14.
 
Blind, wretched man! in what dark paths of strife
Thou walkest the little journey of thy life!
 
– CREECH.

GENII

The doctrines of judicial astrology and magic have spread all over the world. Look back to the ancient Zoroaster, and you will find that of the genii long established. All antiquity abounds in astrologers and magicians; such ideas were therefore very natural. At present, we smile at the number who entertained them; if we were in their situation, if like them we were only beginning to cultivate the sciences, we should perhaps believe just the same. Let us suppose ourselves intelligent people, beginning to reason on our own existence, and to observe the stars. The earth, we might say, is no doubt immovable in the midst of the world; the sun and planets only revolve in her service, and the stars are only made for us; man, therefore, is the great object of all nature. What is the intention of all these globes, and of the immensity of heaven thus destined for our use? It is very likely that all space and these globes are peopled with substances, and since we are the favorites of nature, placed in the centre of the universe, and all is made for man, these substances are evidently destined to watch over man.

The first man who believed the thing at all possible would soon find disciples persuaded that it existed. We might then commence by saying, genii perhaps exist, and nobody could affirm the contrary; for where is the impossibility of the air and planets being peopled? We might afterwards say there are genii, and certainly no one could prove that there are not. Soon after, some sages might see these genii, and we should have no right to say to them: "You have not seen them"; as these persons might be honorable, and altogether worthy of credit. One might see the genius of the empire or of his own city; another that of Mars or Saturn; the genii of the four elements might be manifested to several philosophers; more than one sage might see his own genius; all at first might be little more than dreaming, but dreams are the symbols of truth.

It was soon known exactly how these genii were formed. To visit our globe, they must necessarily have wings; they therefore had wings. We know only of bodies; they therefore had bodies, but bodies much finer than ours, since they were genii, and much lighter, because they came from so great a distance. The sages who had the privilege of conversing with the genii inspired others with the hope of enjoying the same happiness. A skeptic would have been ill received, if he had said to them: "I have seen no genius, therefore there are none." They would have replied: "You reason ill; it does not follow that a thing exists not, which is unknown to you. There is no contradiction in the doctrine which inculcates these ethereal powers; no impossibility that they may visit us; they show themselves to our sages, they manifest themselves to us; you are not worthy of seeing genii."

Everything on earth is composed of good and evil; there are therefore incontestably good and bad genii. The Persians had their peris and dives; the Greeks, their demons and cacodæmons; the Latins, bonos et malos genios. The good genii are white, and the bad black, except among the negroes, where it is necessarily the reverse. Plato without difficulty admits of a good and evil genius for every individual. The evil genius of Brutus appeared to him, and announced to him his death before the battle of Philippi. Have not grave historians said so? And would not Plutarch have been very injudicious to have assured us of this fact, if it were not true?

Further, consider what a source of feasts, amusements, good tales, and bon mots, originated in the belief of genii!

There were male and female genii. The genii of the ladies were called by the Romans little Junos. They also had the pleasure of seeing their genii grow up. In infancy, they were a kind of Cupid with wings, and when they protected old age, they wore long beards, and even sometimes the forms of serpents. At Rome, there is preserved a marble, on which is represented a serpent under a palm tree, to which are attached two crowns with this inscription: "To the genius of the Augusti"; it was the emblem of immortality.

What demonstrative proof have we at present, that the genii, so universally admitted by so many enlightened nations, are only phantoms of the imagination? All that can be said is reduced to this: "I have never seen a genius, and no one of my acquaintance has ever seen one; Brutus has not written that his genius appeared to him before the battle of Philippi; neither Newton, Locke, nor even Descartes, who gave the reins to his imagination; neither kings nor ministers of state have ever been suspected of communing with their genii; therefore I do not believe a thing of which there is not the least truth. I confess their existence is not impossible; but the possibility is not a proof of the reality. It is possible that there may be satyrs, with little turned-up tails and goats' feet; but I must see several to believe in them; for if I saw but one, I should still doubt their existence."

GENIUS

Of genius or demon, we have already spoken in the article on "angel." It is not easy to know precisely whether the peris of the Persians were invented before the demons of the Greeks, but it is very probable that they were. It may be, that the souls of the dead, called shades, manes, etc., passed for demons. Hesiod makes Hercules say that a demon dictated his labors.

The demon of Socrates had so great a reputation, that Apuleius, the author of the "Golden Ass," who was himself a magician of good repute, says in his "Treatise on the Genius of Socrates," that a man must be without religion who denies it. You see that Apuleius reasons precisely like brothers Garasse and Bertier: "You do not believe that which I believe; you are therefore without religion." And the Jansenists have said as much of brother Bertier, as well as of all the world except themselves. "These demons," says the very religious and filthy Apuleius, "are intermediate powers between ether and our lower region. They live in our atmosphere, and bear our prayers and merits to the gods. They treat of succors and benefits, as interpreters and ambassadors. Plato says, that it is by their ministry that revelations, presages, and the miracles of magicians, are effected." – "Cæterum sunt quædam divinæ mediæ potestates, inter summum æthera, et infimas terras, in isto intersitæ æris spatio, per quas et desideria nostra et merita ad deos commeant. Hos Græco nomine demonias nuncupant. Inter terricolas cœli colasque victores, hinc pecum, inde donorum: qui ultro citroque portant, hinc petitiones, inde suppetias: ceu quidam utriusque interpretes, et salutigeri. Per hos eosdem, ut Plato in symposio autumat, cuncta denuntiata; et majorum varia miracula, omnesque præsagium species reguntur."

St. Augustine has condescended to refute Apuleius in these words:

"It is impossible for us to say that demons are neither mortal nor eternal, for all that has life, either lives eternally, or loses the breath of life by death; and Apuleius has said, that as to time, the demons are eternal. What then remains, but that demons hold a medium situation, and have one quality higher and another lower than mankind; and as, of these two things, eternity is the only higher thing which they exclusively possess, to complete the allotted medium, what must be the lower, if not misery?" This is powerful reasoning!

As I have never seen any genii, demons, peris, or hobgoblins, whether beneficent or mischievous, I cannot speak of them from knowledge. I only relate what has been said by people who have seen them.

Among the Romans, the word "genius" was not used to express a rare talent, as with us: the term for that quality was ingenium. We use the word "genius" indifferently in speaking of the tutelar demon of a town of antiquity, or an artist, or a musician. The term "genius" seems to have been intended to designate not great talents generally, but those into which invention enters. Invention, above everything, appeared a gift from the gods – this ingenium, quasi ingenitum, a kind of divine inspiration. Now an artist, however perfect he may be in his profession, if he have no invention, if he be not original, is not considered a genius. He is only inspired by the artists his predecessors, even when he surpasses them.

It is very probable that many people now play at chess better than the inventor of the game, and that they might gain the prize of corn promised him by the Indian king. But this inventor was a genius, and those who might now gain the prize would be no such thing. Poussin, who was a great painter before he had seen any good pictures, had a genius for painting. Lulli, who never heard any good musician in France, had a genius for music.

Which is the more desirable to possess, a genius without a master, or the attainment of perfection by imitating and surpassing the masters which precede us?

If you put this question to artists, they will perhaps be divided; if you put it to the public, it will not hesitate. Do you like a beautiful Gobelin tapestry better than one made in Flanders at the commencement of the arts? Do you prefer modern masterpieces of engraving to the first wood-cuts? the music of the present day to the first airs, which resembled the Gregorian chant? the makers of the artillery of our time to the genius which invented the first cannon? everybody will answer, "yes." All purchasers will say: "I own that the inventor of the shuttle had more genius than the manufacturer who made my cloth, but my cloth is worth more than that of the inventor."

In short, every one in conscience will confess, that we respect the geniuses who invented the arts, but that the minds which perfect them are of more present benefit.

SECTION II

The article on "Genius" has been treated in the "Encyclopædia" by men who possess it. We shall hazard very little after them.

Every town, every man possessed a genius. It was imagined that those who performed extraordinary things were inspired by their genius. The nine muses were nine genii, whom it was necessary to invoke; therefore Ovid says: "Et Deus in nobis, agitante calescimus illo" – "The God within us, He the mind inspires."

But, properly speaking, is genius anything but capability? What is capability but a disposition to succeed in an art? Why do we say the genius of a language? It is, that every language, by its terminations, articles, participles, and shorter or longer words, will necessarily have exclusive properties of its own.

 

By the genius of a nation is meant the character, manners, talents, and even vices, which distinguish one people from another. It is sufficient to see the French, English, and Spanish people, to feel this difference.

We have said that the particular genius of a man for an art is a different thing from his general talent; but this name is given only to a very superior ability. How many people have talent for poetry, music, and painting; yet it would be ridiculous to call them geniuses.

Genius, conducted by taste, will never commit a gross fault. Racine, since his "Andromache," "Le Poussin," and "Rameau," has never committed one. Genius, without taste, will often commit enormous errors; and, what is worse, it will not be sensible of them.

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