Майн Рид
The Death Shot: A Story Retold
Chapter Six.
A coon-chase interrupted
Notwithstanding the solitude of the place where the strife, apparently fatal, has occurred, and the slight chances of its being seen, its sounds have been heard. The shots, the excited speeches, and angry exclamations, have reached the ears of one who can well interpret them. This is a coon-hunter.
There is no district in the Southern States without its coon-hunter. In most, many of them; but in each, one who is noted. And, notedly, he is a negro. The pastime is too tame, or too humble, to tempt the white man. Sometimes the sons of “poor white trash” take part in it; but it is usually delivered over to the “darkey.”
In the old times of slavery every plantation could boast of one, or more, of these sable Nimrods; and they are not yet extinct. To them coon-catching is a profit, as well as sport; the skins keeping them in tobacco – and whisky, when addicted to drinking it. The flesh, too, though little esteemed by white palates, is a bonne-bouche to the negro, with whom animal food is a scarce commodity. It often furnishes him with the substance for a savoury roast.
The plantation of Ephraim Darke is no exception to the general rule. It, too, has its coon-hunter – a negro named, or nicknamed, “Blue Bill;” the qualifying term bestowed, from a cerulean tinge, that in certain lights appears upon the surface of his sable epidermis. Otherwise he is black as ebony.
Blue Bill is a mighty hunter of his kind, passionately fond of the coon-chase – too much, indeed, for his own personal safety. It carries him abroad, when the discipline of the plantation requires him to be at home; and more than once, for so absenting himself, have his shoulders been scored by the “cowskin.”
Still the punishment has not cured him of his proclivity. Unluckily for Richard Darke, it has not. For on the evening of Clancy’s being shot down, as described, Blue Bill chances to be abroad; and, with a small cur, which he has trained to his favourite chase, is scouring the timber near the edge of the cypress swamp.
He has “treed” an old he-coon, and is just preparing to ascend to the creature’s nest – a cavity in a sycamore high up – when a deer comes dashing by. Soon after a shot startles him. He is more disturbed at the peculiar crack, than by the mere fact of its being the report of a gun. His ear, accustomed to such sounds, tells him the report has proceeded from a fowling-piece, belonging to his young master – just then the last man he would wish to meet. He is away from the “quarter” without “pass,” or permission of any kind.
His first impulse is, to continue the ascent of the sycamore, and conceal himself among its branches.
But his dog, remaining below – that will betray him?
While hurriedly reflecting on what he had best do, he hears a second shot. Then a third, coming quickly after; while preceding, and mingling with the reports are men’s voices, apparently in mad expostulation. He hears, too, the angry growling of a hound, at intervals barking and baying.
“Gorramity!” mutters Blue Bill; “dar’s a skrimmage goin’ on dar – a fight, I reck’n, an’ seemin’ to be def! Clar enuf who dat fight’s between. De fuss shot wa’ Mass’ Dick’s double-barrel; de oder am Charl Clancy rifle. By golly! ’taint safe dis child be seen hya, no how. Whar kin a hide maseff?”
Again he glances upward, scanning the sycamore: then down at his dog; and once more to the trunk of the tree. This is embraced by a creeper – a gigantic grape-vine – up which an ascent may easily be made; so easily, there need be no difficulty in carrying the cur along. It was the ladder he intended using to get at the treed coon.
With the fear of his young master coming past – and if so, surely “cow-hiding” him – he feels there is no time to be wasted in vacillation.
Nor does he waste any. Without further stay, he flings his arm around the coon-dog: raises the unresisting animal from the earth; and “swarms” up the creeper, like a she-bear carrying her cub.
In ten seconds after, he is snugly ensconced in a crotch of the sycamore; screened from observation of any one who may pass underneath, by the profuse foliage of the parasite.
Feeling fairly secure, he once more sets himself to listen. And, listening attentively, he hears the same voices as before. But not any longer in angry ejaculation. The tones are tranquil, as though the two men were now quietly conversing. One says but a word or two; the other all. Then the last alone appears to speak, as if in soliloquy, or from the first failing to make response.
The sudden transition of tone has in it something strange – a contrast inexplicable.
The coon-hunter can tell, that he continuing to talk is his young master, Richard Darke; though he cannot catch, the words, much less make out their meaning. The distance is too great, and the current of sound interrupted by the thick standing trunks of the cypresses.
At length, also, the monologue ends; soon after, succeeded by a short exclamatory phrase, in voice louder and more earnest.
Then there is silence; so profound, that Blue Bill hears but his own heart, beating in loud sonorous thumps – louder from his ribs being contiguous to the hollow trunk of the tree.
Chapter Seven.
Murder without remorse
The breathless silence, succeeding Darke’s profane speech, is awe-inspiring; death-like, as though every living creature in the forest had been suddenly struck dumb, or dead, too.
Unspeakably, incredibly atrocious is the behaviour of the man who has remained master of the ground. During the contest, Dick Darke has shown the cunning of the fox, combined with the fiercer treachery of the tiger; victorious, his conduct seems a combination of the jackal and vulture.
Stooping over his fallen foe, to assure himself that the latter no longer lives, he says, —
“Dead, I take it.”
These are his cool words; after which, as though still in doubt, he bends lower, and listens. At the same time he clutches the handle of his hunting knife, as with the intent to plunge its blade into the body.
He sees there is no need. It is breathless, almost bloodless – clearly a corpse!
Believing it so, he resumes his erect attitude, exclaiming in louder tone, and with like profanity as before, —
“Yes, dead, damn him!”
As the assassin bends over the body of his fallen foe, he shows no sign of contrition, for the cruel deed he has done. No feeling save that of satisfied vengeance; no emotion that resembles remorse. On the contrary, his cold animal eyes continue to sparkle with jealous hate; while his hand has moved mechanically to the hilt of his knife, as though he meant to mutilate the form he has laid lifeless. Its beauty, even in death, seems to embitter his spirit!
But soon, a sense of danger comes creeping over him, and fear takes shape in his soul. For, beyond doubt, he has done murder.
“No!” he says, in an effort at self-justification. “Nothing of the sort. I’ve killed him; that’s true; but he’s had the chance to kill me. They’ll see that his gun’s discharged; and here’s his bullet gone through the skirt of my coat. By thunder, ’twas a close shave!”
For a time he stands reflecting – his glance now turned towards the body, now sent searchingly through the trees, as though in dread of some one coming that way.
Not much likelihood of this. The spot is one of perfect solitude, as is always a cypress forest. There is no path near, accustomed to be trodden by the traveller. The planter has no business among those great buttressed trunks. The woodman will never assail them with his axe. Only a stalking hunter, or perhaps some runaway slave, is at all likely to stray thither.
Again soliloquising, he says, —
“Shall I put a bold face upon it, and confess to having killed him? I can say we met while out hunting; quarrelled, and fought – a fair fight; shot for shot; my luck to have the last. Will that story stand?”
A pause in the soliloquy; a glance at the prostrate form; another, which interrogates the scene around, taking in the huge unshapely trunks, their long outstretched limbs, with the pall-like festoonery of Spanish moss; a thought about the loneliness of the place, and its fitness for concealing a dead body.
Like the lightning’s flashes, all this flits through the mind of the murderer. The result, to divert him from his half-formed resolution – perceiving its futility.
“It won’t do,” he mutters, his speech indicating the change. “No, that it won’t! Better say nothing about what’s happened. They’re not likely to look for him here…”
Again he glances inquiringly around, with a view to secreting the corpse. He has made up his mind to this.
A sluggish creak meanders among the trees, some two hundred yards from the spot. At about a like distance below, it discharges itself into the stagnant reservoir of the swamp.
Its waters are dark, from the overshadowing of the cypresses, and deep enough for the purpose he is planning.
But to carry the body thither will require an effort of strength; and to drag it would be sure to leave traces.
In view of this difficulty, he says to himself, —
“I’ll let it lie where it is. No one ever comes along hero – not likely. At the same time, I take it, there can be no harm in hiding him a little. So, Charley Clancy, if I have sent you to kingdom come, I shan’t leave your bones unburied. Your ghost might haunt me, if I did. To hinder that you shall have interment.”
In the midst of this horrid mockery, he rests his gun against a tree, and commences dragging the Spanish moss from the branches above. The beard-like parasite comes off in flakes – in armfuls. Half a dozen he flings over the still palpitating corpse; then pitches on top some pieces of dead wood, to prevent any stray breeze from sweeping off the hoary shroud.
After strewing other tufts around, to conceal the blood and boot tracks, he rests from his labour, and for a time stands surveying what he has done.
At length seeming satisfied, he again grasps hold of his gun; and is about taking departure from the place, when a sound, striking his ear, causes him to start. No wonder, since it seems the voice of one wailing for the dead!
At first he is affrighted, fearfully so; but recovers himself on learning the cause.
“Only the dog!” he mutters, perceiving Clancy’s hound at a distance, among the trees.
On its master being shot down, the animal had scampered off – perhaps fearing a similar fate. It had not gone far, and is now returning – by little and little, drawing nearer to the dangerous spot.
The creature seems struggling between two instincts – affection for its fallen master, and fear for itself.
As Darke’s gun is empty, he endeavours to entice the dog within reach of his knife. Despite his coaxing, it will not come!
Hastily ramming a cartridge into the right-hand barrel, he aims, and fires.
The shot takes effect; the ball passing through the fleshy part of the dog’s neck. Only to crease the skin, and draw forth a spurt of blood.
The hound hit, and further frightened, gives out a wild howl, and goes off, without sign of return.
Equally wild are the words that leap from the lips of Richard Darke, as he stands gazing after.
“Great God!” he cries; “I’ve done an infernal foolish thing. The cur will go home to Clancy’s house. That’ll tell a tale, sure to set people searching. Ay, and it may run back here, guiding them to the spot. Holy hell!”
While speaking, the murderer turns pale. It is the first time for him to experience real fear. In such an out-of-the-way place he has felt confident of concealing the body, and along with it the bloody deed. Then, he had not taken the dog into account, and the odds were in his favour. Now, with the latter adrift, they are heavily against him.
It needs no calculation of chances to make this clear. Nor is it any doubt which causes him to stand hesitating. His irresolution springs from uncertainty as to what course he shall pursue.
One thing certain – he must not remain there. The hound has gone off howling. It is two miles to the widow Clancy’s house; but there is an odd squatter’s cabin and clearing between. A dog going in that guise, blood-bedraggled, in full cry of distress, will be sure of being seen – equally sure to raise an alarm.
On the probable, or possible, contingencies Dick Darke does not stand long reflecting. Despite its solitude, the cypress forest is not the place for tranquil thought – at least, not now for him. Far off through the trees he can hear the wail of the wounded Molossian.
Is it fancy, or does he also hear human voices?
He stays not to be sure. Beside that gory corpse, shrouded though it be, he dares not remain a moment longer.
Hastily shouldering his gun, he strikes off through the trees; at first in quick step; then in double; this increasing to a rapid run.
He retreats in a direction contrary to that taken by the dog. It is also different from the way leading to his father’s house. It forces him still further into the swamp – across sloughs, and through soft mud, where he makes footmarks. Though he has carefully concealed Clancy’s corpse, and obliterated all other traces of the strife, in his “scare,” he does not think of those he is now making.
The murderer is only – cunning before the crime. After it, if he have conscience, or be deficient in coolness, he loses self-possession, and is pretty sure to leave behind something which will furnish a clue for the detective.
So is it with Richard Darke. As he retreats from the scene of his diabolical deed, his only thought is to put space between himself and the spot where he has shed innocent blood; to get beyond earshot of those canine cries, that seem commingled with the shouts of men – the voices of avengers!
Chapter Eight.
The coon-hunter cautious
During the time that Darke is engaged in covering up Clancy’s body, and afterwards occupied in the attempt to kill his dog, the coon-hunter, squatted in the sycamore fork, sticks to his seat like “death to a dead nigger.” And all the time trembling. Not without reason. For the silence succeeding the short exclamatory speech has not re-assured him. He believes it to be but a lull, denoting some pause in the action, and that one, or both, of the actors is still upon the ground. If only one, it will be his master, whose monologue was last heard. During the stillness, somewhat prolonged, he continues to shape conjectures and put questions to himself, as to what can have been the fracas, and its cause. Undoubtedly a “shooting scrape” between Dick Darke and Charles Clancy. But how has it terminated, or is the end yet come? Has one of the combatants been killed, or gone away? Or have both forsaken the spot where they have been trying to spill each other’s blood?
While thus interrogating himself, a new sound disturbs the tranquillity of the forest – the same, which the assassin at first fancied was the voice of one wailing for his victim. The coon-hunter has no such delusion. Soon as hearing, he recognises the tongue of a stag-hound, knowing it to be Clancy’s. He is only astray about its peculiar tone, now quite changed. The animal is neither barking nor baying; nor yet does it yelp as if suffering chastisement. The soft tremulous whine, that comes pealing in prolonged reverberation through the trunks of the cypresses, proclaims distress of a different kind – as of a dog asleep and dreaming!
And now, once more a man’s voice, his master’s. It too changed in tone. No longer in angry exclaim, or quiet conversation, but as if earnestly entreating; the speech evidently not addressed to Clancy, but the hound.
Strange all this; and so thinks the coon-hunter. He has but little time to dwell on it, before another sound waking the echoes of the forest, interrupts the current of his reflections. Another shot! This time, as twice before, the broad round boom of a smooth-bore, so different from the short sharp “spang” of a rifle.
Thoroughly versed in the distinction – indeed an adept – Blue Bill knows from whose gun the shot has been discharged. It is the double-barrel belonging to Richard Darke. All the more reason for him to hug close to his concealment.
And not the less to be careful about the behaviour of his own dog, which he is holding in hard embrace. For hearing the bound, the cur is disposed to give response; would do so but for the muscular fingers of its master closed chokingly around its throat, at intervals detached to give it a cautionary cuff.
After the shot the stag-hound continues its lugubrious cries; but again with altered intonation, and less distinctly heard; as though the animal had gone farther off, and were still making away.
But now a new noise strikes upon the coon-hunter’s ears; one at first slight, but rapidly growing louder. It is the tread of footsteps, accompanied by a swishing among the palmettoes, that form an underwood along the edge of the swamp. Some one is passing through them, advancing towards the tree where he is concealed.
More than ever does he tremble on his perch; tighter than ever clutching the throat of his canine companion. For he is sure, that the man whose footsteps speak approach, is his master, or rather his master’s son. The sounds seem to indicate great haste – a retreat rapid, headlong, confused. On which the peccant slave bases a hope of escaping observation, and too probable chastisement. Correct in his conjecture, as in the prognostication, in a few seconds after he sees Richard Darke coming between the trees; running as for very life – the more like it that he goes crouchingly; at intervals stopping to look back and listen, with chin almost touching his shoulder!
When opposite the sycamore – indeed under it – he makes pause longer than usual. The perspiration stands in beads upon his forehead, pours down his cheeks, over his eyebrows, almost blinding him. He whips a kerchief out of his coat pocket, and wipes it off. While so occupied, he does not perceive that he has let something drop – something white that came out along with the kerchief. Replacing the piece of cambric he hurries on again, leaving it behind; on, on, till the dull thud of his footfall, and the crisp rustling of the stiff fan-like leaves, become both blended with the ordinary noises of the forest.
Then, but not before, does Blue Bill think of forsaking the fork. Descending from his irksome seat, he approaches the white thing left lying on the ground – a letter enveloped in the ordinary way. He takes it up, and sees it has been already opened. He thinks not of drawing out the sheet folded inside. It would be no use; since the coon-hunter cannot read. Still, an instinct tells him, the little bit of treasure-trove may some time, and in some way, prove useful. So forecasting, he slips it into his pocket.
This done he stands reflecting. No noise to disturb him now. Darke’s footsteps have died away in the distance, leaving swamp and cypress forest restored to their habitual stillness. The only sound, Blue Bill hears, is the beating of his own heart, yet loud enough.
No longer thinks he of the coon he has succeeded in treeing. The animal, late devoted to certain death, will owe its escape to an accident, and may now repose securely within its cave. Its pursuer has other thoughts – emotions, strong enough to drive coon-hunting clean out of his head. Among these are apprehensions about his own safety. Though unseen by Richard Darke – his presence there unsuspected – he knows that an unlucky chance has placed him in a position of danger. That a sinister deed has been done he is sure.
Under the circumstances, how is he to act? Proceed to the place whence the shots came, and ascertain what has actually occurred?
At first he thinks of doing this; but surrenders the intention. Affrighted by what is already known to him, he dares not know more. His young master may be a murderer? The way in which he was retreating almost said as much. Is he, Blue Bill, to make himself acquainted with the crime, and bear witness against him who has committed it? As a slave, he knows his testimony will count for little in a court of justice. And as the slave of Ephraim Darke, as little would his life be worth after giving it.
The last reflection decides him; and, still carrying the coon-dog under his arm, he parts from the spot, in timid skulking gait, never stopping, not feeling safe, till he finds himself inside the limits of the “negro quarter.”
