O'Rell Max
A Frenchman in America: Recollections of Men and Things

CHAPTER VI

A Connecticut Audience – Merry Meriden – A Hard Pull

From Meriden, January 8.

A Connecticut audience was a new experience to me. Yesterday I had a crowded room at the Opera House in Meriden; but if you had been behind the scenery, when I made my appearance on the stage, you would not have suspected it, for not one of the audience treated me to a little applause. I was frozen, and so were they. For a quarter of an hour I proceeded very cautiously, feeling the ground, as it were, as I went on. By that time, the thaw set in, and they began to smile. I must say that they had been very attentive from the beginning, and seemed very interested in the lecture. Encouraged by this, I warmed too. It was curious to watch that audience. By twos and threes the faces lit up with amusement till, by and by, the house wore quite an animated aspect. Presently there was a laugh, then two, then laughter more general. All the ice was gone. Next, a bold spirit in the stalls ventured some applause. At his second outburst he had company. The uphill work was nearly over now, and I began to feel better. The infection spread up to the circles and the gallery, and at last there came a real good hearty round of applause. I had “fetched” them after all. But it was tough work. When once I had them in hand, I took good care not to let them go.

…

I visited several interesting establishments this morning. Merry Meriden is famous for its manufactories of electro-plated silverware. Unfortunately I am not yet accustomed to the heated rooms of America, and I could not stay in the show-rooms more than a few minutes. I should have thought the heat was strong enough to melt all the goods on view. This town looks like a bee-hive of activity, with its animated streets, its electric cars. Dear old Europe! With the exception of a few large cities, the cars are still drawn by horses, like in the time of Sesostris and Nebuchadnezzar.

…

On arriving at the station a man took hold of my bag and asked to take care of it until the arrival of the train. I do not know whether he belonged to the hotel where I spent the night, or to the railroad company. Whatever he was, I felt grateful for this wonderful show of courtesy.

“I heard you last night at the Opera House,” he said to me.

“Why, were you at the lecture?”

“Yes, sir, and I greatly enjoyed it.”

“Well, why didn’t you laugh sooner?” I said.

“I wanted to very much!”

“Why didn’t you?”

“Well, sir, I couldn’t very well laugh before the rest.”

“Why didn’t you give the signal?”

“You see, sir,” he said, “we are in Connecticut.”

“Is laughter prohibited by the Statute Book in Connecticut?” I remarked.

“No, sir, but if you all laugh at the same time, then – ”

“I see, nobody can tell who is the real criminal.”

The train arrived. I shook hands with my friend, after offering him half a dollar for holding my bag – which he refused – and went on board.

In the parlor car, I met my kind friend Colonel Charles H. Taylor, editor of that very successful paper, the Boston Globe. We had luncheon together in the dining car, and time passed delightfully in his company till we reached the Grand Central station, New York, when we parted. He was kind enough to make me promise to look him up in Boston in a fortnight’s time, when I make my second appearance in the City of Culture.

CHAPTER VII

A Tempting Offer – The Thursday Club – Bill Nye – Visit to Young Ladies’ Schools – The Players’ Club

New York, January 9.

On returning here, I found a most curious letter awaiting me. I must tell you that in Boston, last Monday, I made the following remarks in my lecture:

“The American is, I believe, on the road to the possession of all that can contribute to the well-being and success of a nation, but he seems to me to have missed the path that leads to real happiness. To live in a whirl is not to live well. The little French shopkeeper who locks his shop-door from half-past one, so as not to be disturbed while he is having his dinner with his wife and family, has come nearer to solving the great problem of life, ‘How to be happy,’ than the American who sticks on his door: ‘Gone to dinner, shall be back in five minutes.’ You eat too fast, and I understand why your antidyspeptic pill-makers cover your walls, your forests even, with their advertisements.”

And I named the firm of pill-makers.

The letter is from them. They offer me $1000 if I will repeat the phrase at every lecture I give during my tour in the United States.

You may imagine if I will be careful to abstain in the future.

…

I lectured to-night before the members of the Thursday Club – a small, but very select audience, gathered in the drawing-room of one of the members. The lecture was followed by a conversazione. A very pleasant evening.

I left the house at half-past eleven. The night was beautiful. I walked to the hotel, along Fifth Avenue to Madison Square, and along Broadway to Union Square.

What a contrast to the great thoroughfares of London! Thousands of people here returning from the theaters and enjoying their walks, instead of being obliged to rush into vehicles to escape the sights presented at night by the West End streets of London. Here you can walk at night with your wife and daughter, without the least fear of their coming into contact with flaunting vice.

…

Excuse a reflection on a subject of a very domestic character. My clothes have come from the laundress with the bill.

Now let me give you a sound piece of advice.

When you go to America, bring with you a dozen shirts. No more. When these are soiled, buy a new dozen, and so on. You will thus get a supply of linen for many years to come, and save your washing bills in America, where the price of a shirt is much the same as the cost of washing it.

…

January 10.

I was glad to see Bill Nye again. He turned up at the Everett House this morning. I like to gaze at his clean-shaven face, that is seldom broken by a smile, and to hear his long, melancholy drawl. His lank form, and his polished dome of thought, as he delights in calling his joke box, help to make him so droll on the platform. When his audience begins to scream with laughter, he stops, looks at them in astonishment; the corners of his mouth drop and an expression of sadness comes over his face. The effect is irresistible. They shriek for mercy. But they don’t get it. He is accompanied by his own manager, who starts with him for the north to-night. This manager has no sinecure. I don’t think Bill Nye has ever been found in a depot ready to catch a train. So the manager takes him to the station, puts him in the right car, gets him out of his sleeping berth, takes him to the hotel, sees that he is behind the platform a few minutes before the time announced for the beginning of the lecture, and generally looks after his comfort. Bill is due in Ohio to-morrow night, and leaves New York to-night by the Grand Central Depot.

“Are you sure it’s by the Grand Central?” he said to me.

“Why, of course, corner of Forty-second Street, a five or ten minutes’ ride from here.”

You should have seen the expression on his face, as he drawled away:

“How – shall – I – get – there, I – wonder?”

…

This afternoon I paid a most interesting visit to several girls’ schools. The pupils were ordered by the head-mistress, in each case, to gather in the large room. There they arrived, two by two, to the sound of a march played on the piano by one of the under-mistresses. When they had all reached their respective places, two chords were struck on the instrument, and they all sat down with the precision of the best drilled Prussian regiment. Then some sang, others recited little poems, or epigrams – mostly at the expense of men. When, two years ago, I visited the Normal School for girls in the company of the President of the Education Board and Colonel Elliott F. Shepard, it was the anniversary of George Eliot’s birth. The pupils, one by one, recited a few quotations from her works, choosing all she had written against man.

When the singing and the recitations were over, the mistress requested me to address a few words to the young ladies. An American is used from infancy to deliver a speech on the least provocation. I am not. However, I managed to congratulate these young American girls on their charming appearance, and to thank them for the pleasure they had afforded me. Then two chords were struck on the piano and all stood up; two more chords, and all marched off in double file to the sound of another march. Not a smile, not a giggle. All these young girls, from sixteen to twenty, looked at me with modesty, but complete self-assurance, certainly with far more assurance than I dared look at them.

Then the mistress asked me to go to the gymnasium. There the girls arrived and, as solemnly as before, went through all kinds of muscular exercises. They are never allowed to sit down in the class rooms more than two hours at a time. They have to go down to the gymnasium every two hours.

I was perfectly amazed to see such discipline. These young girls are the true daughters of a great Republic: self-possessed, self-confident, dignified, respectful, law-abiding.

I also visited the junior departments of those schools. In one of them, eight hundred little girls from five to ten years of age were gathered together, and, as in the other departments, sang and recited to me. These young children are taught by the girls of the Normal School, under the supervision of mistresses. Here teaching is learned by teaching. A good method. Doctors are not allowed to practice before they have attended patients in hospitals. Why should people be allowed to teach before they have attended schools as apprentice teachers?

I had to give a speech to these dear little ones. I wish I had been able to give them a kiss instead.

In my little speech I had occasion to remark that I had arrived in America only a week before. After I left, it appears that a little girl, aged about six, went to her mistress and said to her:

“He’s only been here a week! And how beautifully he speaks English already!”

…

I have been “put up” at the Players’ Club by Mr. Edmund Clarence Stedman, and dined with him there to-night.

This club is the snuggest house I know in New York. Only a few months old, it possesses treasures such as few clubs a hundred years old possess. It was a present from Mr. Edwin Booth, the greatest actor America has produced. He bought the house in Twentieth Street, facing Gramercy Park, furnished it handsomely and with the greatest taste, and filled it with all the artistic treasures that he has collected during his life: portraits of celebrated actors, most valuable old engravings, photographs with the originals’ autographs, china, curios of all sorts, stage properties, such as the sword used by Macready in Macbeth, and hundreds of such beautiful and interesting souvenirs. On the second floor is the library, mostly composed of works connected with the drama.

This club is a perfect gem.

When in New York, Mr. Booth occupies a suite of rooms on the second floor, which he has reserved for himself; but he has handed over the property to the trustees of the club, who, after his death, will become the sole proprietors of the house and of all its priceless contents. It was a princely gift, worthy of the prince of actors. The members are all connected with literature, art, and the drama, and number about one hundred.

CHAPTER VIII

The Flourishing of Coats-of-Arms in America – Reflections Thereon – Forefathers Made to Order – The Phonograph at Home – The Wealth of New York – Departure for Buffalo

New York, January 11.

There are in America, as in many other countries of the world, people who have coats-of-arms, and whose ancestors had no arms to their coats.

This remark was suggested by the reading of the following paragraph in the New York World this morning:

There is growing in this country the rotten influence of rank, pride of station, contempt for labor, scorn of poverty, worship of caste, such as we verily believe is growing in no country in the world. What are the ideals that fill so large a part of the day and generation? For the boy it is riches; for the girl the marrying of a title. The ideal of this time in America is vast riches and the trappings of rank. It is good that proper scorn should be expressed of such ideals.

American novelists, journalists, and preachers are constantly upbraiding and ridiculing their countrywomen for their love of titled foreigners; but the society women of the great Republic only love the foreign lords all the more; and I have heard some of them openly express their contempt of a form of government whose motto is one of the clauses of the great Declaration of Independence: “All men are created equal.” I really believe that if the society women of America had their own way, they would set up a monarchy to-morrow, in the hope of seeing an aristocracy established as the sequel of it.

President Garfield once said that the only real coats-of-arms in America were shirt-sleeves. The epigram is good, but not based on truth, as every epigram should be. Labor in the States is not honorable for its own sake, but only if it brings wealth. President Garfield’s epigram “fetched” the crowd, no doubt, as any smart democratic or humanitarian utterance will anywhere, whether it be emitted from the platform, the stage, the pulpit, or the hustings; but if any American philosopher heard it, he must have smiled.

A New York friend who called on me this morning, and with whom I had a chat on this subject, assured me that there is now such a demand in the States for pedigrees, heraldic insignia, mottoes, and coronets, that it has created a new industry. He also informed me that almost every American city has a college of heraldry, which will provide unbroken lines of ancestors, and make to order a new line of forefathers “of the most approved pattern, with suitable arms, etc.”

Addison’s prosperous foundling, who ordered at the second-hand picture-dealer’s “a complete set of ancestors,” is, according to my friend, a typical personage to be met with in the States nowadays.

…

Bah! after all, every country has her snobs. Why should America be an exception to the rule? When I think of the numberless charming people I have met in this country, I may as well leave it to the Europeans who have come in contact with American snobs to speak about them, inasmuch as the subject is not particularly entertaining.

What amuses me much more here is the effect of democracy on what we Europeans would call the lower classes.

A few days ago, in a hotel, I asked a porter if my trunk had arrived from the station and had been taken to my room.

“I don’t know,” he said majestically; “you ask that gentleman.”

The gentleman pointed out to me was the negro who looks after the luggage in the establishment.

In the papers you may read in the advertisement columns: “Washing wanted by a lady at such and such address.”

The cabman will ask, “If you are the man as wants a gentleman to drive him to the deepo.”

During an inquiry concerning the work-house at Cambridge, Mass., a witness spoke of the “ladies’ cells,” as being all that should be desired.

Democracy, such is thy handiwork!

…

I went to the Stock Exchange in Wall Street at one o’clock. I thought that Whitechapel, on Saturday night, was beyond competition as a scene of rowdyism. I have now altered this opinion. I am still wondering whether I was not guyed by my pilot, and whether I was not shown the playground of a madhouse, at the time when all the most desperate lunatics are let loose.

After lunch I went to Falk’s photograph studio to be taken, and read the first page of “Jonathan and His Continent,” into his phonograph. Marvelous, this phonograph! I imagine Mr. Falk has the best collection of cylinders in the world. I heard a song by Patti, the piano played by Von Bülow, speeches, orchestras, and what not! The music is reproduced most faithfully. With the voice the instrument is not quite so successful. Instead of your own voice, you fancy you hear an imitation of it by Punch. All the same, it seems to me to be the wonder of the age.

After paying a few calls, and dining quietly at the Everett House, I went to the Metropolitan Opera House, and saw “The Barber of Bagdad.” Cornelius’s music is Wagnerian in aim, but I did not carry away with me a single bar of all I heard. After all, this is perhaps the aim of Wagnerian music.

What a sight is the Metropolitan Opera House, with its boxes full of lovely women, arrayed in gorgeous garments, and blazing with diamonds! What luxury! What wealth is gathered there!

How interesting it would be to know the exact amount of wealth of which New York can boast! In this morning’s papers I read that land on Fifth Avenue has lately sold for $115 a square foot. In an acre of land there are 43,560 square feet, which at $115 a foot would be $5,009,400 an acre. Just oblige me by thinking of it!

…

January 12.

Went to the Catholic Cathedral at eleven. A mass by Haydn was splendidly rendered by full orchestra and admirable chorus. The altar was a blaze of candles. The yellow of the lights and the plain mauve of two windows, one on each side of the candles, gave a most beautiful crocus-bed effect. I enjoyed the service.

In the evening I dined with Mr. Lloyd Bryce, editor of the North American Review, at the splendid residence of his father-in-law, Mr. Cooper, late Mayor of New York. Mrs. Lloyd Bryce is one of the handsomest American women I have met, and a most charming and graceful hostess. I reluctantly left early so as to prepare for my night journey to Buffalo.

CHAPTER IX

Different Ways of Advertising a Lecture – American Impresarios and Their Methods

Buffalo, January 13.

When you intend to give a lecture anywhere, and you wish it to be a success, it is a mistake to make a mystery of it.

On arriving here this morning, I found that my coming had been kept perfectly secret.

Perhaps my impresario wishes my audience to be very select, and has sent only private circulars to the intelligent, well-to-do inhabitants of the place – or, I said to myself, perhaps the house is all sold, and he has no need of any further advertisements.

I should very much like to know.

…

Sometimes, however, it is a mistake to advertise a lecture too widely. You run the risk of getting the wrong people.

A few years ago, in Dundee, a little corner gallery, placed at the end of the hall where I was to speak, was thrown open to the public at sixpence. I warned the manager that I was no attraction for the sixpenny public; but he insisted on having his own way.

The hall was well filled, but not the little gallery, where I counted about a dozen people. Two of these, however, did not remain long, and, after the lecture, I was told that they had gone to the box-office and asked to have their money returned to them. “Why,” they said, “it’s a d – swindle; it’s only a man talking.”

The man at the box-office was a Scotchman, and it will easily be understood that the two sixpences remained in the hands of the management.

…

I can well remember how startled I was, two years ago, on arriving in an American town where I was to lecture, to see the walls covered with placards announcing my lecture thus: “He is coming, ah, ha!” And after I had arrived, new placards were stuck over the old ones: “He has arrived, ah, ha!”

In another American town I was advertised as “the best paying platform celebrity in the world.” In another, in the following way: “If you would grow fat and happy, go and hear Max O’Rell to-night.”

One of my Chicago lectures was advertised thus: “Laughter is restful. If you desire to feel as though you had a vacation for a week, do not fail to attend this lecture.”

I was once fortunate enough to deal with a local manager who, before sending it to the newspapers, submitted to my approbation the following advertisement, of which he was very proud. I don’t know whether it was his own literary production, or whether he had borrowed it of a showman friend. Here it is:

Two Hours of Unalloyed Fun and Happiness

Will put two inches of solid fat even upon the ribs of the most cadaverous old miser. Everybody shouts peals of laughter as the rays of fun are emitted from this famous son of merry-makers.

I threatened to refuse to appear if the advertisement was inserted in the papers. This manager later gave his opinion that, as a lecturer, I was good, but that as a man, I was a little bit “stuck-up.”

When you arrive in an American town to lecture, you find the place flooded with your pictures, huge lithographs stuck on the walls, on the shop windows, in your very hotel entrance hall. Your own face stares at you everywhere, you are recognized by everybody. You have to put up with it. If you love privacy, peace, and quiet, don’t go to America on a lecturing tour. That is what your impresario will tell you.

…

In each town where you go, you have a local manager to “boss the show”; as he has to pay you a certain fee, which he guarantees, you cannot find fault with him for doing his best to have a large audience. He runs risks; you do not. Suppose, for instance, you are engaged, not by a society for a fee, but by a manager on sharing terms, say sixty per cent. of the gross receipts for you and forty for himself. Suppose his local expenses amount to $200; he has to bring $500 into the house before there is a cent for himself. You must forgive him if he goes about the place beating the big drum. If you do not like it, there is a place where you can stay – home.

…

An impresario once asked me if I required a piano, and if I would bring my own accompanist. Another wrote to ask the subject of my “entertainment.”

I wrote back to say that my lecture was generally found entertaining, but that I objected to its being called an entertainment. I added that the lecture was composed of four character sketches, viz., John Bull, Sandy, Pat, and Jonathan.

In his answer to this, he inquired whether I should change my dress four times during the performance, and whether it would not be a good thing to have a little music during the intervals.

Just fancy my appearing on the platform successively dressed as John, Sandy, Pat, and Jonathan!

…

A good impresario is constantly on the look out for anything that may draw the attention of the public to his entertainment. Nothing is sacred for him. His eyes and ears are always open, all his senses on the alert.

One afternoon I was walking with my impresario over the beautiful Clifton Suspension Bridge. I was to lecture at the Victoria Hall, Bristol, in the evening. We leaned on the railings, and grew pensive as we looked at the scenery and the abyss under us.

My impresario sighed.

“What are you thinking about?” I said to him.

“Last year,” he replied, “a girl tried to commit suicide and jumped over this bridge; but the wind got under her skirt, made a parachute of it, and she descended to the bottom of the valley perfectly unhurt.”

And he sighed again.

“Well,” said I, “why do you sigh?”

“Ah! my dear fellow, if you could do the same this afternoon, there would be ‘standing room only’ in the Victoria Hall to-night.”

I left that bridge in no time.