О. Генри
Whirligigs
XIII
A SACRIFICE HIT
The editor of the Hearthstone Magazine has his own ideas about the selection of manuscript for his publication. His theory is no secret; in fact, he will expound it to you willingly sitting at his mahogany desk, smiling benignantly and tapping his knee gently with his gold-rimmed eye-glasses.
"The Hearthstone," he will say, "does not employ a staff of readers. We obtain opinions of the manuscripts submitted to us directly from types of the various classes of our readers."
That is the editor's theory; and this is the way he carries it out:
When a batch of MSS. is received the editor stuffs every one of his pockets full of them and distributes them as he goes about during the day. The office employees, the hall porter, the janitor, the elevator man, messenger boys, the waiters at the café where the editor has luncheon, the man at the news-stand where he buys his evening paper, the grocer and milkman, the guard on the 5.30 uptown elevated train, the ticket-chopper at Sixty –th street, the cook and maid at his home – these are the readers who pass upon MSS. sent in to the Hearthstone Magazine. If his pockets are not entirely emptied by the time he reaches the bosom of his family the remaining ones are handed over to his wife to read after the baby goes to sleep. A few days later the editor gathers in the MSS. during his regular rounds and considers the verdict of his assorted readers.
This system of making up a magazine has been very successful; and the circulation, paced by the advertising rates, is making a wonderful record of speed.
The Hearthstone Company also publishes books, and its imprint is to be found on several successful works – all recommended, says the editor, by the Hearthstone's army of volunteer readers. Now and then (according to talkative members of the editorial staff) the Hearthstone has allowed manuscripts to slip through its fingers on the advice of its heterogeneous readers, that afterward proved to be famous sellers when brought out by other houses.
For instance (the gossips say), "The Rise and Fall of Silas Latham" was unfavourably passed upon by the elevator-man; the office-boy unanimously rejected "The Boss"; "In the Bishop's Carriage" was contemptuously looked upon by the street-car conductor; "The Deliverance" was turned down by a clerk in the subscription department whose wife's mother had just begun a two-months' visit at his home; "The Queen's Quair" came back from the janitor with the comment: "So is the book."
But nevertheless the Hearthstone adheres to its theory and system, and it will never lack volunteer readers; for each one of the widely scattered staff, from the young lady stenographer in the editorial office to the man who shovels in coal (whose adverse decision lost to the Hearthstone Company the manuscript of "The Under World"), has expectations of becoming editor of the magazine some day.
This method of the Hearthstone was well known to Allen Slayton when he wrote his novelette entitled "Love Is All." Slayton had hung about the editorial offices of all the magazines so persistently that he was acquainted with the inner workings of every one in Gotham.
He knew not only that the editor of the Hearthstone handed his MSS. around among different types of people for reading, but that the stories of sentimental love-interest went to Miss Puffkin, the editor's stenographer. Another of the editor's peculiar customs was to conceal invariably the name of the writer from his readers of MSS. so that a glittering name might not influence the sincerity of their reports.
Slayton made "Love Is All" the effort of his life. He gave it six months of the best work of his heart and brain. It was a pure love-story, fine, elevated, romantic, passionate – a prose poem that set the divine blessing of love (I am transposing from the manuscript) high above all earthly gifts and honours, and listed it in the catalogue of heaven's choicest rewards. Slayton's literary ambition was intense. He would have sacrificed all other worldly possessions to have gained fame in his chosen art. He would almost have cut off his right hand, or have offered himself to the knife of the appendicitis fancier to have realized his dream of seeing one of his efforts published in the Hearthstone.
Slayton finished "Love Is All," and took it to the Hearthstone in person. The office of the magazine was in a large, conglomerate building, presided under by a janitor.
As the writer stepped inside the door on his way to the elevator a potato masher flew through the hall, wrecking Slayton's hat, and smashing the glass of the door. Closely following in the wake of the utensil flew the janitor, a bulky, unwholesome man, suspenderless and sordid, panic-stricken and breathless. A frowsy, fat woman with flying hair followed the missile. The janitor's foot slipped on the tiled floor, he fell in a heap with an exclamation of despair. The woman pounced upon him and seized his hair. The man bellowed lustily.
Her vengeance wreaked, the virago rose and stalked triumphant as Minerva, back to some cryptic domestic retreat at the rear. The janitor got to his feet, blown and humiliated.
"This is married life," he said to Slayton, with a certain bruised humour. "That's the girl I used to lay awake of nights thinking about. Sorry about your hat, mister. Say, don't snitch to the tenants about this, will yer? I don't want to lose me job."
Slayton took the elevator at the end of the hall and went up to the offices of the Hearthstone. He left the MS. of "Love Is All" with the editor, who agreed to give him an answer as to its availability at the end of a week.
Slayton formulated his great winning scheme on his way down. It struck him with one brilliant flash, and he could not refrain from admiring his own genius in conceiving the idea. That very night he set about carrying it into execution.
Miss Puffkin, the Hearthstone stenographer, boarded in the same house with the author. She was an oldish, thin, exclusive, languishing, sentimental maid; and Slayton had been introduced to her some time before.
The writer's daring and self-sacrificing project was this: He knew that the editor of the Hearthstone relied strongly upon Miss Puffkin's judgment in the manuscript of romantic and sentimental fiction. Her taste represented the immense average of mediocre women who devour novels and stories of that type. The central idea and keynote of "Love Is All" was love at first sight – the enrapturing, irresistible, soul-thrilling feeling that compels a man or a woman to recognize his or her spirit-mate as soon as heart speaks to heart. Suppose he should impress this divine truth upon Miss Puffkin personally! – would she not surely indorse her new and rapturous sensations by recommending highly to the editor of the Hearthstone the novelette "Love Is All"?
Slayton thought so. And that night he took Miss Puffkin to the theatre. The next night he made vehement love to her in the dim parlour of the boarding-house. He quoted freely from "Love Is All"; and he wound up with Miss Puffkin's head on his shoulder, and visions of literary fame dancing in his head.
But Slayton did not stop at love-making. This, he said to himself, was the turning point of his life; and, like a true sportsman, he "went the limit." On Thursday night he and Miss Puffkin walked over to the Big Church in the Middle of the Block and were married.
Brave Slayton! Châteaubriand died in a garret, Byron courted a widow, Keats starved to death, Poe mixed his drinks, De Quincey hit the pipe, Ade lived in Chicago, James kept on doing it, Dickens wore white socks, De Maupassant wore a strait-jacket, Tom Watson became a Populist, Jeremiah wept, all these authors did these things for the sake of literature, but thou didst cap them all; thou marriedst a wife for to carve for thyself a niche in the temple of fame!
On Friday morning Mrs. Slayton said she would go over to the Hearthstone office, hand in one or two manuscripts that the editor had given to her to read, and resign her position as stenographer.
"Was there anything – er – that – er – you particularly fancied in the stories you are going to turn in?" asked Slayton with a thumping heart.
"There was one – a novelette, that I liked so much," said his wife. "I haven't read anything in years that I thought was half as nice and true to life."
That afternoon Slayton hurried down to the Hearthstone office. He felt that his reward was close at hand. With a novelette in the Hearthstone, literary reputation would soon be his.
The office boy met him at the railing in the outer office. It was not for unsuccessful authors to hold personal colloquy with the editor except at rare intervals.
Slayton, hugging himself internally, was nursing in his heart the exquisite hope of being able to crush the office boy with his forthcoming success.
He inquired concerning his novelette. The office boy went into the sacred precincts and brought forth a large envelope, thick with more than the bulk of a thousand checks.
"The boss told me to tell you he's sorry," said the boy, "but your manuscript ain't available for the magazine."
Slayton stood, dazed. "Can you tell me," he stammered, "whether or no Miss Puff – that is my – I mean Miss Puffkin – handed in a novelette this morning that she had been asked to read?"
"Sure she did," answered the office boy wisely. "I heard the old man say that Miss Puffkin said it was a daisy. The name of it was, 'Married for the Mazuma, or a Working Girl's Triumph.'"
"Say, you!" said the office boy confidentially, "your name's Slayton, ain't it? I guess I mixed cases on you without meanin' to do it. The boss give me some manuscript to hand around the other day and I got the ones for Miss Puffkin and the janitor mixed. I guess it's all right, though."
And then Slayton looked closer and saw on the cover of his manuscript, under the title "Love Is All," the janitor's comment scribbled with a piece of charcoal:
"The – you say!"
XIV
THE ROADS WE TAKE
Twenty miles west of Tucson, the "Sunset Express" stopped at a tank to take on water. Besides the aqueous addition the engine of that famous flyer acquired some other things that were not good for it.
While the fireman was lowering the feeding hose, Bob Tidball, "Shark" Dodson and a quarter-bred Creek Indian called John Big Dog climbed on the engine and showed the engineer three round orifices in pieces of ordnance that they carried. These orifices so impressed the engineer with their possibilities that he raised both hands in a gesture such as accompanies the ejaculation "Do tell!"
At the crisp command of Shark Dodson, who was leader of the attacking force the engineer descended to the ground and uncoupled the engine and tender. Then John Big Dog, perched upon the coal, sportively held two guns upon the engine driver and the fireman, and suggested that they run the engine fifty yards away and there await further orders.
Shark Dodson and Bob Tidball, scorning to put such low-grade ore as the passengers through the mill, struck out for the rich pocket of the express car. They found the messenger serene in the belief that the "Sunset Express" was taking on nothing more stimulating and dangerous than aqua pura. While Bob was knocking this idea out of his head with the butt-end of his six-shooter Shark Dodson was already dosing the express-car safe with dynamite.
The safe exploded to the tune of $30,000, all gold and currency. The passengers thrust their heads casually out of the windows to look for the thunder-cloud. The conductor jerked at the bell-rope, which sagged down loose and unresisting, at his tug. Shark Dodson and Bob Tidball, with their booty in a stout canvas bag, tumbled out of the express car and ran awkwardly in their high-heeled boots to the engine.
The engineer, sullenly angry but wise, ran the engine, according to orders, rapidly away from the inert train. But before this was accomplished the express messenger, recovered from Bob Tidball's persuader to neutrality, jumped out of his car with a Winchester rifle and took a trick in the game. Mr. John Big Dog, sitting on the coal tender, unwittingly made a wrong lead by giving an imitation of a target, and the messenger trumped him. With a ball exactly between his shoulder blades the Creek chevalier of industry rolled off to the ground, thus increasing the share of his comrades in the loot by one-sixth each.
Two miles from the tank the engineer was ordered to stop.
The robbers waved a defiant adieu and plunged down the steep slope into the thick woods that lined the track. Five minutes of crashing through a thicket of chaparral brought them to open woods, where three horses were tied to low-hanging branches. One was waiting for John Big Dog, who would never ride by night or day again. This animal the robbers divested of saddle and bridle and set free. They mounted the other two with the bag across one pommel, and rode fast and with discretion through the forest and up a primeval, lonely gorge. Here the animal that bore Bob Tidball slipped on a mossy boulder and broke a foreleg. They shot him through the head at once and sat down to hold a council of flight. Made secure for the present by the tortuous trail they had travelled, the question of time was no longer so big. Many miles and hours lay between them and the spryest posse that could follow. Shark Dodson's horse, with trailing rope and dropped bridle, panted and cropped thankfully of the grass along the stream in the gorge. Bob Tidball opened the sack, drew out double handfuls of the neat packages of currency and the one sack of gold and chuckled with the glee of a child.
"Say, you old double-decked pirate," he called joyfully to Dodson, "you said we could do it – you got a head for financing that knocks the horns off of anything in Arizona."
"What are we going to do about a hoss for you, Bob? We ain't got long to wait here. They'll be on our trail before daylight in the mornin'."
"Oh, I guess that cayuse of yourn'll carry double for a while," answered the sanguine Bob. "We'll annex the first animal we come across. By jingoes, we made a haul, didn't we? Accordin' to the marks on this money there's $30,000 – $15,000 apiece!"
"It's short of what I expected," said Shark Dodson, kicking softly at the packages with the toe of his boot. And then he looked pensively at the wet sides of his tired horse.
"Old Bolivar's mighty nigh played out," he said, slowly. "I wish that sorrel of yours hadn't got hurt."
"So do I," said Bob, heartily, "but it can't be helped. Bolivar's got plenty of bottom – he'll get us both far enough to get fresh mounts. Dang it, Shark, I can't help thinkin' how funny it is that an Easterner like you can come out here and give us Western fellows cards and spades in the desperado business. What part of the East was you from, anyway?"
"New York State," said Shark Dodson, sitting down on a boulder and chewing a twig. "I was born on a farm in Ulster County. I ran away from home when I was seventeen. It was an accident my coming West. I was walkin' along the road with my clothes in a bundle, makin' for New York City. I had an idea of goin' there and makin' lots of money. I always felt like I could do it. I came to a place one evenin' where the road forked and I didn't know which fork to take. I studied about it for half an hour, and then I took the left-hand. That night I run into the camp of a Wild West show that was travellin' among the little towns, and I went West with it. I've often wondered if I wouldn't have turned out different if I'd took the other road."
"Oh, I reckon you'd have ended up about the same," said Bob Tidball, cheerfully philosophical. "It ain't the roads we take; it's what's inside of us that makes us turn out the way we do."
Shark Dodson got up and leaned against a tree.
"I'd a good deal rather that sorrel of yourn hadn't hurt himself, Bob," he said again, almost pathetically.
"Same here," agreed Bob; "he was sure a first-rate kind of a crowbait. But Bolivar, he'll pull us through all right. Reckon we'd better be movin' on, hadn't we, Shark? I'll bag this boodle ag'in and we'll hit the trail for higher timber."
Bob Tidball replaced the spoil in the bag and tied the mouth of it tightly with a cord. When he looked up the most prominent object that he saw was the muzzle of Shark Dodson's .45 held upon him without a waver.
"Stop your funnin'," said Bob, with a grin. "We got to be hittin' the breeze."
"Set still," said Shark. "You ain't goin' to hit no breeze, Bob. I hate to tell you, but there ain't any chance for but one of us. Bolivar, he's plenty tired, and he can't carry double."
"We been pards, me and you, Shark Dodson, for three year," Bob said quietly. "We've risked our lives together time and again. I've always give you a square deal, and I thought you was a man. I've heard some queer stories about you shootin' one or two men in a peculiar way, but I never believed 'em. Now if you're just havin' a little fun with me, Shark, put your gun up, and we'll get on Bolivar and vamose. If you mean to shoot – shoot, you blackhearted son of a tarantula!"
Shark Dodson's face bore a deeply sorrowful look. "You don't know how bad I feel," he sighed, "about that sorrel of yourn breakin' his leg, Bob."
The expression on Dodson's face changed in an instant to one of cold ferocity mingled with inexorable cupidity. The soul of the man showed itself for a moment like an evil face in the window of a reputable house.
Truly Bob Tidball was never to "hit the breeze" again. The deadly .45 of the false friend cracked and filled the gorge with a roar that the walls hurled back with indignant echoes. And Bolivar, unconscious accomplice, swiftly bore away the last of the holders-up of the "Sunset Express," not put to the stress of "carrying double."
But as "Shark" Dodson galloped away the woods seemed to fade from his view; the revolver in his right hand turned to the curved arm of a mahogany chair; his saddle was strangely upholstered, and he opened his eyes and saw his feet, not in stirrups, but resting quietly on the edge of a quartered-oak desk.
I am telling you that Dodson, of the firm of Dodson & Decker, Wall Street brokers, opened his eyes. Peabody, the confidential clerk, was standing by his chair, hesitating to speak. There was a confused hum of wheels below, and the sedative buzz of an electric fan.
"Ahem! Peabody," said Dodson, blinking. "I must have fallen asleep. I had a most remarkable dream. What is it, Peabody?"
"Mr. Williams, sir, of Tracy & Williams, is outside. He has come to settle his deal in X. Y. Z. The market caught him short, sir, if you remember."
"Yes, I remember. What is X. Y. Z. quoted at to-day, Peabody?"
"One eighty-five, sir."
"Then that's his price."
"Excuse me," said Peabody, rather nervously "for speaking of it, but I've been talking to Williams. He's an old friend of yours, Mr. Dodson, and you practically have a corner in X. Y. Z. I thought you might – that is, I thought you might not remember that he sold you the stock at 98. If he settles at the market price it will take every cent he has in the world and his home too to deliver the shares."
The expression on Dodson's face changed in an instant to one of cold ferocity mingled with inexorable cupidity. The soul of the man showed itself for a moment like an evil face in the window of a reputable house.
"He will settle at one eighty-five," said Dodson. "Bolivar cannot carry double."
XV
A BLACKJACK BARGAINER
The most disreputable thing in Yancey Goree's law office was Goree himself, sprawled in his creaky old arm-chair. The rickety little office, built of red brick, was set flush with the street – the main street of the town of Bethel.
Bethel rested upon the foot-hills of the Blue Ridge. Above it the mountains were piled to the sky. Far below it the turbid Catawba gleamed yellow along its disconsolate valley.
The June day was at its sultriest hour. Bethel dozed in the tepid shade. Trade was not. It was so still that Goree, reclining in his chair, distinctly heard the clicking of the chips in the grand-jury room, where the "court-house gang" was playing poker. From the open back door of the office a well-worn path meandered across the grassy lot to the court-house. The treading out of that path had cost Goree all he ever had – first inheritance of a few thousand dollars, next the old family home, and, latterly the last shreds of his self-respect and manhood. The "gang" had cleaned him out. The broken gambler had turned drunkard and parasite; he had lived to see this day come when the men who had stripped him denied him a seat at the game. His word was no longer to be taken. The daily bouts at cards had arranged itself accordingly, and to him was assigned the ignoble part of the onlooker. The sheriff, the county clerk, a sportive deputy, a gay attorney, and a chalk-faced man hailing "from the valley," sat at table, and the sheared one was thus tacitly advised to go and grow more wool.
Soon wearying of his ostracism, Goree had departed for his office, muttering to himself as he unsteadily traversed the unlucky pathway. After a drink of corn whiskey from a demijohn under the table, he had flung himself into the chair, staring, in a sort of maudlin apathy, out at the mountains immersed in the summer haze. The little white patch he saw away up on the side of Blackjack was Laurel, the village near which he had been born and bred. There, also, was the birthplace of the feud between the Gorees and the Coltranes. Now no direct heir of the Gorees survived except this plucked and singed bird of misfortune. To the Coltranes, also, but one male supporter was left – Colonel Abner Coltrane, a man of substance and standing, a member of the State Legislature, and a contemporary with Goree's father. The feud had been a typical one of the region; it had left a red record of hate, wrong and slaughter.
But Yancey Goree was not thinking of feuds. His befuddled brain was hopelessly attacking the problem of the future maintenance of himself and his favourite follies. Of late, old friends of the family had seen to it that he had whereof to eat and a place to sleep – but whiskey they would not buy for him, and he must have whiskey. His law business was extinct; no case had been intrusted to him in two years. He had been a borrower and a sponge, and it seemed that if he fell no lower it would be from lack of opportunity. One more chance – he was saying to himself – if he had one more stake at the game, he thought he could win; but he had nothing left to sell, and his credit was more than exhausted.
He could not help smiling, even in his misery, as he thought of the man to whom, six months before, he had sold the old Goree homestead. There had come from "back yan'" in the mountains two of the strangest creatures, a man named Pike Garvey and his wife. "Back yan'," with a wave of the hand toward the hills, was understood among the mountaineers to designate the remotest fastnesses, the unplumbed gorges, the haunts of lawbreakers, the wolf's den, and the boudoir of the bear. In the cabin far up on Blackjack's shoulder, in the wildest part of these retreats, this odd couple had lived for twenty years. They had neither dog nor children to mitigate the heavy silence of the hills. Pike Garvey was little known in the settlements, but all who had dealt with him pronounced him "crazy as a loon." He acknowledged no occupation save that of a squirrel hunter, but he "moonshined" occasionally by way of diversion. Once the "revenues" had dragged him from his lair, fighting silently and desperately like a terrier, and he had been sent to state's prison for two years. Released, he popped back into his hole like an angry weasel.
Fortune, passing over many anxious wooers, made a freakish flight into Blackjack's bosky pockets to smile upon Pike and his faithful partner.
One day a party of spectacled, knickerbockered, and altogether absurd prospectors invaded the vicinity of the Garvey's cabin. Pike lifted his squirrel rifle off the hooks and took a shot at them at long range on the chance of their being revenues. Happily he missed, and the unconscious agents of good luck drew nearer, disclosing their innocence of anything resembling law or justice. Later on, they offered the Garveys an enormous quantity of ready, green, crisp money for their thirty-acre patch of cleared land, mentioning, as an excuse for such a mad action, some irrelevant and inadequate nonsense about a bed of mica underlying the said property.
When the Garveys became possessed of so many dollars that they faltered in computing them, the deficiencies of life on Blackjack began to grow prominent. Pike began to talk of new shoes, a hogshead of tobacco to set in the corner, a new lock to his rifle; and, leading Martella to a certain spot on the mountain-side, he pointed out to her how a small cannon – doubtless a thing not beyond the scope of their fortune in price – might be planted so as to command and defend the sole accessible trail to the cabin, to the confusion of revenues and meddling strangers forever.
But Adam reckoned without his Eve. These things represented to him the applied power of wealth, but there slumbered in his dingy cabin an ambition that soared far above his primitive wants. Somewhere in Mrs. Garvey's bosom still survived a spot of femininity unstarved by twenty years of Blackjack. For so long a time the sounds in her ears had been the scaly-barks dropping in the woods at noon, and the wolves singing among the rocks at night, and it was enough to have purged her of vanities. She had grown fat and sad and yellow and dull. But when the means came, she felt a rekindled desire to assume the perquisites of her sex – to sit at tea tables; to buy futile things; to whitewash the hideous veracity of life with a little form and ceremony. So she coldly vetoed Pike's proposed system of fortifications, and announced that they would descend upon the world, and gyrate socially.
And thus, at length, it was decided, and the thing done. The village of Laurel was their compromise between Mrs. Garvey's preference for one of the large valley towns and Pike's hankering for primeval solitudes. Laurel yielded a halting round of feeble social distractions comportable with Martella's ambitions, and was not entirely without recommendation to Pike, its contiguity to the mountains presenting advantages for sudden retreat in case fashionable society should make it advisable.
Their descent upon Laurel had been coincident with Yancey Goree's feverish desire to convert property into cash, and they bought the old Goree homestead, paying four thousand dollars ready money into the spendthrift's shaking hands.
Thus it happened that while the disreputable last of the Gorees sprawled in his disreputable office, at the end of his row, spurned by the cronies whom he had gorged, strangers dwelt in the halls of his fathers.
A cloud of dust was rolling, slowly up the parched street, with something travelling in the midst of it. A little breeze wafted the cloud to one side, and a new, brightly painted carryall, drawn by a slothful gray horse, became visible. The vehicle deflected from the middle of the street as it neared Goree's office, and stopped in the gutter directly in front of his door.
On the front seat sat a gaunt, tall man, dressed in black broadcloth, his rigid hands incarcerated in yellow kid gloves. On the back seat was a lady who triumphed over the June heat. Her stout form was armoured in a skin-tight silk dress of the description known as "changeable," being a gorgeous combination of shifting hues. She sat erect, waving a much-ornamented fan, with her eyes fixed stonily far down the street. However Martella Garvey's heart might be rejoicing at the pleasures of her new life, Blackjack had done his work with her exterior. He had carved her countenance to the image of emptiness and inanity; had imbued her with the stolidity of his crags, and the reserve of his hushed interiors. She always seemed to hear, whatever her surroundings were, the scaly-barks falling and pattering down the mountain-side. She could always hear the awful silence of Blackjack sounding through the stillest of nights.
Goree watched this solemn equipage, as it drove to his door, with only faint interest; but when the lank driver wrapped the reins about his whip, awkwardly descended, and stepped into the office, he rose unsteadily to receive him, recognizing Pike Garvey, the new, the transformed, the recently civilized.
The mountaineer took the chair Goree offered him. They who cast doubts upon Garvey's soundness of mind had a strong witness in the man's countenance. His face was too long, a dull saffron in hue, and immobile as a statue's. Pale-blue, unwinking round eyes without lashes added to the singularity of his gruesome visage. Goree was at a loss to account for the visit.
"Everything all right at Laurel, Mr. Garvey?" he inquired.
"Everything all right, sir, and mighty pleased is Missis Garvey and me with the property. Missis Garvey likes yo' old place, and she likes the neighbourhood. Society is what she 'lows she wants, and she is gettin' of it. The Rogerses, the Hapgoods, the Pratts and the Troys hev been to see Missis Garvey, and she hev et meals to most of thar houses. The best folks hev axed her to differ'nt kinds of doin's. I cyan't say, Mr. Goree, that sech things suits me – fur me, give me them thar." Garvey's huge, yellow-gloved hand flourished in the direction of the mountains. "That's whar I b'long, 'mongst the wild honey bees and the b'ars. But that ain't what I come fur to say, Mr. Goree. Thar's somethin' you got what me and Missis Garvey wants to buy."
"Buy!" echoed Goree. "From me?" Then he laughed harshly. "I reckon you are mistaken about that. I reckon you are mistaken about that. I sold out to you, as you yourself expressed it, 'lock, stock and barrel.' There isn't even a ramrod left to sell."
"You've got it; and we 'uns want it. 'Take the money,' says Missis Garvey, 'and buy it fa'r and squar'.'"
