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полная версияThe Monk

Мэтью Грегори Льюис
The Monk

'You tremble!' said Matilda to her Companion; 'Fear not; The destined spot is near.'

They reached the foot of the Staircase, and continued to proceed, feeling their way along the Walls. On turning a corner suddenly, they descried faint gleams of light which seemed burning at a distance. Thither they bent their steps: The rays proceeded from a small sepulchral Lamp which flamed unceasingly before the Statue of St. Clare. It tinged with dim and cheerless beams the massy Columns which supported the Roof, but was too feeble to dissipate the thick gloom in which the Vaults above were buried.

Matilda took the Lamp.

'Wait for me!' said She to the Friar; 'In a few moments I am here again.'

With these words She hastened into one of the passages which branched in various directions from this spot, and formed a sort of Labyrinth. Ambrosio was now left alone: Darkness the most profound surrounded him, and encouraged the doubts which began to revive in his bosom. He had been hurried away by the delirium of the moment: The shame of betraying his terrors, while in Matilda's presence, had induced him to repress them; But now that he was abandoned to himself, they resumed their former ascendancy. He trembled at the scene which He was soon to witness. He knew not how far the delusions of Magic might operate upon his mind, and possibly might force him to some deed whose commission would make the breach between himself and Heaven irreparable. In this fearful dilemma, He would have implored God's assistance, but was conscious that He had forfeited all claim to such protection. Gladly would He have returned to the Abbey; But as He had past through innumerable Caverns and winding passages, the attempt of regaining the Stairs was hopeless. His fate was determined: No possibility of escape presented itself: He therefore combated his apprehensions, and called every argument to his succour, which might enable him to support the trying scene with fortitude. He reflected that Antonia would be the reward of his daring: He inflamed his imagination by enumerating her charms. He persuaded himself that (as Matilda had observed), He always should have time sufficient for repentance, and that as He employed HER assistance, not that of the Daemons, the crime of Sorcery could not be laid to his charge. He had read much respecting witchcraft: He understood that unless a formal Act was signed renouncing his claim to salvation, Satan would have no power over him. He was fully determined not to execute any such act, whatever threats might be used, or advantages held out to him.

Such were his meditations while waiting for Matilda. They were interrupted by a low murmur which seemed at no great distance from him. He was startled. He listened. Some minutes past in silence, after which the murmur was repeated. It appeared to be the groaning of one in pain. In any other situation, this circumstance would only have excited his attention and curiosity:

In the present, his predominant sensation was that of terror. His imagination totally engrossed by the ideas of sorcery and Spirits, He fancied that some unquiet Ghost was wandering near him; or else that Matilda had fallen a Victim to her presumption, and was perishing under the cruel fangs of the Daemons. The noise seemed not to approach, but continued to be heard at intervals. Sometimes it became more audible, doubtless as the sufferings of the person who uttered the groans became more acute and insupportable. Ambrosio now and then thought that He could distinguish accents; and once in particular He was almost convinced that He heard a faint voice exclaim,

'God! Oh! God! No hope! No succour!'

Yet deeper groans followed these words. They died away gradually, and universal silence again prevailed.

'What can this mean?' thought the bewildered Monk.

At that moment an idea which flashed into his mind, almost petrified him with horror. He started, and shuddered at himself.

'Should it be possible!' He groaned involuntarily; 'Should it but be possible, Oh! what a Monster am I!'

He wished to resolve his doubts, and to repair his fault, if it were not too late already: But these generous and compassionate sentiments were soon put to flight by the return of Matilda. He forgot the groaning Sufferer, and remembered nothing but the danger and embarrassment of his own situation. The light of the returning Lamp gilded the walls, and in a few moments after Matilda stood beside him. She had quitted her religious habit: She was now cloathed in a long sable Robe, on which was traced in gold embroidery a variety of unknown characters: It was fastened by a girdle of precious stones, in which was fixed a poignard. Her neck and arms were uncovered. In her hand She bore a golden wand. Her hair was loose and flowed wildly upon her shoulders; Her eyes sparkled with terrific expression; and her whole Demeanour was calculated to inspire the beholder with awe and admiration.

'Follow me!' She said to the Monk in a low and solemn voice; 'All is ready!'

His limbs trembled, while He obeyed her. She led him through various narrow passages; and on every side as they past along, the beams of the Lamp displayed none but the most revolting objects; Skulls, Bones, Graves, and Images whose eyes seemed to glare on them with horror and surprize. At length they reached a spacious Cavern, whose lofty roof the eye sought in vain to discover. A profound obscurity hovered through the void. Damp vapours struck cold to the Friar's heart; and He listened sadly to the blast while it howled along the lonely Vaults. Here Matilda stopped. She turned to Ambrosio. His cheeks and lips were pale with apprehension. By a glance of mingled scorn and anger She reproved his pusillanimity, but She spoke not. She placed the Lamp upon the ground, near the Basket. She motioned that Ambrosio should be silent, and began the mysterious rites. She drew a circle round him, another round herself, and then taking a small Phial from the Basket, poured a few drops upon the ground before her. She bent over the place, muttered some indistinct sentences, and immediately a pale sulphurous flame arose from the ground. It increased by degrees, and at length spread its waves over the whole surface, the circles alone excepted in which stood Matilda and the Monk. It then ascended the huge Columns of unhewn stone, glided along the roof, and formed the Cavern into an immense chamber totally covered with blue trembling fire. It emitted no heat: On the contrary, the extreme chillness of the place seemed to augment with every moment. Matilda continued her incantations: At intervals She took various articles from the Basket, the nature and name of most of which were unknown to the Friar: But among the few which He distinguished, He particularly observed three human fingers, and an Agnus Dei which She broke in pieces. She threw them all into the flames which burned before her, and they were instantly consumed.

The Monk beheld her with anxious curiosity. Suddenly She uttered a loud and piercing shriek. She appeared to be seized with an access of delirium; She tore her hair, beat her bosom, used the most frantic gestures, and drawing the poignard from her girdle plunged it into her left arm. The blood gushed out plentifully, and as She stood on the brink of the circle, She took care that it should fall on the outside. The flames retired from the spot on which the blood was pouring. A volume of dark clouds rose slowly from the ensanguined earth, and ascended gradually, till it reached the vault of the Cavern. At the same time a clap of thunder was heard: The echo pealed fearfully along the subterraneous passages, and the ground shook beneath the feet of the Enchantress.

It was now that Ambrosio repented of his rashness. The solemn singularity of the charm had prepared him for something strange and horrible. He waited with fear for the Spirit's appearance, whose coming was announced by thunder and earthquakes. He looked wildly round him, expecting that some dreadful Apparition would meet his eyes, the sight of which would drive him mad. A cold shivering seized his body, and He sank upon one knee, unable to support himself.

'He comes!' exclaimed Matilda in a joyful accent.

Ambrosio started, and expected the Daemon with terror. What was his surprize, when the Thunder ceasing to roll, a full strain of melodious Music sounded in the air. At the same time the cloud dispersed, and He beheld a Figure more beautiful than Fancy's pencil ever drew. It was a Youth seemingly scarce eighteen, the perfection of whose form and face was unrivalled. He was perfectly naked: A bright Star sparkled upon his forehead; Two crimson wings extended themselves from his shoulders; and his silken locks were confined by a band of many-coloured fires, which played round his head, formed themselves into a variety of figures, and shone with a brilliance far surpassing that of precious Stones. Circlets of Diamonds were fastened round his arms and ankles, and in his right hand He bore a silver branch, imitating Myrtle. His form shone with dazzling glory: He was surrounded by clouds of rose-coloured light, and at the moment that He appeared, a refreshing air breathed perfumes through the Cavern. Enchanted at a vision so contrary to his expectations, Ambrosio gazed upon the Spirit with delight and wonder: Yet however beautiful the Figure, He could not but remark a wildness in the Daemon's eyes, and a mysterious melancholy impressed upon his features, betraying the Fallen Angel, and inspiring the Spectators with secret awe.

The Music ceased. Matilda addressed herself to the Spirit: She spoke in a language unintelligible to the Monk, and was answered in the same. She seemed to insist upon something which the Daemon was unwilling to grant. He frequently darted upon Ambrosio angry glances, and at such times the Friar's heart sank within him. Matilda appeared to grow incensed. She spoke in a loud and commanding tone, and her gestures declared that She was threatening him with her vengeance. Her menaces had the desired effect: The Spirit sank upon his knee, and with a submissive air presented to her the branch of Myrtle. No sooner had She received it, than the Music was again heard; A thick cloud spread itself over the Apparition; The blue flames disappeared, and total obscurity reigned through the Cave. The Abbot moved not from his place: His faculties were all bound up in pleasure, anxiety, and surprize. At length the darkness dispersing, He perceived Matilda standing near him in her religious habit, with the Myrtle in her hand. No traces of the incantation, and the Vaults were only illuminated by the faint rays of the sepulchral Lamp.

 

'I have succeeded,' said Matilda, 'though with more difficulty than I expected. Lucifer, whom I summoned to my assistance, was at first unwilling to obey my commands: To enforce his compliance I was constrained to have recourse to my strongest charms. They have produced the desired effect, but I have engaged never more to invoke his agency in your favour. Beware then, how you employ an opportunity which never will return. My magic arts will now be of no use to you: In future you can only hope for supernatural aid by invoking the Daemons yourself, and accepting the conditions of their service. This you will never do: You want strength of mind to force them to obedience, and unless you pay their established price, they will not be your voluntary Servants. In this one instance they consent to obey you: I offer you the means of enjoying your Mistress, and be careful not to lose the opportunity. Receive this constellated Myrtle: While you bear this in your hand, every door will fly open to you. It will procure you access tomorrow night to Antonia's chamber: Then breathe upon it thrice, pronounce her name, and place it upon her pillow. A death-like slumber will immediately seize upon her, and deprive her of the power of resisting your attempts. Sleep will hold her till break of Morning. In this state you may satisfy your desires without danger of being discovered; since when daylight shall dispel the effects of the enchantment, Antonia will perceive her dishonour, but be ignorant of the Ravisher. Be happy then, my Ambrosio, and let this service convince you that my friendship is disinterested and pure. The night must be near expiring: Let us return to the Abbey, lest our absence should create surprize.'

The Abbot received the talisman with silent gratitude. His ideas were too much bewildered by the adventures of the night to permit his expressing his thanks audibly, or indeed as yet to feel the whole value of her present. Matilda took up her Lamp and Basket, and guided her Companion from the mysterious Cavern. She restored the Lamp to its former place, and continued her route in darkness, till She reached the foot of the Staircase. The first beams of the rising Sun darting down it facilitated the ascent. Matilda and the Abbot hastened out of the Sepulchre, closed the door after them, and soon regained the Abbey's western Cloister. No one met them, and they retired unobserved to their respective Cells.

The confusion of Ambrosio's mind now began to appease. He rejoiced in the fortunate issue of his adventure, and reflecting upon the virtues of the Myrtle, looked upon Antonia as already in his power. Imagination retraced to him those secret charms betrayed to him by the Enchanted Mirror, and He waited with impatience for the approach of midnight.

VOLUME III

CHAPTER I

 
The crickets sing, and Man's o'er-laboured sense
Repairs itself by rest: Our Tarquin thus
Did softly press the rushes, ere He wakened
The chastity He wounded—Cytherea,
How bravely thou becom'st thy bed! Fresh Lily!
And whiter than the sheets!
 
             Cymbeline.

All the researches of the Marquis de las Cisternas proved vain: Agnes was lost to him for ever. Despair produced so violent an effect upon his constitution, that the consequence was a long and severe illness. This prevented him from visiting Elvira as He had intended; and She being ignorant of the cause of his neglect, it gave her no trifling uneasiness. His Sister's death had prevented Lorenzo from communicating to his Uncle his designs respecting Antonia: The injunctions of her Mother forbad his presenting himself to her without the Duke's consent; and as She heard no more of him or his proposals, Elvira conjectured that He had either met with a better match, or had been commanded to give up all thoughts of her Daughter. Every day made her more uneasy respecting Antonia's fate: While She retained the Abbot's protection, She bore with fortitude the disappointment of her hopes with regard to Lorenzo and the Marquis. That resource now failed her. She was convinced that Ambrosio had meditated her Daughter's ruin: And when She reflected that her death would leave Antonia friendless and unprotected in a world so base, so perfidious and depraved, her heart swelled with the bitterness of apprehension. At such times She would sit for hours gazing upon the lovely Girl; and seeming to listen to her innocent prattle, while in reality her thoughts dwelt upon the sorrows into which a moment would suffice to plunge her. Then She would clasp her in her arms suddenly, lean her head upon her Daughter's bosom, and bedew it with her tears.

An event was in preparation which, had She known it, would have relieved her from her inquietude. Lorenzo now waited only for a favourable opportunity to inform the Duke of his intended marriage: However, a circumstance which occurred at this period, obliged him to delay his explanation for a few days longer.

Don Raymond's malady seemed to gain ground. Lorenzo was constantly at his bedside, and treated him with a tenderness truly fraternal. Both the cause and effects of the disorder were highly afflicting to the Brother of Agnes: yet Theodore's grief was scarcely less sincere. That amiable Boy quitted not his Master for a moment, and put every means in practice to console and alleviate his sufferings. The Marquis had conceived so rooted an affection for his deceased Mistress, that it was evident to all that He never could survive her loss: Nothing could have prevented him from sinking under his grief but the persuasion of her being still alive, and in need of his assistance. Though convinced of its falsehood, his Attendants encouraged him in a belief which formed his only comfort. He was assured daily that fresh perquisitions were making respecting the fate of Agnes: Stories were invented recounting the various attempts made to get admittance into the Convent; and circumstances were related which, though they did not promise her absolute recovery, at least were sufficient to keep his hopes alive. The Marquis constantly fell into the most terrible excess of passion when informed of the failure of these supposed attempts. Still He would not credit that the succeeding ones would have the same fate, but flattered himself that the next would prove more fortunate.

Theodore was the only one who exerted himself to realize his Master's Chimoeras. He was eternally busied in planning schemes for entering the Convent, or at least of obtaining from the Nuns some intelligence of Agnes. To execute these schemes was the only inducement which could prevail on him to quit Don Raymond. He became a very Proteus, changing his shape every day; but all his metamorphoses were to very little purpose: He regularly returned to the Palace de las Cisternas without any intelligence to confirm his Master's hopes. One day He took it into his head to disguise himself as a Beggar. He put a patch over his left eye, took his Guitar in hand, and posted himself at the Gate of the Convent.

'If Agnes is really confined in the Convent,' thought He, 'and hears my voice, She will recollect it, and possibly may find means to let me know that She is here.'

With this idea He mingled with a crowd of Beggars who assembled daily at the Gate of St. Clare to receive Soup, which the Nuns were accustomed to distribute at twelve o'clock. All were provided with jugs or bowls to carry it away; But as Theodore had no utensil of this kind, He begged leave to eat his portion at the Convent door. This was granted without difficulty: His sweet voice, and in spite of his patched eye, his engaging countenance, won the heart of the good old Porteress, who, aided by a Lay-Sister, was busied in serving to each his Mess. Theodore was bad to stay till the Others should depart, and promised that his request should then be granted. The Youth desired no better, since it was not to eat Soup that He presented himself at the Convent. He thanked the Porteress for her permission, retired from the Door, and seating himself upon a large stone, amused himself in tuning his Guitar while the Beggars were served.

As soon as the Crowd was gone, Theodore was beckoned to the Gate, and desired to come in. He obeyed with infinite readiness, but affected great respect at passing the hallowed Threshold, and to be much daunted by the presence of the Reverend Ladies. His feigned timidity flattered the vanity of the Nuns, who endeavoured to reassure him. The Porteress took him into her awn little Parlour: In the meanwhile, the Lay-Sister went to the Kitchen, and soon returned with a double portion of Soup, of better quality than what was given to the Beggars. His Hostess added some fruits and confections from her own private store, and Both encouraged the Youth to dine heartily. To all these attentions He replied with much seeming gratitude, and abundance of blessings upon his benefactresses. While He ate, the Nuns admired the delicacy of his features, the beauty of his hair, and the sweetness and grace which accompanied all his actions. They lamented to each other in whispers, that so charming a Youth should be exposed to the seductions of the World, and agreed, that He would be a worthy Pillar of the Catholic Church. They concluded their conference by resolving that Heaven would be rendered a real service if they entreated the Prioress to intercede with Ambrosio for the Beggar's admission into the order of Capuchins.

This being determined, the Porteress, who was a person of great influence in the Convent, posted away in all haste to the Domina's Cell. Here She made so flaming a narrative of Theodore's merits that the old Lady grew curious to see him. Accordingly, the Porteress was commissioned to convey him to the Parlour grate. In the interim, the supposed Beggar was sifting the Lay-Sister with respect to the fate of Agnes: Her evidence only corroborated the Domina's assertions. She said that Agnes had been taken ill on returning from confession, had never quitted her bed from that moment, and that She had herself been present at the Funeral. She even attested having seen her dead body, and assisted with her own hands in adjusting it upon the Bier. This account discouraged Theodore: Yet as He had pushed the adventure so far, He resolved to witness its conclusion.

The Porteress now returned, and ordered him to follow her. He obeyed, and was conducted into the Parlour, where the Lady Prioress was already posted at the Grate. The Nuns surrounded her, who all flocked with eagerness to a scene which promised some diversion. Theodore saluted them with profound respect, and his presence had the power to smooth for a moment even the stern brow of the Superior. She asked several questions respecting his Parents, his religion, and what had reduced him to a state of Beggary. To these demands his answers were perfectly satisfactory and perfectly false. He was then asked his opinion of a monastic life: He replied in terms of high estimation and respect for it. Upon this, the Prioress told him that his obtaining an entrance into a religious order was not impossible; that her recommendation would not permit his poverty to be an obstacle, and that if She found him deserving it, He might depend in future upon her protection. Theodore assured her that to merit her favour would be his highest ambition; and having ordered him to return next day, when She would talk with him further, the Domina quitted the Parlour.

The Nuns, whom respect for the Superior had till then kept silent, now crowded all together to the Grate, and assailed the Youth with a multitude of questions. He had already examined each with attention: Alas! Agnes was not amongst them. The Nuns heaped question upon question so thickly that it was scarcely possible for him to reply. One asked where He was born, since his accent declared him to be a Foreigner: Another wanted to know, why He wore a patch upon his left eye: Sister Helena enquired whether He had not a Sister like him, because She should like such a Companion; and Sister Rachael was fully persuaded that the Brother would be the pleasanter Companion of the Two. Theodore amused himself with retailing to the credulous Nuns for truths all the strange stories which his imagination could invent. He related to them his supposed adventures, and penetrated every Auditor with astonishment, while He talked of Giants, Savages, Ship-wrecks, and Islands inhabited

 
 
'By Anthropophagi, and Men whose heads
Do grow beneath their shoulders,'
 

With many other circumstances to the full as remarkable. He said, that He was born in Terra Incognita, was educated at an Hottentot University, and had past two years among the Americans of Silesia.

'For what regards the loss of my eye' said He, 'it was a just punishment upon me for disrespect to the Virgin, when I made my second pilgrimage to Loretto. I stood near the Altar in the miraculous Chapel: The Monks were proceeding to array the Statue in her best apparel. The Pilgrims were ordered to close their eyes during this ceremony: But though by nature extremely religious, curiosity was too powerful. At the moment ..... I shall penetrate you with horror, reverend Ladies, when I reveal my crime! .... At the moment that the Monks were changing her shift, I ventured to open my left eye, and gave a little peep towards the Statue. That look was my last! The Glory which surrounded the Virgin was too great to be supported. I hastily shut my sacrilegious eye, and never have been able to unclose it since!'

At the relation of this miracle the Nuns all crossed themselves, and promised to intercede with the blessed Virgin for the recovery of his sight. They expressed their wonder at the extent of his travels, and at the strange adventures which He had met with at so early an age. They now remarked his Guitar, and enquired whether he was an adept in Music. He replied with modesty that it was not for him to decide upon his talents, but requested permission to appeal to them as Judges. This was granted without difficulty.

'But at least,' said the old Porteress, 'take care not to sing any thing profane.'

'You may depend upon my discretion,' replied Theodore: 'You shall hear how dangerous it is for young Women to abandon themselves to their passions, illustrated by the adventure of a Damsel who fell suddenly in love with an unknown Knight.'

'But is the adventure true?' enquired the Porteress.

'Every word of it. It happened in Denmark, and the Heroine was thought so beautiful that She was known by no other name but that of "the lovely Maid".'

'In Denmark, say you?' mumbled an old Nun; 'Are not the People all Blacks in Denmark?'

'By no means, reverend Lady; They are of a delicate pea-green with flame-coloured hair and whiskers.'

'Mother of God! Pea-green?' exclaimed Sister Helena; 'Oh! 'tis impossible!'

'Impossible?' said the Porteress with a look of contempt and exultation: 'Not at all: When I was a young Woman, I remember seeing several of them myself.'

Theodore now put his instrument in proper order. He had read the story of a King of England whose prison was discovered by a Minstrel; and He hoped that the same scheme would enable him to discover Agnes, should She be in the Convent. He chose a Ballad which She had taught him herself in the Castle of Lindenberg: She might possibly catch the sound, and He hoped to hear her replying to some of the Stanzas. His Guitar was now in tune, and He prepared to strike it.

'But before I begin,' said He 'it is necessary to inform you, Ladies, that this same Denmark is terribly infested by Sorcerers, Witches, and Evil Spirits. Every element possesses its appropriate Daemons. The Woods are haunted by a malignant power, called "the Erl- or Oak-King:" He it is who blights the Trees, spoils the Harvest, and commands the Imps and Goblins: He appears in the form of an old Man of majestic figure, with a golden Crown and long white beard: His principal amusement is to entice young Children from their Parents, and as soon as He gets them into his Cave, He tears them into a thousand pieces—The Rivers are governed by another Fiend, called "the Water-King:" His province is to agitate the deep, occasion ship-wrecks, and drag the drowning Sailors beneath the waves: He wears the appearance of a Warrior, and employs himself in luring young Virgins into his snare: What He does with them, when He catches them in the water, Reverend Ladies, I leave for you to imagine—"The Fire-King" seems to be a Man all formed of flames: He raises the Meteors and wandering lights which beguile Travellers into ponds and marshes, and He directs the lightning where it may do most mischief—The last of these elementary Daemons is called "the Cloud-King;" His figure is that of a beautiful Youth, and He is distinguished by two large sable Wings: Though his outside is so enchanting, He is not a bit better disposed than the Others: He is continually employed in raising Storms, tearing up Forests by the roots, and blowing Castles and Convents about the ears of their Inhabitants. The First has a Daughter, who is Queen of the Elves and Fairies; The Second has a Mother, who is a powerful Enchantress: Neither of these Ladies are worth more than the Gentlemen: I do not remember to have heard any family assigned to the two other Daemons, but at present I have no business with any of them except the Fiend of the Waters. He is the Hero of my Ballad; but I thought it necessary before I began, to give you some account of his proceedings—'

Theodore then played a short symphony; After which, stretching his voice to its utmost extent to facilitate its reaching the ear of Agnes, He sang the following Stanzas.

THE WATER-KING
A DANISH BALLAD
 
With gentle murmur flowed the Tide,
While by the fragrant flowery side
The lovely Maid with carols gay
To Mary's Church pursued her way.
 
 
The Water-Fiend's malignant eye
Along the Banks beheld her hie;
Straight to his Mother-witch He sped,
And thus in suppliant accents said:
 
 
'Oh! Mother! Mother! now advise,
How I may yonder Maid surprize:
Oh! Mother! Mother! Now explain,
How I may yonder Maid obtain.'
 
 
The Witch She gave him armour white;
She formed him like a gallant Knight;
Of water clear next made her hand
A Steed, whose housings were of sand.
 
 
The Water-King then swift He went;
To Mary's Church his steps He bent:
He bound his Courser to the Door,
And paced the Church-yard three times four.
 
 
His Courser to the door bound He,
And paced the Church-yard four time three:
Then hastened up the Aisle, where all
The People flocked, both great and small.
 
 
The Priest said, as the Knight drew near,
'And wherefore comes the white Chief here?'
The lovely Maid She smiled aside;
'Oh! would I were the white Chief's Bride!'
 
 
He stept o'er Benches one and two;
'Oh! lovely Maid, I die for You!'
He stept o'er Benches two and three;
'Oh! lovely Maiden, go with me!'
 
 
Then sweet She smiled, the lovely Maid,
And while She gave her hand, She said,
'Betide me joy, betide me woe,
O'er Hill, o'er dale, with thee I go.'
 
 
The Priest their hands together joins:
They dance, while clear the moon-beam shines;
And little thinks the Maiden bright,
Her Partner is the Water-spright.
 
 
Oh! had some spirit deigned to sing,
'Your Partner is the Water-King!'
The Maid had fear and hate confest,
And cursed the hand which then She prest.
 
 
But nothing giving cause to think,
How near She strayed to danger's brink,
Still on She went, and hand in hand
The Lovers reached the yellow sand.
 
 
'Ascend this Steed with me, my Dear;
We needs must cross the streamlet here;
Ride boldly in; It is not deep;
The winds are hushed, the billows sleep.'
 
 
Thus spoke the Water-King. The Maid
Her Traitor-Bride-groom's wish obeyed:
And soon She saw the Courser lave
Delighted in his parent wave.
 
 
'Stop! Stop! my Love! The waters blue
E'en now my shrinking foot bedew!'
'Oh! lay aside your fears, sweet Heart!
We now have reached the deepest part.'
 
 
'Stop! Stop! my Love! For now I see
The waters rise above my knee.'
'Oh! lay aside your fears, sweet Heart!
We now have reached the deepest part.'
 
 
'Stop! Stop! for God's sake, stop! For Oh!
The waters o'er my bosom flow!'—
Scarce was the word pronounced, when Knight
And Courser vanished from her sight.
 
 
She shrieks, but shrieks in vain; for high
The wild winds rising dull the cry;
The Fiend exults; The Billows dash,
And o'er their hapless Victim wash.
 
 
Three times while struggling with the stream,
The lovely Maid was heard to scream;
But when the Tempest's rage was o'er,
The lovely Maid was seen no more.
 
 
Warned by this Tale, ye Damsels fair,
To whom you give your love beware!
Believe not every handsome Knight,
And dance not with the Water-Spright!
 

The Youth ceased to sing. The Nuns were delighted with the sweetness of his voice and masterly manner of touching the Instrument: But however acceptable this applause would have been at any other time, at present it was insipid to Theodore. His artifice had not succeeded. He paused in vain between the Stanzas: No voice replied to his, and He abandoned the hope of equalling Blondel.

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