Макс Брэнд
Trailin'!
CHAPTER XXIV
"SAM'L HALL"
But with the stage set and the curtain ready to rise on the farce, the audience did not arrive until the shadow of the evening blotted the windows of the office where big Lawlor waited impatiently, rehearsing his part; but when the lamp had been lighted, as though that were a signal for which the tenderfoot had waited, came a knock at the door of the room, and then it was jerked open and the head of one of the cowpunchers was inserted.
"He's coming!"
The head disappeared; the door slammed. Lawlor stretched both arms wide, shifted his belt, loosened his gun in the holster for the fiftieth time, and exhaled a long breath. Once more the door jerked open, and this time it was the head and sullen face of Nash, enlivened now by a peculiarly unpleasant smile.
"He's here!"
As the door closed the grim realization came to Lawlor that he could not face the tenderfoot—his staring eyes and his pallor would betray him even if the jerking of his hands did not. He swung about in the comfortable chair, seized a book and whisking it open bowed his head to read. All that he saw was a dance of irregular black lines: voices sounded through the hall outside.
"Sure, he'll see you," Calamity Ben was saying. "And if you want to put up for the night there ain't nobody more hospital than the Chief. Right in here, son."
The door yawned. He could not see, for his back was resolutely toward it and he was gripping the cover of the book hard to steady his hands; but he felt a breath of colder air from the outer hall; he felt above all a new presence peering in upon him, like a winter-starved lynx that might flatten its round face against the window and peer in at the lazy warmth and comfort of the humans around the hearth inside. Some such feeling sent a chill through Lawlor's blood.
"Hello!" called Calamity Ben.
"Humph!" grunted Lawlor.
"Got a visitor, Mr. Drew."
"Bring him in."
And Lawlor cleared his throat.
"All right, here he is."
The door closed, and Lawlor snapped the book shut.
"Drew!" said a low voice.
The cowpuncher turned in his chair. He had intended to rise, but at the sound of that controlled menace he knew that his legs were too weak to answer that purpose. What he saw was a slender fellow, who stood with his head somewhat lowered while his eyes peered down from under contracted brows, as though the light were hurting them. His feet were braced apart and his hands dropped lightly on his hips—the very picture of a man ready to spring into action.
Under the great brush of his moustache, Lawlor set his teeth, but he was instantly at ease; for if the sight of the stranger shook him to the very centre, the other was even more obviously shocked by what he saw. The hands dropped limp from his hips and dangled idly at his sides; his body straightened almost with a jerk, as though he had been struck violently, and now, instead of that searching look, he was blinking down at his host. Lawlor rose and extended a broad hand and an even broader smile; he was proud of the strength which had suddenly returned to his legs.
"H'ware ye, stranger? Sure glad to see you."
The other accepted the proffered hand automatically, like one moving in a dream.
"Are you Drew?"
"Sure am."
"William Drew?"
He still held the hand as if he were fearful of the vision escaping without that sensible bondage.
"William Drew is right. Sit down. Make yourself to home."
"Thanks!" breathed the other and as if that breath expelled with it all his strength he slumped into a chair and sat with a fascinated eye glued to his host.
Lawlor had time to mark now the signs of long and severe travelling which the other bore, streaks of mud that disfigured him from heel to shoulder; and his face was somewhat drawn like a man who has gone to work fasting.
"William Drew!" he repeated, more to himself than to Lawlor, and the latter formed a silent prayer of gratitude that he was not William Drew.
"I'm forgetting myself," went on the tenderfoot, with a ghost of a smile. "My name is Bard—Anthony Bard."
His glance narrowed again, and this time Lawlor, remembering his part, pretended to start with surprise.
"Bard?"
"Yes. Anthony Bard."
"Glad to know you. You ain't by any chance related to a John Bard?"
"Why?"
"Had a partner once by that name. Good old John Bard!"
He shook his head, as though overcome by recollections.
"I've heard something about you and your partner, Mr. Drew."
"Yes?"
"In fact, it seems to be a rather unusual story."
"Well, it ain't common. John Bard! I'll tell the world there was a man."
"Yes, he was."
"What's that?"
"He must have been," answered Anthony, "from all that I've heard of him. I'm interested in what I scrape together about him. You see, he carries the same name."
"That's nacheral. How long since you ate?"
"Last night."
"The hell! Starved?"
"Rather."
"It's near chow-time. Will you eat now or wait for the reg'lar spread?"
"I think I can wait, thank you."
"A little drink right now to help you along, eh?" He strode over and opened the door. "Hey! Shorty!"
For answer there came only the wail of an old pirate song.
"Oh, my name's Sam'l Hall—Sam'l Hall;
My name's Sam'l Hall—Sam'l Hall.
My name is Sam'l Hall,
And I hate you one an' all,
You're a gang of muckers all—
Damn your eyes!"
"Listen!" said Lawlor, turning to his guest with a deprecating wave of the hand. "A cook what sings! Which in the old days I wouldn't have had a bum like that around my place, but there ain't no choosin' now."
The voice from the kitchen rolled out louder:
"I killed a man, they said, so they said;
I killed a man, they said, so they said.
I killed a man they said,
For I hit 'im on the head,
And I left him there for dead—
Damn your eyes!"
"Hey! Shorty Kilrain!" bellowed the aggravated host.
He turned to Bard.
"What'd you do with a bum like that for a cook?"
"Pay him wages and keep him around to sing songs. I like this one. Listen!"
"They put me in the quad—in the quad;
They put me in the quad—in the quad.
They put me in the quad,
They chained me to a rod,
And they left me there, by God—
Damn your eyes!"
"Kilrain, come here and make it fast or I'll damn your eyes!"
He explained to Bard: "Got to be hard with these fellers or you never get nowhere with 'em."
"Yo ho!" answered the voice of the singer, and approached booming:
"The parson he did come, he did come;
The parson he did come—did come.
The parson he did come,
He looked almighty glum,
He talked of kingdom come—.
Damn your eyes!"
Shorty loomed in the doorway and caught his hand to his forehead in a nautical salute. He had one bad eye, and now it squinted as villainously as if he were the real Sam'l Hall.
"Righto sir. What'll you have, mate?"
"Don't mate me, you igner'nt sweepin' of the South Sea, but trot up some red-eye—and gallop."
The ex-sailor shifted his quid so that it stuck far out in the opposite cheek with such violence of pressure that a little spot of white appeared through the tan of the skin. He regarded Lawlor for a silent moment with bodeful eyes.
"What the hell are you lookin' at?" roared the other. "On your way!"
The features of Kilrain twitched spasmodically.
"Righto, sir."
Another salute, and he was off, his voice coming back less and less distinctly.
"So up the rope I'll go, I will go;
So up the rope I'll go—I'll go.
So up the rope I'll go
With the crowd all down below
Yelling, 'Sam, I told you so!'
Damn their eyes!"
CHAPTER XXV
HAIR LIKE THE SUNSHINE
"Well," grumbled Lawlor, settling back comfortably into his chair, "one of these days I'm goin' to clean out my whole gang and put in a new one. They maybe won't be any better but they can't be any wuss."
Nevertheless, he did not seem in the least downhearted, but apparently had some difficulty in restraining his broad grin.
The voice of the grim cook returned:
"I'll see Nelly in the crowd, in the crowd;
I'll see Nelly in the crowd, in the crowd;
I'll see Nelly in the crowd,
And I'll holler to her loud:
'Hey, Nelly, ain't you proud—
Damn your eyes?'"
"I ask you," cried Lawlor, with freshly risen wrath, "is that any way to go around talkin' about women?"
"Not talking. He's singing," answered Bard. "Let him alone."
The thunder of their burly Ganymede's singing rose and echoed about them.
"And this shall be my knell, be my knell;
And this shall be my knell—my knell.
And this shall be my knell:
'Sam, I hope you go to hell,
Sam, I hope you sizzle well—
Damn your eyes!'"
Shorty Kilrain appeared in the doorway, his mouth wide on the last, long, wailing note.
"Shorty," said Lawlor, with a sort of hopeless sadness, "ain't you never been educated to sing no better songs than that?"
"Why, you old, grey-headed—" began Shorty, and then stopped short and hitched his trousers violently.
Lawlor pushed the bottle of whisky and glass toward Bard.
"Help yourself." And to Kilrain, who was leaving the room: "Come back here."
"Well?" snarled the sailor, half turning at the door.
"While I'm runnin' this here ranch you're goin' to have manners, see?"
"If manners was like your whiskers," said the unabashed Shorty, "it'd take me nigh onto thirty years to get 'em."
And he winked at Bard for sympathy.
Lawlor smashed his fist on the table.
"What I say is, are you running this ranch or am I?"
"Well?" growled Kilrain.
"If you was a kid you'd have your mouth washed out with soap."
The eyes of Shorty bulged.
"It ought to be done now, but there ain't no one I'd give such dirty work to. What you're going to do is stand right here and show us you know how to sing a decent song in a decent way. That there song of yours didn't leave nothin' sacred untouched, from parsons and jails to women and the gallows. Stand over there and sing."
The eyes of the sailor filmed over with cold hate.
"Was I hired to punch cattle," he said, "or make a blasted, roarin' fool out of myself?"
"You was hired," answered Lawlor softly, as he filled his glass to the brim with the old rye whisky, "to be a cook, and you're the rottenest hash-slinger that ever served cold dough for biscuits; a blasted, roarin' fool you've already made out of yourself by singin' that song. I want another one to get the sound of that out of my ears. Tune up!"
Thoughts of murder, ill-concealed, whitened the face of the sailor.
"Some day—" he began hoarsely, and then stopped. For a vision came to him of blithe mornings when he should sit on the top of the corral fence rolling a cigarette, while some other puncher went into the herd and roped and saddled his horse.
"D'you mean this—Drew?" he asked, with an odd emphasis.
"D'you think I'm talking for fun?"
"What'll I sing?" he asked in a voice which was reduced to a faint whisper by rage.
"I dunno," mused Lawlor, "but maybe it ought to lie between 'Alice, Ben Bolt,' and 'Annie Laurie.' What d'you choose, partner?"
He turned to Bard.
"'Alice, Ben Bolt,' by all means. I don't think he could manage the Scotch."
"Start!" commanded Lawlor.
The sailor closed his eyes, tilted back his head, twisted his face to a hideous grimace, and then opening his shapeless mouth emitted a tremendous wail which took shape in the following words:
"Oh, don't you remember sweet Alice, Ben Bolt,
Sweet Alice, with hair like the sunshine—"
"Shut up!" roared Lawlor.
It required a moment for Shorty to unkink the congested muscles of his face.
"What the hell's the matter now?" he inquired.
"Whoever heard of 'hair like the sunshine'? There ain't no such thing possible. 'Hair so brown,' that's what the song says. Shorty, we got more feelin' for our ears than to let you go on singin' an' showin' your ignerance. G'wan back to the kitchen!"
Kilrain drew a long breath, regarded Lawlor again with that considerate, expectant eye, and then turned on his heel and strode from the room. Back to Bard came fragments of tremendous cursing of an epic breadth and a world-wide inclusiveness.
"Got to do things like this once in a while to keep 'em under my thumb," Lawlor explained genially.
With all his might Bard was struggling to reconcile this big-handed vulgarian with his mental picture of the man who could write for an epitaph: "Here sleeps Joan, the wife of William Drew. She chose this place for rest." But the two ideas were not inclusive.
He said aloud: "Aren't you afraid that that black-eyed fellow will run a knife between your ribs one of these dark nights?"
"Who? My ribs?" exclaimed Lawlor, nevertheless stirring somewhat uneasily in his chair. "Nope, they know that I'm William Drew. They may be hard, but they know I'm harder."
"Oh," drawled the other, and his eyes held with uncomfortable steadiness on the rosy face of Lawlor. "I understand."
To cover his confusion Lawlor seized his glass.
"Here's to you—drinkin' deep."
And he tossed off the mighty potion. Bard had poured only a few drops into his glass; he had too much sympathy for his empty stomach to do more. His host leaned back, coughing, with tears of pleasure in his eyes.
"Damn me!" he breathed reverently. "I ain't touched stuff like this in ten years."
"Is this a new stock?" inquired Bard, apparently puzzled.
"This?" said Lawlor, recalling his position with a start. "Sure it is; brand new. Yep, stuff ain't been in more'n five days. Smooth, ain't it? Medicine, that's what I call it; a gentleman's drink—goes down like water."
Observing a rather quizzical light in the eyes of Bard, he felt that he had probably been making a few missteps, and being warmed greatly at the heart by the whisky, he launched forth in a new phase of the conversation.
CHAPTER XXVI
"THE CRITIQUE OF PURE REASON"
"Speakin' of hard cattlemen," he said, "I could maybe tell you a few things, son."
"No doubt of it," smiled Anthony. "I presume it would take a very hard man to handle this crowd."
"Fairly hard," nodded the redoubtable Lawlor, "but they ain't nothin' to the men that used to ride the range in the old days."
"No?"
"Nope. One of them men—why, he'd eat a dozen like Kilrain and think nothin' of it. Them was the sort I learned to ride the range with."
"I've heard something about a fight which you and John Bard had against the Piotto gang. Care to tell me anything of it?"
Lawlor lolled easily back in his chair and balanced a second large drink between thumb and forefinger.
"There ain't no harm in talk, son; sure I'll tell you about it. What d'you want to know?"
"The way Bard fought—the way you both fought."
"Lemme see."
He closed his eyes like one who strives to recollect; he was, in fact, carefully recalling the skeleton of facts which Drew had told him earlier in the day.
"Six months, me and Bard had been trailin' Piotto, damn his old soul! Bard—he'd of quit cold a couple of times, but I kept him at it."
"John Bard would have quit?" asked Anthony softly.
"Sure. He was a big man, was Bard, but he didn't have none too much endurance."
"Go on," nodded Anthony.
"Six months, I say, we was ridin' day and night and wearin' out a hoss about every week of that time. Then we got jest a hint from a bartender that maybe the Piottos was nearby in that section.
"It didn't need no more than a hint for us to get busy on the trail. We hit a circle through the mountains—it was over near Twin Rivers where the ground ain't got a level stretch of a hundred yards in a whole day's ridin'. And along about evenin' of the second day we come to the house of Tom Shaw, a squatter.
"Bard would of passed the house up, because he knew Shaw and said there wasn't nothin' crooked about him, but I didn't trust nobody in them days—and I ain't changed a pile since."
"That," remarked Anthony, "is an example I think I shall follow."
"Eh?" said Lawlor, somewhat blankly. "Well, we rode up on the blind side of the house—from the north, see, got off, and sneaked around to the east end of the shack. The windows was covered with cloths on the inside, which didn't make me none too sure about Shaw havin' no dealin's with crooks. It ain't ordinary for a feller to be so savin' on light. Pretty soon we found a tear in one of the cloths, and lookin' through that we seen old Piotto sittin' beside Tom Shaw with his daughter on the other side.
"We went back to the north side of the house and figured out different ways of tacklin' the job. There was only the two of us, see, and the fellers inside that house was all cut out for man-killers. How would you have gone after 'em, son?"
"Opened the door, I suppose, and started shooting," said Bard, "if I had the courage."
The other stared at him.
"You heard this story before?"
"Not this part."
"Well, that was jest what we done. First off, it sounds like a fool way of tacklin' them; but when you think twice it was the best of all. They never was expectin' anybody fool enough to walk right into that room and start fightin'. We went back and had a look at the door.
"It wasn't none too husky. John Bard, he tried the latch, soft, but the thing was locked, and when he pulled there was a snap.
"'Who's there?' hollers someone inside.
"We froze ag'in' the side of the house, lookin' at each other pretty sick.
"'Nobody's there,' sings out the voice of old Piotto. 'We can trust Tom Shaw, jest because he knows that if he double-crossed us he'd be the first man to die.'
"And we heard Tom say, sort of quaverin': 'God's sake, boys, what d'you think I am?'
"'Now,' says Bard, and we put our shoulders to the door, and takes our guns in our hands—we each had two.
"The door went down like nothin', because we was both husky fellers in them days, and as she smashed in the fall upset two of the boys sittin' closest and gave 'em no chance on a quick draw. The rest of 'em was too paralyzed at first, except old Piotto. He pulled his gun, but what he shot was Tom Shaw, who jest leaned forward in his chair and crumpled up dead.
"We went at 'em, pumpin' lead. It wasn't no fight at first and half of 'em was down before they had their guns workin'. But when the real hell started it wasn't no fireside story, I'll tell a man. We had the jump on 'em, but they meant business. I dropped to the floor and lay on my side, shootin'; Bard, he followered suit. They went down like tenpins till our guns were empty. Then we up and rushed what was left of 'em—Piotto and his daughter. Bard makes a pass to knock the gun out of the hand of Joan and wallops her on the head instead. Down she goes. I finished Piotto with my bare hands."
"Broke his back, eh?"
"Me? Whoever heard of breakin' a man's back? Ha, ha, ha! You been hearin' fairy tales, son. Nope, I choked the old rat."
"Were you badly hurt?"
Lawlor searched his memory hastily; there was no information on this important point.
"Couple of grazes," he said, dismissing the subject with a tolerant wave of the hand. "Nothin' worth talkin' of."
"I see," nodded Bard.
It occurred to Lawlor that his guest was taking the narrative in a remarkably philosophic spirit. He reviewed his telling of the story hastily and could find nothing that jarred.
He concluded: "That was the way of livin' in them days. They ain't no more—they ain't no more!"
"And now," said Anthony, "the only excitement you get is out of books—and running the labourers?"
He had picked up the book which Lawlor had just laid down.
"Oh, I read a bit now and then," said the cowpuncher easily, "but I ain't much on booklearnin'."
Bard was turning the pages slowly. The title, whose meaning dawned slowly on his astonished mind as a sunset comes in winter over a grey landscape, was The Critique of Pure Reason. He turned the book over and over in his hands. It was well thumbed.
He asked, controlling his voice: "Are you fond of Kant?"
"Eh?" queried the other.
"Fond of this book?"
"Yep, that's one of my favourites. But I ain't much on any books."
"However," said Bard, "the story of this is interesting."
"It is. There's some great stuff in it," mumbled Lawlor, trying to squint at the title, which he had quite overlooked during the daze in which he first picked it up.
Bard laid the book aside and out of sight.
"And I like the characters, don't you? Some very close work done with them."
"Yep, there's a lot of narrow escapes."
"Exactly. I'm glad that we agree about books."
"So'm I. Feller can kill a lot of time chinning about books."
"Yes, I suppose a good many people have killed time over this book."
And as he smiled genially upon the cowpuncher, Bard felt a great relief sweep over him, a mighty gladness that this was not Drew—that this looselipped gabbler was not the man who had written the epitaph over the tomb of Joan Piotto. He lied about the book; he had lied about it all. And knowing that this was not Drew, he felt suddenly as if someone were watching him from behind, someone large and grey and stern of eye, like the giant who had spoken to him so long before in the arena at Madison Square Garden.
A game was being played with him, and behind that game must be Drew himself; all Bard could do was to wait for developments.
The familiar, booming voice of Shorty Kilrain echoed through the house: "Supper!"
And the loud clangour of a bell supported the invitation.
"Chow-time," breathed Lawlor heavily, like one relieved at the end of a hard shift of work. "I figure you ain't sorry, son?"
"No," answered Bard, "but it's too bad to break off this talk. I've learned a lot."
