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Bits of Blarney

Mackenzie Robert Shelton
Bits of Blarney

CHAPTER III. – HOW THE PIPER GOT ON WITH MARY MAHONY

The aim and the result of Remmy Carroll's newly-acquired habits of economy and self-denial became evident, at length, when his appearance, one Sunday, in the Chapel of Fermoy-it was the Old Chapel, with mud walls and a thatched roof, which stood in that part of Cork Hill whence now diverges the narrow passage called Waterloo Lane-caused a most uncommon sensation. It was Remmy's first appearance, on any stage, in the character of a country-beau. His ancient coat was put into Schedule A (like certain pocket-boroughs in the Reform Bill), and was replaced by a garment from the tasty hands of Dandy Cash, at that time the Stultz of Fermoy and its vicinity. This was a broad-skirted coat of blue broadcloth, delicately embellished with the brilliancy of shining gilt buttons, each not much larger than a half-dollar. A vest of bright yellow kerseymere, with a double-row of plump mother-of-pearl studs; a new pair of closely-fitting unmentionables, with a liberal allowance of drab ribbons pensile at the knees; gray worsted stockings, of the rig-and-furrow sort, displaying the muscular calf and the arched instep; neat pumps, with soles not quite half an inch thick, and the uppers made "elegant" by the joint appliances of lampblack and grease (considered to nourish the leather much better than "Warren's jet blacking, the pride of mankind"); – a well-fitting shirt of fine bandle-linen, bleached to an exquisite whiteness, and universally looked upon as a noli me tangere of provincial buckism, with a silk grinder "round his nate neck," and a tall Carlisle hat, encircled with an inch-wide ribbon-such were the component parts of Remmy Carroll's new costume. True it is, that he left a little too much to the taste of Dandy Cash, the dogmatic and singularly conceited Snip; but still, Nature had done so much for him that he appeared quite a new man, the handsomest of the whole congregation, gentle or simple, and many a bright glance fell upon him admiringly, from eyes which had looked scorn at his chrysalis condition; and not a few fair bosoms fluttered at the thought, "what a fine, handsome, likely boy is Remmy Carroll, now that he is dressed dacent." He was not the first man whose qualifications have remained unacknowledged until such an accident as fine apparel has brought them into notice.

Mary Mahony was at Chapel on that Sunday when Remmy Carroll shone out, like the sun emerging from behind a rack of heavy clouds. A casual looker-on might have fancied that she was one of the very few who did not mind Remmy Carroll. Indeed, she rather hung down her head, as she passed him, – but that might have been to hide the blushes which suffused her face when she met his eye. Her father, a kind-hearted man, who had a cordial salute for every friend, insisted that they should not hurry away without speaking to the piper. Accordingly, they loitered until nearly all the congregation had left the chapel, and, among the last, Remmy Carroll was quietly stealing away. Bartle Mahony accosted him, with a hearty grasp of the hand, and warmly thanked him for having saved Mary's life, adding, "It is not until now I'd be waiting to thank you, man-alive, but Mary never let me know the danger she'd been in, until this blessed morn, when her cousin, Nancy Doyle, made me sensible of the ins and outs of the accident. But I do thank you, Remmy, and 'twill go hard with me if I don't find a better way of showing it than by words, which are only breath, as one may say."

Then Bartle Mahony slapped Remmy on the back, in a familiar manner, and insisted that he should walk home with them and take share of their dinner. "Don't hang down your head like a girl, but tuck Mary under your arm, and off to Carrigabrick, where I follow in less than no time, with the heartiest of welcomes. Don't dawdle there, man-alive, like a goose, but walk off like a man."

So through the town of Fermoy did Mary Mahony walk with Remmy Carroll-down Cork Hill and King-street, and across the Square, and along Artillery-quay, and by Skelhorne's paper-mill, and Reid's flour-mill, and then, on the Inches, by the Blackwater. History has not recorded whether Mary did actually take Remmy's arm-but it is conjectured that he was too shy to offer it, deeming that too great a liberty-but it is said that it was she who took the field-route to Carrigabrick, and, though she blushed deeply the while, she did not make any very violent objection to his taking her in his arms across that chasm, the passage of which, on a former day, had so nearly proved fatal to her. If I said that, while performing this pleasant duty, Remmy Carroll did not press her to his heart, I am pretty sure that no one would believe me. Well, then, there was this gentle pressure, but of course Mary Mahony believed he could not help it. – Do you think he could?

They proceeded to Carrigabrick, but the short cut through the fields proved the longest way round on this occasion. Bartle Mahony had reached the house fully half an hour before they did, and yet he had gone by the road, which, as every one knows, is nearly a mile round. They had exchanged few words during their walk; it was not quite the lady's place to make conversation, and Remmy's thoughts were all too deep for utterance. In the earlier stage of love, passion is contemplative, and silence often has an eloquence of its own.

Remmy Carroll had the good fortune to win the particular favor of Mr. Bartle Mahony, who, as he was retiring to rest, kissed his fair child, as usual, and emphatically declared that Remmy Carroll was "a real decent fellow, and no humbug about him." He added, that as he had found his way to their hearth, he must be a stranger no more. And it came to pass, thenceforth, somehow or other, that Remmy paid a visit to Carrigabrick twice or thrice a week. These visits were ostensibly to Mr. Mahony, but it usually happened that Remmy had also a glimpse of Mary, and sometimes a word or two with her. It came to pass that Bartle Mahony, at length, fancied that a dull day in which he did not see his friend Remmy. Finally, as by a great effort of ingenuity, and in order to have a legitimate excuse for having his favorite frequently with him, Bartle Mahony announced his sovereign will and pleasure that Mary should learn music. Accordingly, when Remmy next came, he communicated this intention to him in a very dignified manner, and appointed Remmy forthwith to commence instructing her. But Remmy could play only upon one instrument, and the pipes happen to be so unfeminine, that he ventured to doubt whether the young lady would quite approve of the proposition. Having hinted this difficulty to Bartle Mahony, that worthy was impressed with its force, but, rather than relinquish his project, declared that, all things considered, he thought it best that he himself should be the musical tyro.

If the truth were known, it would have appeared that the poor man had no desire to learn, and certainly no taste. But as Remmy Carroll, proud as he was poor, had peremptorily refused the money offered as a substantial mark of gratitude for having saved Mary Mahony's life, this was her father's indirect and rather clumsy mode of rewarding him. Very magnificent were the terms which he insisted on making with the piper: he could have been taught flute, harp, violin, psaltery, sackbut, and piano at less cost. Very little progress did the kind old man make, but he laughed soonest and loudest at his own dulness and discords. However, if the pupil did not make good use of his time, the teacher did. Before the end of the first quarter, Mary Mahony had half confessed to her own heart with what aptitude she had involuntarily taken lessons in the art of love.

It would make a much longer story than I have the conscience to inflict upon you, to tell how Mary Mahony came to fall in love with Remmy Carroll-for fall in love she certainly did. Perhaps it was out of gratitude. Perhaps it might have been his fine person and handsome face. Perhaps, because she heard every girl of her acquaintance praise him. Perhaps, because he was her father's favorite. Perhaps, because they were so constantly thrown together, and he was the only young man with whom she frequently associated. Perhaps she loved him, because she could not help it. Why strive to find a reason for woman's love? It is like a mighty river springing up one knows not where-augmented one knows not how-ever sweeping onward, sometimes smoothly, sometimes in awful rapids, and bearing on its deep and constant current, amid weeds and flowers, rocks and sands, many a precious freight of hope and heart, of life and love.

Fathers and husbands are so proverbially the very last to see the progress which Love clandestinely makes under their roof, that it will not be considered a special miracle, if Bartle Mahony noticed nothing of the game which was in hand-hearts being trumps! Mary's merry cousin, Nancy Doyle, quietly smiled at the flirtation, as "fine fun," but did not seriously see why it should not end in a wedding, as Mary had fortune enough for both.

Winter passed away, and Spring waved her flag of emerald over the rejoicing world. Mary Mahony was walking in one of her father's meadows, for Remmy Carroll was expected, and he was now-though she blushed with a soft consciousness-the very pole-star of her constant thought. He came up, and was welcomed with as sweet a smile as ever scattered sunshine over the human heart. They walked side by side for a little time, and then, when the continued silence became awkward, Remmy stated, for the maiden's information, what she knew very well before, that it was very fine weather.

"True for you, Remmy," answered she: "see how beautiful everything looks. The sunbeams fall upon the meadow in a soft shower of light, and make the very grass look glad."

 

"It is beautiful," said Remmy, with a sigh, "but I have too heavy a heart to look upon these things as you do."

"Surely," inquired Mary, "surely you've no real cause to say that? Have you heard any bad news?"

"No cause!" and here the pent-up feelings of his heart found utterance: "Is it no cause? – Oh, Mary dear-for you are dear to me, and I may say it now, for may be I may never be here to say it again-is it no cause to have a heavy heart, when I have nobody in this wide world that I can speak to about her that's the very life of my life, while I know that I am nothing to her, but one that she sees to-day and will forget to-morrow! Is it no cause, when I know that the little linnet that's now singing on that bough, has as much chance of becoming an eagle, as I have of being thought lovingly of by the one that I love? Haven't I cause to be of a heavy heart, knowing that I would be regarded no more than that little bird, if I were to try and fly beyond the state I'm in, when I know that I am not many removes from a beggar, and have been for months dreaming away as if I was your equal? You are kind and gentle, and when I am far away, perhaps you may think that I would have tried to deserve you if I could, and then think well of one who loves you better than he loves himself. Oh, Mary Mahony! may God's blessing rest upon you, and keep you from ever knowing what it is to love without hope."

Overcome by his emotion-aye, even to tears, which flowed down his comely cheeks-poor Remmy suddenly stopped. Mary Mahony, surprised at the unexpected but not quite unpleasing matter of his address, knew not, for a brief space, what answer to make. But she was a woman-a young and loving one-so she let her heart speak from its fulness.

"May-be," said she, with a blush, which made her look more beautiful than ever, – "may-be, tis a foolish thing, Remmy, to love without hoping;" and she looked at him with an expressive smile, which, unfortunately, he was unable to distinguish through the tears which were now chasing each other down his face, as round and nearly as large as rosary-beads.

"It's of no use," he said, not perceiving the nature of her words; "it's of no use trying to banish you from my mind. I've put a penance on myself for daring to think of you, and it's all of no use. The more I try not to think, the more I find my thoughts upon you. I try to forget you, and as I walk in the fields, by day, you come into my mind, and when I sleep at night you come into my dreams. Wherever I am, or whatever I do, you are beside me, with a kind, sweet smile. Every morning of my life, I make a promise to my heart that I will never again come here to look upon that smile, far too sweet and too kind for such as me, and yet my steps turn towards you before the day is done. But it's all of no use. I must quit the place altogether. I will go for a soldier, and if I am killed in battle, as I hope I may be, they will find your name, Mary, written on my heart."

To a maid who loved as well as Mary Mahony did, there was a touching pathos in the simple earnestness of this confession; – aye, and eloquence, too, for surely truth is the living spirit of eloquence. How long she might have been inclined to play the coquette I cannot resolve, but the idea of her lover's leaving her put all finesse to flight, and she said, in a low tone, which yet found an echo, and made a memory in his heart: "Remmy! dear Remmy, you must not leave me. If you go, my heart goes with you, for I like you, poor as you are, better than the richest lord in the land, with his own weight of gold and jewels on his back."

What more she might have said puzzles conjecture-for these welcome words were scarcely spoken, when all further speech was arrested by an ardent kiss from Remmy. Oh! the first, fond kiss of mutual love! what is there of earth with so much of the soft and gentle balm of heaven?

There they stood, by the ruins of that old castle, the world all forgot. There they whispered, each to each, that deep passion with which they had so long been heart-full. The maiden had gentle sighs and pleasant tears-but these last, Remmy gallantly kissed away. Very wrong, no doubt, for her to have permitted him to do so, and, in truth, she sometimes exhibited a shadow of resistance. There was, in sooth,

 
"A world of whispers, mixed with low response,
Sweet, short, and broken, as divided strains
Of nightingales."
 

"And you won't think the worse of me, Remmy, for being so foolish as to confess how I love you?"

"Is it me, life of my heart? not unless you say that it was foolish to love me. Sure, they were the happiest words I ever heard."

"And you will love me always, even as now?"

"Ah, Mary, I see that you are joking now."

"And you won't go as a soldier?"

"Not I, darling; let those who have heavy hearts, and no hope, do that same."

Much more, was spoken, no doubt. Very tender confessions and confidences, in truth, which I care not to repeat, for such are of the bright holidays of youth and love, and scarcely bear to be reported as closely as an oration in the Senate, or a lawyer's harangue at Nisi Prius, in a case of Breach of Promise. Such tender confessions and confidences resemble those eastern flowers which have a sweet perfume on the soil to which they are native, but lose the fragrance if you remove them to another clime.

At last, with many a lingering "one word more," many a gentle pressure of the hands, and several very decided symptoms, belonging to the genus "kiss," in the sweet botany of love, Mary and Remmy parted. Happy, sweetly and sadly happy (for deep love is meditative, rather than joyful), Mary Mahony returned home. She hastened to that apartment peculiarly called her own, threw herself on the bed, and indulged in the luxury of tears, for it is not Sorrow alone that seeks relief in tears, – they fall for hope fulfilled as truly, though less often, as for hope deferred. Weep on, gentle girl, weep in joy, while you can. Close at hand is the hour in which, ere you have done more than taste it, the sparkling draught of happiness may be snatched from your lips.

CHAPTER IV. – HOW THE PIPER BECAME A PETRIFACTION

Alike delighted and surprised at thus finding Mary Mahony a sharer in the emotions which so wildly filled his own heart, Remmy Carroll returned to Fermoy, in that particular mood which is best denoted by the topsy-turvy description – "he did not know whether he stood upon his head or his heels." He rested until evening at a friend's, and was not unwilling to have some hours of quiet thought before he again committed himself to commerce with the busy world. About dusk, he started with his friend for a farmer's, on the Rathcormac side of Corran Thierna, where there was to be a wedding that night, at which Remmy and his pipes would be almost as indispensable as the priest and the bridegroom.

As they were passing on the mountain's base, taking the soft path on the turf, as more pleasant than the dusty highway, a little lower down, Remmy suddenly stopped.

"There's music somewhere about here," said he, listening.

"May-be it's only a singing in your head," observed Pat Minahan. I've known such things, 'specially if one had been taking a drop extra overnight."

"Hush!" said Remmy, "I hear it again as distinctly as ever I heard the sound of my own pipes. There 'tis again: how it sinks and swells on the evening breeze!"

Minahan paused and listened. "Sure enough, then, there is music in the air. Oh, Remmy Carroll, 'tis you and the lucky boy, for this must be fairy music, and 'tis said that whoever hears it first, as you did, is surely born to good luck."

"Never mind the luck," said Remmy, with a laugh. "There's the fairy ring above there, and I'll be bound that's the place it comes from. There's fox-glove, you see, that makes night-caps for them; and there's heath-bells that they have for drinking-cups; and there's sorrell that they have for tables, when the mushrooms aren't in; and there's the green grass within the ring, as smooth as your hand, and as soft as velvet, for 'tis worn down by their little feet when they dance in the clear light of the full moon. I am sure the music came from that fairy-ring."

"May-be it does," replied Minahan, "and may-be it doesn't. If you please, I'd rather move on, than stand here like a pillar of salt, for 'tis getting dark, and fairies aren't exactly the sort of people I'd like to meet in a lonely place. 'Twas somewhere about here, if I remember right, that Phil Connor, the piper, had a trial of skill with the fairies, as to who'd play best, and they turned him into stone, pipes and all. It happened, Remmy, before your father came to these parts, – but, surely you heard of it before now?"

"Not I," said Remmy; "and if I did, I wouldn't heed it."

"Oh, then," said his companion, with an ominous shake of the head at Remmy's incredulity, "it's all as true as that you're alive and kicking at this blessed moment. I heard my mother tell it when I was a boy, and she had the whole of it from her aunt's cousin's son, who learned the ins and outs of the story from a faymale friend of his, who had it on the very best authority. Phil Connor was a piper, and a mighty fine player entirely. As he was coming home from a wedding at Rathcormac, one fine moonshiny night, who should come right forenenst him, on this very same mountain, but a whole bundle of the fairies, singing, and skipping, and discoursing like any other Christians. So, they up and axed him, in the civilest way they could, if he'd favor them with a planxty on his pipes. Now, letting alone that Phil was as brave as a lion, and would not mind facing even an angry woman, let alone a batch of hop-o'-my-thumb fairies, he never had the heart to say no when he was civilly axed to do anything.

"So Phil said he'd oblige them, with all the veins of his heart. With that, he struck up that fine, ancient ould tune, 'The Fox-hunter's Jig.' And, to be sure and sartain, Phil was the lad that could play: – no offence to you, Remmy, who are to the fore. The moment the fairies heard it, they all began to caper, and danced here and there, backward and forward, to and fro, just like the motes you see dancing in the sunbeams, between you and the light. At last, Phil stopped, all of a sudden, and they gathered round him, the craturs, and asked him why he did not go on? And he told them that 'twas dying with the drought he was, and that he must have something to wet his whistle: – which same is only fair, particularly as far as pipers is concerned.

"'To be sure,' said a knowledgeable ould fairy, that seemed king of them all, 'it's but reasonable the boy is; get a cup to comfort him, the dacent gossoon.' So they handed Phil one of the fairy's fingers full of something that had a mighty pleasant smell, and they filled a hare-bell cup of the same for the king. 'Take it, me man,' said the ould fairy, 'there isn't a headache in a hogshead of it. I warrant that a guager's rod has never come near it. 'Twas made in Araglyn, out of mountain barley, – none of your taxed Parliament stuff, but real Queen's 'lixir.' Well, with that he drank to Phil, and Phil raised the little dawny measure to his lips, and, though it was not the size of a thimble, he drank at laste a pint of spirits from it, and when he took it away from his lips, that I mightn't, if 'twasn't as full as 'twas at first. Faith, it gave Phil the boldness of a lion, that it did, and made him so that he'd do anything. And what was it the omadhaun did, but challenge the whole box and dice of the fairies to beat him at playing the pipes. Some of them, which had tender hearts, advised him not to try. But the more they tried to persuade him, the more he would not be persuaded. So, as a wilful man must have his way, the fairies' piper came forward, and took up the challenge. Phil and he played against each other until the cock crew, when the lot all vanished into a cave, and whipped Phil away with them. And, because they were downright mad, at last, that Phil should play so much better than their own musicianer, they changed poor Phil, out of spite, into a stone statute, which remains in the cave to this very day. And that's what happened to Phil Connor and the fairies."

"You've made a pretty story of it," said Remmy; "it's only a pity it isn't true."

"True!" responded Minahan, with tone and action of indignation. "What have you to say again it? It's as true as Romilus and Ramus, or the Irish Rogues and Rapparees, or the History of Reynard, the Fox, and Reynardine, his son, or any other of the curious little books that people do be reading – that is, them that can read, for diversion's sake, when they've got nothing else to do. I suppose you'll be saying next, that fairies themselves ain't true? That I mightn't, Remmy, but 'twouldn't much surprise me in the laste, to hear you say, as Paddy Sheehy, the schoolmaster, says, that the earth is round, like an orange, and that people do be walking on the other side of it, with their heads downwards, and their feet opposite to our feet!"

 

"And if I did say so?" inquired Remmy, who – thanks to his schooling from the redoubtable Tim Daly – happened to know more of the Antipodes than his companion.

"Faith, Remmy, if you did say so, I know one that would misbelieve you, and that's my own self. For it stands to reason, all the world to a Chany orange, that if people was walking on the other side of the world, with their feet upwards and their heads down, they'd be sure to fall off before one could say 'Jack Robinson.'"

To such admirable reasoning as this, Remmy Carroll saw it would be quite useless to reply, so he allowed Minahan to rejoice in the advantage, usually claimed by a female disputant, of having "the last word."

They proceeded to the farmer's, Minahan, as they went along, volunteering a variety of particulars relative to the Petrified Piper – indulging, indeed, in such minuteness of detail, that it might have been taken for granted that he had, personally, seen and heard the matters he described.

It is to be feared that Remmy Carroll was but a so-so listener. He had no great faith in fairies, and his mind was just then preoccupied with thoughts of his own darling Mary Mahony. At last, Minahan's conversation ended, for they had reached the farmer's house, where Remmy and his pipes received the very warmest of welcomes.

You need not fear that I have any intention of inflicting a description of the marriage upon you. It is enough to say that the evening was one of thorough enjoyment – Irish enjoyment, which is akin to a sort of mirthful madness. Perhaps Remmy was the only person who did not thoroughly enter into the estro of the hour, for though successful love may intoxicate the mind, it subdues even the highest spirits, and embarrasses while it delights. There is the joy at the success – the greater if it has been unexpected – but this is a joy more concentrated than impulsive. Its seat is deep within the heart, and there it luxuriates, but it does not breathe its secret to the world, – it keeps its treasure all to itself, at first, a thing to be thought of and exulted over privily. Love, when successful, has a compelling power which subdues all other feelings. The causes which commonly move a man, have little power when this master-passion fills the breast.

In compliance with the custom at all wedding-feasts in Ireland, the company freely partook of the national nectar (by mortals called whiskey-punch), which was as plenty as tea at an ancient maiden's evening entertainment, where sally-lun and scandal are discussed together, and a verdict is given, at one and the same time, upon character and Souchong. Remmy, of course, imbibed a fair allowance of that resistless and potent mixture, the boast of which is, that "there is not a headache in a hogshead of it." Blame him not. The apostle of Temperance had not then commenced his charitable crusade. How could mortal man refuse the draught, brewed as it specially had been for him by the blushing bride herself, who, taking a dainty sup out of the horn which did duty for a tumbler, had the tempting gallantry to leave a kiss behind – even as "rare Ben Jonson" recommends. What marvel, if, when so many around him were rapidly passing the Rubicon of the cup, Remmy should have taken his allowance like "a man and a brother" – no, like a man and a piper, – particularly, when it is remembered that Love, as well as Grief, is proverbially thirsty. Still, Remmy Carroll had not exceeded the limits of sobriety. He had drank, but not to excess – for his failing was not in that wise. And even if he had partaken too freely of the charmed cup, it is doubtful whether, with strong passion and excited feeling making a secret under-current in his mind on that evening, any quantity of liquor could have sensibly affected him. There are occasions when the emotions of the heart are so powerful as to render it almost impossible for a man, even if he desired it, thus to steep his senses in forgetfulness.

Remmy, therefore, was not "the worse for liquor" – although he certainly had not refrained from it. Minahan, on the other hand, who was quite a seasoned vessel, most buoyant in the ocean of free-drinking, and to whom a skinful of strong liquor was quite a god-send, had speedily and easily contrived to get into that pleasant state commonly called "half-seas-over," – that is, he was not actually tipsy, but merry and agreeable; and as he insisted on returning to Fermoy, though he was offered a bed in the barn, the trouble of escorting him devolved on Remmy.

They left the house together, lovingly linked arm-in-arm, for Minahan then had a tendency to zig-zag movements. The next day, Minahan was found lying fast asleep, with a huge stone for his pillow, near the footpath, at the base of Corran Thierna. It was noticed by one of those who discovered him, that his feet were within the fairy-ring which Remmy had observed on the preceding evening. But of Remmy himself there was no trace. If the earth had swallowed him up, he could not have vanished more completely. His pipes were found on the ground, near Minahan, and this was all that remained of one who, so often and well, had waked their soul of song.

The whole district became alarmed; for, independent of regret and wonder, on account of Remmy's personal popularity, a serious thing in a country district is the loss of its only Piper. At length, Father Tom Barry, the parish priest of Fermoy, thought it only his duty to pay a domiciliary visit to Minahan, to come at the real facts of the case, and solve what was felt to be "a most mysterious mystery."

Minahan was found in bed. Grief for the sudden loss of his friend had preyed so heavily upon his sensitive mind, that, ever since that fatal night, he had been drowning sorrow – in whiskey. It was now the third day since Remmy Carroll's disappearance; and when Father Tom entered the house, he found Minahan sleeping off the combined effects of affliction and potheen. He was awakened as soon as could be, and his first exclamation was, "Oh, them fairies! them thieves of fairies!" It was some time before he could comprehend the cause of Father Tom's visit, but even when he did, his words still were, "Oh, them fairies! them thieves of fairies! they beat Bannagher, and Bannagher beats the world!"

A growl from the priest, which, from lay lips, might have been mistaken for an execration, awoke Minahan to his senses – not that he was ever troubled with a superfluity of them. He testily declared his inability to tell his story, except upon conditions. "My memory," said he, "is just like an eel-skin, your Reverence. It don't stretch or become properly limber until 'tis wetted." On this hint, Father Tom sent for a supply of Tommy Walker;5 and after summarily dispatching a noggin of it, Minahan thus spoke: —

"'Twas Remmy and myself, your Reverence, that was meandering home together, when, as bad luck would have it, nothing would do me, being pretty-well-I-thank-you at that same time, but I must make a commencement of discourse with Remmy about the fairy people: for, your worship, I'd been telling him before, as we went to the wedding of Phil Connor, who was transmographied into a stone statute. Well and good, just as Remmy came right forenent the fairy-ring, says he, 'Faith, I would not object myself to have a lilt with them!' No sooner had he said the words, your honor, than up came the sweet music that we heard the night before, and with that a thousand lights suddenly glanced up from the fairy-ring, just as if 'twas an illumination for some great victory. Then, the music playing all the while, myself and Remmy set our good-looking ears to listen, and, quick as I'd swallow this glass of whiskey – here's a good health to your Reverence! – a thousand dawny creatures started up and began dancing jigs, as if there was quicksilver in their heels. There they went, hither and thither, to and fro, far and near, coursing about in all manner of ways, and making the earth tremble beneath 'em, with the dint of their quickness. At last, your Reverence, one of them came out of the ring, making a leg and a bow as genteel as ould Lynch, the dancing-master, and said, 'Mister Carroll,' says he, 'if you'd please to be agreeable, 'tis we'd like to foot it to your pipes (and you should have seen the soothering wink the villain gave as he said the words), 'for,' says he, ''tis ourselves have often heard tell of your beautiful playing.' Then the weeny little mite of a fairy fixed his little eyes upon Remmy, and, that I mightn't, if they did not shine in his head like two coals of red fire, or a cat's eye under a blanket!

5At that time, the two great whiskey-distillers in Cork were Thomas Walker and Thomas Wise, – respectively carrying on their business in the South and North suburbs of the city. Both are alluded to in Maginn's celebrated song, "Cork is the Aiden for you, love, and me." The verse runs thus: —

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