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Bouvard and Pécuchet, part 1
Then Pécuchet devoted his attention to the flowers. He wrote to Dumouchel to get shrubs with seeds for him, purchased a stock of heath soil, and set to work resolutely.
But he planted passion-flowers in the shade and pansies in the sun, covered the hyacinths with dung, watered the lilies near their blossoms, tried to stimulate the fuchsias with glue, and actually roasted a pomegranate by exposing it to the heat of the kitchen fire.
When the weather got cold, he screened the eglantines under domes of strong paper which had been lubricated with a candle. They looked like sugarloaves held up by sticks.
The dahlias had enormous props; and between these straight lines could be seen the winding branches of a Sophora Japonica, which remained motionless, without either perishing or growing.
However, since even the rarest trees flourish in the gardens of the capital, they must needs grow successfully at Chavignolles; and Pécuchet provided himself with the Indian lilac, the Chinese rose, and the eucalyptus, then in the beginning of its fame. But all his experiments failed; and at each successive failure he was vastly astonished.
Bouvard, like him, met with obstacles. They held many consultations, opened a book, then passed on to another, and did not know what to resolve upon when there was so much divergence of opinion.
Thus, Puvis recommends marl, while the Roret Manual is opposed to it. As for plaster, in spite of the example of Franklin, Riefel and M. Rigaud did not appear to be in raptures about it.
According to Bouvard, fallow lands were a Gothic prejudice. However, Leclerc has noted cases in which they are almost indispensable. Gasparin mentions a native of Lyons who cultivated cereals in the same field for half a century: this upsets the theory as to the variation of crops. Tull extols tillage to the prejudice of rich pasture; and there is Major Beetson, who by means of tillage would abolish pasture altogether.
In order to understand the indications of the weather, they studied the clouds according to the classification of Luke Howard. They contemplated those which spread out like manes, those which resemble islands, and those which might be taken for mountains of snow – trying to distinguish the nimbus from the cirrus and the stratus from the cumulus. The shapes had altered even before they had discovered the names.
The barometer deceived them; the thermometer taught them nothing; and they had recourse to the device invented in the time of Louis XIV. by a priest from Touraine. A leech in a glass bottle was to rise up in the event of rain, to stick to the bottom in settled weather, and to move about if a storm were threatening. But nearly always the atmosphere contradicted the leech. Three others were put in along with it. The entire four behaved differently.
After many reflections, Bouvard realised that he had made a mistake. His property required cultivation on a large scale, the concentrated system, and he risked all the disposable capital that he had left – thirty thousand francs.
Stimulated by Pécuchet, he began to rave about pasture. In the pit for composts were heaped up branches of trees, blood, guts, feathers – everything that he could find. He used Belgian cordial, Swiss wash, lye, red herrings, wrack, rags; sent for guano, tried to manufacture it himself; and, pushing his principles to the farthest point, he would not suffer even urine or other refuse to be lost. Into his farmyard were carried carcasses of animals, with which he manured his lands. Their cut-up carrion strewed the fields. Bouvard smiled in the midst of this stench. A pump fixed to a dung-cart spattered the liquid manure over the crops. To those who assumed an air of disgust, he used to say, "But 'tis gold! 'tis gold!" And he was sorry that he had not still more manures. Happy the land where natural grottoes are found full of the excrements of birds!
The colza was thin; the oats only middling; and the corn sold very badly on account of its smell. A curious circumstance was that La Butte, with the stones cleared away from it at last, yielded less than before.
He deemed it advisable to renew his material. He bought a Guillaume scarifier, a Valcourt weeder, an English drill-machine, and the great swing-plough of Mathieu de Dombasle, but the ploughboy disparaged it.
"Do you learn to use it!"
"Well, do you show me!"
He made an attempt to show, but blundered, and the peasants sneered. He could never make them obey the command of the bell. He was incessantly bawling after them, rushing from one place to another, taking down observations in a note-book, making appointments and forgetting all about them – and his head was boiling over with industrial speculations.
He got the notion into his head of cultivating the poppy for the purpose of getting opium from it, and above all the milk-vetch, which he intended to sell under the name of "family coffee."
Finally, in order to fatten his oxen the more quickly, he blooded them for an entire fortnight.
He killed none of his pigs, and gorged them with salted oats. The pigsty soon became too narrow. The animals obstructed the farmyard, broke down the fences, and went gnawing at everything.
In the hot weather twenty-five sheep began to get spoiled, and shortly afterwards died. The same week three bulls perished owing to Bouvard's blood-lettings.
In order to destroy the maggots, he thought of shutting up the fowls in a hencoop on rollers, which two men had to push along behind the plough – a thing which had only the effect of breaking the claws of the fowls.
He manufactured beer with germander-leaves, and gave it to the harvesters as cider. The children cried, the women moaned, and the men raged. They all threatened to go, and Bouvard gave way to them.
However, to convince them of the harmlessness of his beverage, he swallowed several bottles of it in their presence; then he got cramps, but concealed his pains under a playful exterior. He even got the mixture sent to his own residence. He drank some of it with Pécuchet in the evening, and both of them tried to persuade themselves that it was good. Besides, it was necessary not to let it go to waste. Bouvard's colic having got worse, Germaine went for the doctor.
He was a grave-looking man, with a round forehead, and he began by frightening his patient. He thought the gentleman's attack of cholerine must be connected with the beer which people were talking about in the country. He desired to know what it was composed of, and found fault with it in scientific terms with shruggings of the shoulders. Pécuchet, who had supplied the recipe for it, was mortified.
In spite of pernicious limings, stinted redressings, and unseasonable weedings, Bouvard had in front of him, in the following year, a splendid crop of wheat. He thought of drying it by fermentation, in the Dutch fashion, on the Clap-Meyer system: that is to say, he got it thrown down all of a heap and piled up in stacks, which would be overturned as soon as the damp escaped from them, and then exposed to the open air – after which Bouvard went off without the least uneasiness.
Next day, while they were at dinner, they heard under the beech trees the beating of a drum. Germaine ran out to know what was the matter, but the man was by this time some distance away. Almost at the same moment the church-bell rang violently.
Bouvard and Pécuchet felt alarmed, and, impatient to learn what had happened, they rushed bareheaded along the Chavignolles road.
An old woman passed them. She knew nothing about it. They stopped a little boy, who replied:
"I believe it's a fire!"
And the drum continued beating and the bell ringing more loudly than before. At length they reached the nearest houses in the village. The grocer, some yards away, exclaimed:
"The fire is at your place!"
Pécuchet stepped out in double-quick time; and he said to Bouvard, who trotted by his side with equal speed:
"One, two! one, two!" – counting his steps regularly, like the chasseurs of Vincennes.
The road which they took was a continuously uphill one; the sloping ground hid the horizon from their view. They reached a height close to La Butte, and at a single glance the disaster was revealed to them.
All the stacks, here and there, were flaming like volcanoes in the midst of the plain, stripped bare in the evening stillness. Around the biggest of them there were about three hundred persons, perhaps; and under the command of M. Foureau, the mayor, in a tricoloured scarf, youngsters, with poles and crooks, were dragging down the straw from the top in order to save the rest of it.
Bouvard, in his eagerness, was near knocking down Madame Bordin, who happened to be there. Then, seeing one of his servant-boys, he loaded him with insults for not having given him warning. The servant-boy, on the contrary, through excess of zeal, had at first rushed to the house, then to the church, next to where Monsieur himself was staying, and had returned by the other road.
Bouvard lost his head. His entire household gathered round him, all talking together, and he forbade them to knock down the stacks, begged of them to give him some help, called for water, and asked where were the firemen.
"We've got to get them first!" exclaimed the mayor.
"That's your fault!" replied Bouvard.
He flew into a passion, and made use of improper language, and everyone wondered at the patience of M. Foureau, who, all the same, was a surly individual, as might be seen from his big lips and bulldog jaw.
The heat of the stacks became so great that nobody could come close to them any longer. Under the devouring flames the straw writhed with a crackling sound, and the grains of corn lashed one's face as if they were buckshot. Then the stack fell in a huge burning pile to the ground, and a shower of sparks flew out of it, while fiery waves floated above the red mass, which presented in its alternations of colour parts rosy as vermilion and others like clotted blood. The night had come, the wind was swelling; from time to time, a flake of fire passed across the black sky.
Bouvard viewed the conflagration with tears in his eyes, which were veiled by his moist lids, and his whole face was swollen with grief. Madame Bordin, while playing with the fringes of her green shawl, called him "Poor Monsieur!" and tried to console him. Since nothing could be done, he ought to do himself justice.
Pécuchet did not weep. Very pale, or rather livid, with open mouth, and hair stuck together with cold sweat, he stood apart, brooding. But the curé who had suddenly arrived on the scene, murmured, in a wheedling tone:
"Ah! really, what a misfortune! It is very annoying. Be sure that I enter into your feelings."
The others did not affect any regret. They chatted and smiled, with hands spread out before the flame. An old man picked out burning straws to light his pipe with; and one blackguard cried out that it was very funny.
"Yes, 'tis nice fun!" retorted Bouvard, who had just overheard him.
The fire abated, the burning piles subsided, and an hour later only ashes remained, making round, black marks on the plain. Then all withdrew.
Madame Bordin and the Abbé Jeufroy led MM. Bouvard and Pécuchet back to their abode.
On the way the widow addressed very polite reproaches to her neighbour on his unsociableness, and the ecclesiastic expressed his great surprise at not having up to the present known such a distinguished parishioner of his.
When they were alone together, they inquired into the cause of the conflagration, and, in place of recognising, like the rest of the world, that the moist straw had taken fire of its own accord, they suspected that it was a case of revenge. It proceeded, no doubt, from Maître Gouy, or perhaps from the mole-catcher. Six months before Bouvard had refused to accept his services, and even maintained, before a circle of listeners, that his trade was a baneful one, and that the government ought to prohibit it. Since that time the man prowled about the locality. He wore his beard full-grown, and appeared to them frightful-looking, especially in the evening, when he presented himself outside the farmyard, shaking his long pole garnished with hanging moles.
The damage done was considerable, and in order to know their exact position, Pécuchet for eight days worked at Bouvard's books, which he pronounced to be "a veritable labyrinth." After he had compared the day-book, the correspondence, and the ledger covered with pencil-notes and discharges, he realised the truth: no goods to sell, no funds to get in, and in the cash-box zero. The capital showed a deficit of thirty-three thousand francs.
Bouvard would not believe it, and more than twenty times they went over the accounts. They always arrived at the same conclusion. Two years more of such farming, and their fortune would be spent on it! The only remedy was to sell out.
To do that, it was necessary to consult a notary. The step was a disagreeable one: Pécuchet took it on himself.
In M. Marescot's opinion, it was better not to put up any posters. He would speak about the farm to respectable clients, and would let them make proposals.
"Very well," said Bouvard, "we have time before us." He intended to get a tenant; then they would see. "We shall not be more unlucky than before; only now we are forced to practise economy!"
Pécuchet was disgusted with gardening, and a few days later he remarked:
"We ought to give ourselves up exclusively to tree culture – not for pleasure, but as a speculation. A pear which is the product of three soils is sometimes sold in the capital for five or six francs. Gardeners make out of apricots twenty-five thousand livres in the year! At St. Petersburg, during the winter, grapes are sold at a napoleon per grape. It is a beautiful industry, you must admit! And what does it cost? Attention, manuring, and a fresh touch of the pruning-knife."
It excited Bouvard's imagination so much that they sought immediately in their books for a nomenclature for purchasable plants, and, having selected names which appeared to them wonderful, they applied to a nurseryman from Falaise, who busied himself in supplying them with three hundred stalks for which he had not found a sale. They got a lock-smith for the props, an iron-worker for the fasteners, and a carpenter for the rests. The forms of the trees were designed beforehand. Pieces of lath on the wall represented candelabra. Two posts at the ends of the plat-bands supported steel threads in a horizontal position; and in the orchard, hoops indicated the structure of vases, cone-shaped switches that of pyramids, so well that, in arriving in the midst of them, you imagined you saw pieces of some unknown machinery or the framework of a pyrotechnic apparatus.
The holes having been dug, they cut the ends of all the roots, good or bad, and buried them in a compost. Six months later the plants were dead. Fresh orders to the nurseryman, and fresh plantings in still deeper holes. But the rain softening the soil, the grafts buried themselves in the ground of their own accord, and the trees sprouted out.
When spring had come, Pécuchet set about the pruning of pear trees. He did not cut down the shoots, spared the superfluous side branches, and, persisting in trying to lay the "duchesses" out in a square when they ought to go in a string on one side, he broke them or tore them down invariably. As for the peach trees, he got mixed up with over-mother branches, under-mother branches, and second-under-mother branches. The empty and the full always presented themselves when they were not wanted, and it was impossible to obtain on an espalier a perfect rectangle, with six branches to the right and six to the left, not including the two principal ones, the whole forming a fine bit of herringbone work.
Bouvard tried to manage the apricot trees, but they rebelled. He lowered their stems nearly to a level with the ground; none of them shot up again. The cherry trees, in which he had made notches, produced gum.
At first, they cut very long, which destroyed the principal buds, and then very short, which led to excessive branching; and they often hesitated, not knowing how to distinguish between buds of trees and buds of flowers. They were delighted to have flowers, but when they recognised their mistake, they tore off three fourths of them to strengthen the remainder.
Incessantly they kept talking about "sap" and "cambium," "paling up," "breaking down," and "blinding of an eye." In the middle of their dining-room they had in a frame the list of their young growths, as if they were pupils, with a number which was repeated in the garden on a little piece of wood, at the foot of the tree. Out of bed at dawn, they kept working till nightfall with their twigs carried in their belts. In the cold mornings of spring, Bouvard wore his knitted vest under his blouse, and Pécuchet his old frock-coat under his packcloth wrapper; and the people passing by the open fence heard them coughing in the damp atmosphere.
Sometimes Pécuchet drew forth his manual from his pocket, and he studied a paragraph of it standing up with his grafting-tool near him in the attitude of the gardener who decorated the frontispiece of the book. This resemblance flattered him exceedingly, and made him entertain more esteem for the author.
Bouvard was continually perched on a high ladder before the pyramids. One day he was seized with dizziness, and, not daring to come down farther, he called on Pécuchet to come to his aid.
At length pears made their appearance, and there were plums in the orchard. Then they made use of all the devices which had been recommended to them against the birds. But the bits of glass made dazzling reflections, the clapper of the wind-mill woke them during the night, and the sparrows perched on the lay figure. They made a second, and even a third, varying the dress, but without any useful result.
However, they could hope for some fruit. Pécuchet had just given an intimation of the fact to Bouvard, when suddenly the thunder resounded and the rain fell – a heavy and violent downpour. The wind at intervals shook the entire surface of the espalier. The props gave way one after the other, and the unfortunate distaff-shaped trees, while swaying under the storm, dashed their pears against one another.
Pécuchet, surprised by the shower, had taken refuge in the hut. Bouvard stuck to the kitchen. They saw splinters of wood, branches, and slates whirling in front of them; and the sailors' wives who, on the sea-shore ten leagues away, were gazing out at the sea, had not eyes more wistful or hearts more anxious. Then, suddenly, the supports and wooden bars of espaliers facing one another, together with the rail-work, toppled down into the garden beds.
What a picture when they went to inspect the scene! The cherries and plums covered the grass, amid the dissolving hailstones. The Passe Colmars were destroyed, as well as the Besi des Vétérans and the Triomphes de Jordoigne. There was barely left amongst the apples even a few Bon Papas; and a dozen Tetons de Venus, the entire crop of peaches, rolled into the pools of water by the side of the box trees, which had been torn up by the roots.
After dinner, at which they ate very little, Pécuchet said softly:
"We should do well to see after the farm, lest anything has happened to it."
"Bah! only to find fresh causes of sadness."
"Perhaps so; for we are not exactly lucky."
And they made complaints against Providence and against nature.
Bouvard, with his elbows on the table, spoke in little whispers; and as all their troubles began to subside, their former agricultural projects came back to their recollection, especially the starch manufacture and the invention of a new sort of cheese.
Pécuchet drew a loud breath; and while he crammed several pinches of snuff into his nostrils, he reflected that, if fate had so willed it, he might now be a member of an agricultural society, might be delivering brilliant lectures, and might be referred to as an authority in the newspapers.
Bouvard cast a gloomy look around him.
"Faith! I'm anxious to get rid of all this, in order that we may settle down somewhere else!"
"Just as you like," said Pécuchet; and the next moment: "The authors recommend us to suppress every direct passage. In this way the sap is counteracted, and the tree necessarily suffers thereby. In order to be in good health, it would be necessary for it to have no fruit! However, those which we prune and which we never manure produce them not so big, it is true, but more luscious. I require them to give me a reason for this! And not only each kind demands its particular attentions, but still more each individual tree, according to climate, temperature, and a heap of things! Where, then, is the rule? and what hope have we of any success or profit?"
Bouvard replied to him, "You will see in Gasparin that the profit cannot exceed the tenth of the capital. Therefore, we should be doing better by investing this capital in a banking-house. At the end of fifteen years, by the accumulation of interest, we'd have it doubled, without having our constitutions ground down."
Pécuchet hung down his head.
"Arboriculture may be a humbug!"
"Like agriculture!" replied Bouvard.
Then they blamed themselves for having been too ambitious, and they resolved to husband thenceforth their labour and their money. An occasional pruning would suffice for the orchard. The counter-espaliers were forbidden, and dead or fallen trees should not be replaced; but he was going to do a nasty job – nothing less than to destroy all the others which remained standing. How was he to set about the work?
Pécuchet made several diagrams, while using his mathematical case. Bouvard gave him advice. They arrived at no satisfactory result. Fortunately, they discovered amongst their collection of books Boitard's work entitled L'Architecte des Jardins.
The author divides them into a great number of styles. First there is the melancholy and romantic style, which is distinguished by immortelles, ruins, tombs, and "a votive offering to the Virgin, indicating the place where a lord has fallen under the blade of an assassin." The terrible style is composed of overhanging rocks, shattered trees, burning huts; the exotic style, by planting Peruvian torch-thistles, "in order to arouse memories in a colonist or a traveller." The grave style should, like Ermenonville, offer a temple to philosophy. The majestic style is characterised by obelisks and triumphal arches; the mysterious style by moss and by grottoes; while a lake is appropriate to the dreamy style. There is even the fantastic style, of which the most beautiful specimen might have been lately seen in a garden at Würtemberg – for there might have been met successively a wild boar, a hermit, several sepulchres, and a barque detaching itself from the shore of its own accord, in order to lead you into a boudoir where water-spouts lave you when you are settling yourself down upon a sofa.
Before this horizon of marvels, Bouvard and Pécuchet experienced a kind of bedazzlement. The fantastic style appeared to them reserved for princes. The temple to philosophy would be cumbersome. The votive offering of the Madonna would have no signification, having regard to the lack of assassins, and – so much the worse for the colonists and the travellers – the American plants would cost too much. But the rocks were possible, as well as the shattered trees, the immortelles, and the moss; and in their enthusiasm for new ideas, after many experiments, with the assistance of a single man-servant, and for a trifling sum, they made for themselves a residence which had no analogy to it in the entire department.
The elm hedge, open here and there, allowed the light of day to fall on the thicket, which was full of winding paths in the fashion of a labyrinth. They had conceived the idea of making in the espalier wall an archway, through which the prospect could be seen. As the arch could not remain suspended, the result was an enormous breach and a fall of wreckage to the ground.
They had sacrificed the asparagus in order to build on the spot an Etruscan tomb, that is to say, a quadrilateral figure in dark plaster, six feet in height, and looking like a dog-hole. Four little pine trees at the corners flanked the monument, which was to be surmounted by an urn and enriched by an inscription.
In the other part of the kitchen garden, a kind of Rialto projected over a basin, presenting on its margin encrusted shells of mussels. The soil drank up the water – no matter! they would contrive a glass bottom which would keep it back.
The hut had been transformed into a rustic summer-house with the aid of coloured glass.
At the top of the hillock, six trees, cut square, supported a tin head-piece with the edges turned up, and the whole was meant to signify a Chinese pagoda.
They had gone to the banks of the Orne to select granite, and had broken it, marked the pieces with numbers, and carried them back themselves in a cart, then had joined the fragments together with cement, placing them one above the other in a mass; and in the middle of the grass arose a rock resembling a gigantic potato.
Something further was needed to complete the harmony. They pulled down the largest linden tree they had (however, it was three quarters dead), and laid it down the entire length of the garden, in such a way that one would imagine it had been carried thither by a torrent or levelled to the ground by a thunderstorm.
The task finished, Bouvard, who was on the steps, cried from a distance:
"Here! you can see best!" – "See best!" was repeated in the air.
Pécuchet answered:
"I am going there!" – "Going there!"
"Hold on! 'Tis an echo!" – "Echo!"
The linden tree had hitherto prevented it from being produced, and it was assisted by the pagoda, as it faced the barn, whose gables rose above the row of trees.
In order to try the effect of the echo, they amused themselves by giving vent to comical phrases: Bouvard yelled out language of a blackguard description.
He had been several times at Falaise, under the pretence of going there to receive money, and he always came back with little parcels, which he locked up in the chest of drawers. Pécuchet started one morning to repair to Bretteville, and returned very late with a basket, which he hid under his bed. Next day, when he awoke, Bouvard was surprised. The first two yew trees of the principal walk, which the day before were still spherical, had the appearance of peacocks, and a horn with two porcelain knobs represented the beak and the eyes. Pécuchet had risen at dawn, and trembling lest he should be discovered, he had cut the two trees according to the measurement given in the written instructions sent him by Dumouchel.
For six months the others behind the two above mentioned assumed the forms of pyramids, cubes, cylinders, stags, or armchairs; but there was nothing equal to the peacocks. Bouvard acknowledged it with many eulogies.
Under pretext of having forgotten his spade, he drew his comrade into the labyrinth, for he had profited by Pécuchet's absence to do, himself too, something sublime.
The gate leading into the fields was covered over with a coating of plaster, under which were ranged in beautiful order five or six bowls of pipes, representing Abd-el-Kader, negroes, naked women, horses' feet, and death's-heads.
"Do you understand my impatience?"
"I rather think so!"
And in their emotion they embraced each other.
Like all artists, they felt the need of being applauded, and Bouvard thought of giving a great dinner.
"Take care!" said Pécuchet, "you are going to plunge into entertainments. It is a whirlpool!"
The matter, however, was decided. Since they had come to live in the country, they had kept themselves isolated. Everybody, through eagerness to make their acquaintance, accepted their invitation, except the Count de Faverges, who had been summoned to the capital by business. They fell back on M. Hurel, his factotum.
Beljambe, the innkeeper, formerly a chef at Lisieux, was to cook certain dishes; Germaine had engaged the services of the poultry-wench; and Marianne, Madame Bordin's servant-girl, would also come. Since four o'clock the range was wide open; and the two proprietors, full of impatience, awaited their guests.
Hurel stopped under the beech row to adjust his frock-coat. Then the curé stepped forward, arrayed in a new cassock, and, a second later, M. Foureau, in a velvet waistcoat. The doctor gave his arm to his wife, who walked with some difficulty, assisting herself with her parasol. A stream of red ribbons fluttered behind them – it was the cap of Madame Bordin, who was dressed in a lovely robe of shot silk. The gold chain of her watch dangled over her breast, and rings glittered on both her hands, which were partly covered with black mittens. Finally appeared the notary, with a Panama hat on his head, and an eyeglass – for the professional practitioner had not stifled in him the man of the world. The drawing-room floor was waxed so that one could not stand upright there. The eight Utrecht armchairs had their backs to the wall; a round table in the centre supported the liqueur case; and above the mantelpiece could be seen the portrait of Père Bouvard. The shades, reappearing in the imperfect light, made the mouth grin and the eyes squint, and a slight mouldiness on the cheek-bones seemed to produce the illusion of real whiskers. The guests traced a resemblance between him and his son, and Madame Bordin added, glancing at Bouvard, that he must have been a very fine man.
After an hour's waiting, Pécuchet announced that they might pass into the dining-room.
The white calico curtains with red borders were, like those of the drawing-room, completely drawn before the windows, and the sun's rays passing across them, flung a brilliant light on the wainscotings, the only ornament of which was a barometer.
Bouvard placed the two ladies beside him, while Pécuchet had the mayor on his left and the curé on his right.