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полная версияThe Crown of Life

George Gissing
The Crown of Life

This last sentence referred, no doubt, to her mother's letters. Dr. Derwent, it seemed, would make no acknowledgment of the service rendered him by a brother of the man whom he must regard as a pitiful scoundrel. How abhorred by him must be the name of Otway!

And could it be less hateful to his daughter, to Irene?

The days passed. A pleasant surprise broke the monotony of work and worry when, one afternoon, the office-boy handed in a card bearing the name Korolevitch. The Russian was spending a week in London, and Otway saw him several times; on one occasion they sat talking together till three in the morning. To Piers this intercourse brought vast mental relief, and gave him an intellectual impulse of which he had serious need in his life of solitude, ever tending to despondency. Korolevitch, on leaving England, volunteered to call upon Moncharmont at Odessa. He had wool to sell, and why not sell it to his friends? But he, as well as Piers, looked for profit of another kind from this happy acquaintance.

It was not long before Otway made another call upon Miss Bonnicastle, and at this time, as he had hoped, he found her alone, working. He led their talk to the subject of Kite.

"You ought to go and see him in his garret," said Miss Bonnicastle. "He'd like you to."

"Tell me, if you know," threw out the other, looking into her broad, good-natured face. "Is he still interested in Miss Hannaford?"

"Why, of course! He's one of the stupids who keep up that kind of thing for a lifetime. But 'he that will not when he may'! Poor silly fellow! How I should enjoy boxing his ears!"

They laughed, but Miss Bonnicastle seemed very much in earnest.

"He's tormenting his silly self," she went on, "because he has been unfaithful to her. There was a girl in Paris. Oh, he tells me everything! We're good friends. The girl over there did him enormous good, that's all I know. It was she that set him to work, and supplied him with his model at the same time! What better could have happened. And now the absurd creature has qualms of conscience!"

"Well," said Piers, smiling uneasily, "it's intelligible."

"Bosh! Don't be silly! A man has his work to do, and he must get what help he can. I shall pack him off back to Paris."

"I'll go and see him, I think. About the Italian, Florio. Has he also an interest?"

"In Olga? Yes, I fancy he has, but I don't know much about him. He comes and goes, on business. There's a chance, I think, of his dropping in for money before long. He isn't a bad sort—what do you think?"

That same afternoon Piers went in search of Kite's garret. It was a garret literally, furnished with a table and a bed, and little else, but a large fire burned cheerfully, and on the table, beside a drawing-board, stood a bottle of wine. When he had welcomed his visitor, Kite pointed to the bottle.

"I got used to it in Paris," he said, "and it helps me to work. I shan't offer you any, or you might be made ill; the cheapest claret on the market, but it reminds me of—of things."

There rose in Otway's mind a suspicion that, to-day at all events, Kite had found his cheap claret rather too seductive. His face had an unwonted warmth of colour, and his speech an unusual fluency. Presently he opened a portfolio and showed some of the work he had done in Paris: drawings in pen-and-ink, and the published reproductions of others; these latter, he declared, were much spoilt in the process work. The motive was always a nude female figure, of great beauty; the same face, with much variety of expression; for background all manner of fantastic scenes, or rather glimpses and suggestions of a poet's dreamland.

"You see what I mean?" said Kite. "It's simply Woman, as a beautiful thing, as a—a—oh, I can't get it into words. An ideal, you know—something to live for. Put her in a room—it becomes a different thing. Do you feel my meaning? English people wouldn't have these, you know. They don't understand. They call it sensuality."

"Sensuality!" cried Piers, after dreaming for a moment. "Great heavens! then why are human bodies made beautiful?"

The artist gave a strange laugh of gratification.

"There you hit it! Why—why? The work of the Devil, they say."

"The worst of it is," said Piers, "that they're right as regards most men. Beauty, as an inspiration, exists only for the few. Beauty of any and every kind—it's all the same. There's no safety for the world as we know it, except in utilitarian morals."

Later, when he looked back upon these winter months, Piers could distinguish nothing clearly. It was a time of confused and obscure motives, of oscillation, of dreary conflict, of dull suffering. His correspondence with Olga, his meetings with her, had no issue. He made a thousand resolves; a thousand times he lost them. But for the day's work, which kept him in an even tenor for a certain number of hours, he must have drifted far and perilously.

It was a life of solitude. The people with whom he talked were mere ghosts, intangible, not of his world. Sometimes, amid a crowd of human beings, he was stricken voiceless and motionless: he stared about him, and was bewildered, asking himself what it all meant.

His health was not good; he suffered much from headaches; he fell into languors, lassitude of body and soul. As a result, imagination seemed to be dead in him. The torments of desire were forgotten. When he heard that Irene Derwent had returned to London, the news affected him only with a sort of weary curiosity. Was it true that she would not marry Arnold Jacks? It seemed so. He puzzled over the story, wondered about it; but only his mind was concerned, never his emotions.

Once he was summoned to Queen's Gate. John Jacks lay on a sofa, in his bedroom; he talked as usual, but in a weaker voice, and had the face of a man doomed. Piers saw no one else in the house, and on going away felt that he had been under that roof for the last time.

His mind was oppressed with the thought of death. As happens, probably, to every imaginative man at one time or another, he had a conviction that his own days were drawing to a premature close. Speculation about the future seemed idle; he had come to the end of hopes and fears. Night after night his broken sleep suffered the same dream; he saw Mrs. Hannaford, who stretched her hands to him, and with a face of silent woe seemed to implore his help. Help against Death; and his powerlessness wrung his heart with anguish. Waking, he thought of all the women—beautiful, tender, objects of infinite passion and worship—who even at that moment lay smitten by the great destroyer; the gentle, the loving, racked, disfigured, flung into the horror of the grave. And his being rose in revolt; he strove in silent agony against the dark ruling of the world.

One day there was of tranquil self-possession, of blessed calm. A Sunday in January, when, he knew not how, he found himself amid the Sussex lanes, where he had rambled in the time of harvest. The weather, calm and dry and mild, but without sunshine, soothed his spirit. He walked for hours, and towards nightfall stood upon a wooded hill, gazing westward. An overcast, yet not a gloomy sky; still, soft-dappled; with rifts and shimmerings of pearly blue scattered among multitudinous billows, which here were a dusky yellow, there a deep neutral tint. In the low west, beneath the long dark edge, a soft splendour, figured with airy cloudlets, waited for the invisible descending sun. Moment after moment the rifts grew longer, the tones grew warmer; above began to spread a rosy flush; in front, the glory brightened, touching the cloud-line above it with a tender crimson.

If all days could be like this! One could live so well, he thought, in mere enjoyment of the beauty of earth and sky, all else forgotten. Under this soft-dusking heaven, death was welcome rest, and passion only a tender sadness.

He said to himself that he had grown old in hopeless love—only to doubt in the end whether he had loved at all.

CHAPTER XXXI

The lad he employed in his office was run over by a cab one slippery day, and all but killed. Piers visited him in the hospital, thus seeing for the first time the interior of one of those houses of pain, which he always disliked even to pass. The experience did not help to brighten his mood; he lacked that fortunate temper of the average man, which embraces as a positive good the less of two evils. The long, grey, low-echoing ward, with its atmosphere of antiseptics; the rows of little white camp-beds, an ominous screen hiding this and that; the bloodless faces, the smothered groan, made a memory that went about with him for many a day.

It strengthened his growing hatred of London, a huge battlefield calling itself the home of civilisation and of peace; battlefield on which the wounds were of soul no less than of body. In these gaunt streets along which he passed at night, how many a sad heart suffered, by the dim glimmer that showed at upper windows, a hopeless solitude amid the innumerable throng! Human cattle, the herd that feed and breed, with them it was well; but the few born to a desire for ever unattainable, the gentle spirits who from their prisoning circumstance looked up and afar how the heart ached to think of them! Some girl, of delicate instinct, of purpose sweet and pure, wasting her unloved life in toil and want and indignity; some man, whose youth and courage strove against a mean environment, whose eyes grew haggard in the vain search for a companion promised in his dreams; they lived, these two, parted perchance only by the wall of neighbour houses, yet all huge London was between them, and their hands would never touch. Beside this hunger for love, what was the stomach-famine of a multitude that knew no other?

The spring drew nigh, and Otway dreaded its coming. It was the time of his burning torment, of imagination traitor to the worthier mind; it was the time of reverie that rapt him above everything ignoble, only to embitter by contrast the destiny he could not break. He rose now with the early sun; walked fast and far before the beginning of his day's work, with an aim he knew to be foolish, yet could not abandon. From Guildford Street, along the byways, he crossed Tottenham Court Road, just rattling with its first traffic, crossed Portland Place, still in its soundest sleep, and so onward till he touched Bryanston Square. The trees were misty with half-unfolded leafage birds twittered cheerily among the branches; but Piers heeded not these things. He stood before the high narrow-fronted house, which once he had entered as a guest, where never again would he be suffered to pass the door. Irene was here, he supposed, but could not be sure, for on the rare occasions when he saw Olga Hannaford they did not speak of her cousin. Of the course her life had taken, he knew nothing whatever. Here, in the chill bright morning, he felt more a stranger to Irene than on the day, six years ago, when with foolish timidity he ventured his useless call. She was merely indifferent to him then; now she shrank from the sound of his name.

 

On such a morning, a few weeks later, he pursued his walk in the direction of Kensington, and passed along Queen's Gate. It was between seven and eight o'clock. Nearing John Jacks house, he saw a carriage at the door; it could of course be only the doctor's, and he became sad in thinking of his kind old friend, for whom the last days of life were made so hard. Just as he was passing, the door opened, and a man, evidently a doctor, came quickly forth. With movement as if he were here for this purpose, Otway ran up the steps; the servant saw him, and waited with the door still open.

"Will you tell me how Mr. Jacks is?" he asked.

"I am sorry to say, sir," was the subdued answer, "that Mr. Jacks died at three this morning."

Piers turned away. His eyes dazzled in the sunshine.

The evening papers had the news, with a short memoir—half of which was concerned not with John Jacks, but with his son Arnold.

It seemed to him just possible that he might receive an invitation to attend the funeral; but nothing of the kind came to him. The slight, he took it for granted, was not social, but personal. His name, of course, was offensive to Arnold Jacks, and probably to Mrs. John Jacks; only the genial old man had disregarded the scandal shadowing the Otway name.

On the morrow, it was made known that the deceased Member of Parliament would be buried in Yorkshire, in the village churchyard which was on his own estate. And Otway felt glad of this; the sombre and crowded hideousness of a London cemetery was no place of rest for John Jacks.

A fortnight later, at eleven o'clock on Sunday morning, Piers mounted with a quick stride the stairs leading to Miss Bonnicastle's abode. The door of her workroom stood ajar; his knock brought no response; after hesitating a little, he pushed the door open and went in.

Accustomed to the grotesques and vulgarities which generally met his eye upon these walls, he was startled to behold a life-size figure of great beauty, suggesting a study for a serious work of art rather than a design for a street poster. It was a woman, in classic drapery, standing upon the seashore, her head thrown back, her magnificent hair flowing unrestrained, and one of her bare arms raised in a gesture of exultation. As he gazed at the drawing with delight, Miss Bonnicastle appeared from the inner room, dressed for walking.

"What do you think of that?" she exclaimed.

"Better than anything you ever did!"

"True enough! That's Kite. Don't you recognise his type?"

"One thinks of Ariadne," said Piers, "but the face won't do for her."

"Yes, it's Ariadne—but I doubt if I shall have the brutality to finish out my idea. She is to have lying on the sand by her a case of Higginson's Hair-wash, stranded from a wreck, and a bottle of it in her hand. See the notion? Her despair consoled by discovery of Higginson!"

They laughed, but Piers broke off in half-serious anger.

"That's damnable! You won't do it. For one thing, the mob wouldn't understand. And in heaven's name do spare the old stories! I'm amazed that Kite should consent to it."

"Poor old fellow!" said Miss Bonnicastle, with an indulgent smile, "he'll do anything a woman asks of him. But I shan't have the heart to spoil it with Higginson; I know I shan't."

"After all," Piers replied, "I don't know why you shouldn't. What's the use of our scruples? That's the doom of everything beautiful."

"We'll talk about it another time. I can't stop now. I have an appointment. Stay here if you like, and worship Ariadne. I shouldn't wonder if Olga looks round this morning, and it'll disappoint her if there's nobody here."

Piers was embarrassed. He had asked Olga to meet him, and wondered whether Miss Bonnicastle knew of it. But she spared him the necessity of any remark by speeding away at once, bidding him slam the door on the latch when he departed.

In less than ten minutes, there sounded a knock without, and Piers threw the door open. It was Olga, breathing rapidly after her ascent of the stairs, and a startled look in her eyes as she found herself face to face with Otway. He explained his being here alone.

"It is kind of you to have come!"

"Oh, I have enjoyed the walk. A delicious morning! And how happy one feels when the church bells suddenly stop!"

"I have often known that feeling," said Piers merrily. "Isn't it wonderful, how London manages to make things detestable which are pleasant in other places! The bells in the country!—But sit down. You look tired–"

She seated herself, and her eyes turned to the beautiful figure on the wall. Piers watched her countenance.

"You have seen it already?" he said.

"A few days ago."

"You know who did it?"

"Mr. Kite, I am told," she answered absently. "And," she added, after a pause, "I think he disgraced himself by lending his art to such a purpose."

Piers said nothing, and looked away to hide his smile of pleasure.

"I asked you to come," were his next words, "to show you a letter I have had from John Jacks' solicitors."

Glancing at him with surprise, Olga took the letter he held out, and read it. In this communication, Piers Otway was informed that the will of the late Mr. Jacks bequeathed to him the capital which the testator had invested in the firm of Moncharmont & Co., and the share in the business which it represented.

"This is important to you," said the girl, after reflecting for a moment, her eyes down.

"Yes, it is important," Piers answered, in a voice not quite under control. "It means that, if I choose, I can live without working at the business. Just live; no more, at present, though it may mean more in the future. Things have gone well with us, for a beginning; much better than I, at all events, expected. What I should like to do, now, would be to find a man to take my place in London. I know someone who, just possibly, might be willing—a man at Liverpool."

"Isn't it a risk?" said Olga, regarding him with shamefaced anxiety.

"I don't think so. If I could do so well, almost any real man of business would be sure to do better. Moncharmont, you know, is the indispensable member of the firm."

"And—what would you do? Go abroad, I suppose?"

"For a time, at all events. Possibly to Russia—I have a purpose—too vague to speak of yet—I should frighten myself if I spoke of it. But it all depends upon–" He broke off, unable to command his voice. A moment's silence, during which he stared at the woman on the wall, and he could speak again. "I can't go alone. I can't do—can't think of—anything seriously, whilst I am maddened by solitude!"

Olga sat with her head bent. He drew nearer to her.

"It depends upon you. I want you for my companion—for my wife–"

She looked him in the face—a strange, agitated, half-defiant look.

"I don't think that is true! You don't want me——"

"You! Yes, you, Olga! And only you!"

"I don't believe it. You mean—any woman." Her voice all but choked. "If that one"—she pointed to the wall—"could step towards you, you would as soon have her. You would rather, because she is more beautiful."

"Not in my eyes!" He seized her hand, and said, half laughing, shaken with the moment's fever, "Come and stand beside her, and let me see how the real living woman makes pale the ideal!"

Flushing, trembling at his touch, she rose. Her lips parted; she had all but spoken; when there came a loud knock at the door of the room. Their hands fell, and they gazed at each other in perturbation.

"Silence!" whispered Otway. "No reply!"

He stepped softly to the door; silently he turned the key in the lock. No sooner had he done so, than someone without tried the handle; the door was shaken a little, and there sounded another knock, loud, peremptory. Piers moved to Olga's side, smiled at her reassuringly, tried to take her hand; but, with a frightened glance towards the door, she shrank away.

Two minutes of dead silence; then Otway spoke just above his breath.

"Gone! Didn't you hear the footstep on the stairs?"

Had she just escaped some serious peril, Olga could not have worn a more agitated look. Her hand resisted Otway's approach; she would not seat herself, but moved nervously hither and thither, her eyes constantly turning to the door. It was in vain that Piers laughed at the incident, asking what it could possibly matter to them that some person had wished to see Miss Bonnicastle, and had gone away thinking no one was within; Olga made a show of assenting, she smiled and pretended to recover herself, but was still tremulous and unable to converse.

He took her hands, held them firmly, compelled her to meet his look.

"Let us have an end of this, Olga! Your life is unhappy—let me help you to forget. And help me! I want your love. Come to me—we can help each other—put an end to this accursed loneliness, this longing and raging that eats one's heart away!"

She suffered him to hold her close—her head bent back, the eyes half veiled by their lids.

"Give me one day—to think–"

"Not one hour, not one minute! Now!"

"Because you are stronger than I am, that doesn't make me really yours." She spoke in stress of spirit, her eyes wide and fearful. "If I said 'yes,' I might break my promise. I warn you! I can't trust myself—I warn you not to trust me!"

"I will take the risk!"

"I have warned you. Yes, yes! I will try!—Let me go now, and stay here till I have gone. I must go now!" She shook with hysterical passion. "Else I take back my promise!—I will see you in two days; not here; I will think of some place."

She drew towards the exit, and when her one hand was on the key, Piers, with sudden self-subdual, spoke.

"You have promised!"

"Yes, I will write very soon."

With a look of gratitude, a smile all but of tenderness, she passed from his sight.

On the pavement, she looked this way and that. Fifty yards away, on the other side of the street, a well-dressed man stood supporting himself on his umbrella, as if he had been long waiting; though to her shortness of sight the figure was featureless, Olga trembled as she perceived it, and started at a rapid walk towards the cabstand at the top of the street. Instantly, the man made after her, almost running. He caught her up before she could approach the vehicles.

"So you were there! Something told me you were there!"

"What do you mean, Mr. Florio?"

The man was raging with jealous anger; trying to smile, he showed his teeth in a mere grin, and sputtered his words.

"The door was shut with the key! Why was that?"

"You mustn't speak to me in this way," said Olga, with troubled remonstrance rather than indignation. "When I visit my friend, we don't always care to be disturbed–"

"Ha! Your friend—Miss Bonnicastle—was not there! I have seen her in Oxford Street! She said no one was there this morning, but I doubted—I came!"

Whilst speaking, he kept a look turned in the direction of the house from which Olga had come. And of a sudden his eyes lit with fierce emotion.

"See! Something told me! That is your friend!"

Piers Otway had come out. Olga could not have recognised him at this distance, but she knew the Italian's eyes would not be deceived. Instantly she took to flight, along a cross-street leading eastward. Florio kept at her side, and neither spoke until breathlessness stopped her as she entered Fitzroy Square.

 

"You are safe," said her pursuer, or companion. "He is gone the other way. Ah! you are pale! You are suffering! Why did you run—run—run? There was no need."

His voice had turned soothing, caressing; his eyes melted in compassion as they bent upon her.

"I have given you no right to hunt me like this," said Olga, panting, timid, her look raised for a moment to his.

"I take the right," he laughed musically. "It is the right of the man who loves you."

She cast a frightened glance about the square, which was almost deserted, and began to walk slowly on.

"Why was the door shut with the key?" asked Florio, his head near to hers. "I thought I would break it open And I wish I had done so," he added, suddenly fierce again.

"I have given you no right," stammered Olga, who seemed to suffer under a sort of fascination, which dulled her mind.

"I take it!—Has he a right? Tell me that! You are not good to me; you are not honest to me; you deceive—deceive! Why was the door shut with the key? I am astonished! I did not think this was done in England—a lady—a young lady!"

"Oh, what do you mean?" Olga exclaimed, with a face of misery. "There was no harm. It wasn't I who wished it to be locked!"

Florio gazed at her long and searchingly, till the blood burned in her face.

"Enough!" he said with decision, waving his arm. "I have learnt something. One always learns something new in England. The English are wonderful—yes, they are wonderful. Basta! and addio!"

He raised his hat, turned, moved away. As if drawn irresistibly, Olga followed. Head down, arms hanging in the limpness of shame, she followed, but without drawing nearer. At the corner of the square, Florio, as if accidentally, turned his head; in an instant, he stood before her.

"Then you do not wish good-bye?"

"You are very cruel! How can I let you think such things? You know it's false!"

"But there must be explanation!"

"I can easily explain. But not here—one can't talk in the street–"

"Naturally!—Listen! It is twelve o'clock. You go home; you eat: you repose. At three o'clock, I pay you a visit. Why not? You said it yourself the other day, but I could not decide. Now I have decided. I pay you a visit; you receive me privately—can you not? We talk, and all is settled!"

Olga thought for a moment, and assented. A few minutes afterwards, she was roiling in a cab towards Bryanston Square.

On Monday evening, Piers received a note from Olga. It ran thus:

"I warned you not to trust me. It is all over now; I have, in your own words, 'put an end to it.' We could have given no happiness to each other. Miss Bonnicastle will explain. Good-bye!"

He went at once to Great Portland Street. Miss Bonnicastle knew nothing, but looked anxious when she had seen the note and heard its explanation.

"We must wait till the morning," she said. "Don't worry. It's just what one might have expected."

Don't worry! Piers had no wink of sleep that night. At post-time in the morning he was at Miss Bonnicastle's, but no news arrived. He went to business; the day passed without news; he returned to Great Portland Street, and there waited for the last postal delivery. It brought the expected letter; Olga announced her marriage that morning to Mr. Florio.

"It's better than I feared," said Miss Bonnicastle. "Now go home to bed, and sleep like a philosopher."

Good advice, but not of much profit to one racked and distraught with amorous frenzy, with disappointment sharp as death. Through the warm spring night, Piers raved and agonised. The business hour found him lying upon his bed, sunk in dreamless sleep.

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