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Drinkwater John
Poems, 1908-1919
CHALLENGE
You fools behind the panes who peer
At the strong black anger of the sky,
Come out and feel the storm swing by,
Aye, take its blow on your lips, and hear
The wind in the branches cry.
No. Leave us to the day’s device,
Draw to your blinds and take your ease,
Grow peak’d in the face and crook’d in the knees;
Your sinews could not pay the price
When the storm goes through the trees.
TRAVEL TALK
LADYWOOD, 1912. (TO E. DE S.)
To the high hills you took me, where desire,
Daughter of difficult life, forgets her lures,
And hope’s eternal tasks no longer tire,
And only peace endures.
Where anxious prayer becomes a worthless thing
Subdued by muted praise,
And asking nought of God and life we bring
The conflict of long days
Into a moment of immortal poise
Among the scars and proud unbuilded spires,
Where, seeking not the triumphs and the joys
So treasured in the world, we kindle fires
That shall not burn to ash, and are content
To read anew the eternal argument.
Nothing of man’s intolerance we know
Here, far from man, among the fortressed hills,
Nor of his querulous hopes.
To what may we attain? What matter, so
We feel the unwearied virtue that fulfils
These cloudy crests and rifts and heathered slopes
With life that is and seeks not to attain,
For ever spends nor ever asks again?
To the high hills you took me. And we saw
The everlasting ritual of sky
And earth and the waste places of the air,
And momently the change of changeless law
Was beautiful before us, and the cry
Of the great winds was as a distant prayer
From a massed people, and the choric sound
Of many waters moaning down the long
Veins of the hills was as an undersong;
And in that hour we moved on holy ground.
To the high hills you took me. Far below
Lay pool and tarn locked up in shadowy sleep;
Above we watched the clouds unhasting go
From hidden crest to crest; the neighbour sheep
Cropped at our side, and swift on darkling wings
The hawks went sailing down the valley wind,
The rock-bird chattered shrilly to its kind;
And all these common things were holy things.
From ghostly Skiddaw came the wind in flight.
By Langdale Pikes to Coniston’s broad brow,
From Coniston to proud Helvellyn’s height,
The eloquent wind, the wind that even now
Whispers again its story gathered in
For seasons of much traffic in the ways
Where men so straitly spin
The garment of unfathomable days.
To the high hills you took me. And we turned
Our feet again towards the friendly vale,
And passed the banks whereon the bracken burned
And the last foxglove bells were spent and pale,
Down to a hallowed spot of English land
Where Rotha dreams its way from mere to mere,
Where one with undistracted vision scanned
Life’s far horizons, he who sifted clear
Dust from the grain of being, making song
Memorial of simple men and minds
Not bowed to cunning by deliberate wrong,
And conversed with the spirit of the winds,
And knew the guarded secrets that were sealed
In pool and pine, petal and vagrant wing,
Throning the shepherd folding from the field,
Robing anew the daffodils of spring.
We crossed the threshold of his home and stood
Beside his cottage hearth where once was told
The day’s adventure drawn from fell and wood,
And wisdom’s words and love’s were manifold,
Where, in the twilight, gossip poets met
To read again their peers of older time,
And quiet eyes of gracious women set
A bounty to the glamour of the rhyme.
There is a wonder in a simple word
That reinhabits fond and ghostly ways,
And when within the poet’s walls we heard
One white with ninety years recall the days
When he upon his mountain paths was seen,
We answered her strange bidding and were made
One with the reverend presence who had been
Steward of kingly charges unbetrayed.
And to the little garden-close we went,
Where he at eventide was wont to pass
To watch the willing day’s last sacrament,
And the cool shadows thrown along the grass,
To read again the legends of the flowers,
Lighten with song th’ obscure heroic plan,
To contemplate the process of the hours,
And think on that old story which is man.
The lichened apple-boughs that once had spent
Their blossoms at his feet, in twisted age
Yet knew the wind, and the familiar scent
Of heath and fern made sweet his hermitage.
And, moving so beneath his cottage-eaves,
His song upon our lips, his life a star,
A sign, a storied peace among the leaves,
Was he not with us then? He was not far.
To the high hills you took me. We had seen
Much marvellous traffic in the cloudy ways,
Had laughed with the white waters and the green,
Had praised and heard the choric chant of praise,
Communed anew with the undying dead,
Resung old songs, retold old fabulous things,
And, stripped of pride, had lost the world and led
A world refashioned as unconquered kings.
And the good day was done, and there again
Where in your home of quietness we stood,
Far from the sight and sound of travelling men,
And watched the twilight climb from Lady-wood
Above the pines, above the visible streams,
Beyond the hidden sources of the rills,
Bearing the season of uncharted dreams
Into the silent fastness of the hills.
Peace on the hills, and in the valleys peace;
And Rotha’s moaning music sounding clear;
The passing-song of wearied winds that cease,
Moving among the reeds of Rydal Mere;
The distant gloom of boughs that still unscarred
Beside their poet’s grave due vigil keep —
With us were these, till night was throned and starred
And bade us to the benison of sleep.
THE VAGABOND
I know the pools where the grayling rise,
I know the trees where the filberts fall,
I know the woods where the red fox lies,
The twisted elms where the brown owls call.
And I’ve seldom a shilling to call my own,
And there’s never a girl I’d marry,
I thank the Lord I’m a rolling stone
With never a care to carry.
I talk to the stars as they come and go
On every night from July to June,
I’m free of the speech of the winds that blow,
And I know what weather will sing what tune.
I sow no seed and I pay no rent,
And I thank no man for his bounties,
But I’ve a treasure that’s never spent,
I’m lord of a dozen counties.
OLD WOMAN IN MAY
“Old woman by the hedgerow
In gown of withered black,
With beads and pins and buttons
And ribbons in your pack —
How many miles do you go?
To Dumbleton and back?”
“To Dumbleton and back, sir,
And round by Cotsall Hill,
I count the miles at morning,
At night I count them still,
A Jill without a Jack, sir,
I travel with a will.”
“It’s little men are paying
For such as you can do,
You with the grey dust in your hair
And sharp nails in your shoe,
The young folks go a-Maying,
But what is May to you?”
“I care not what they pay me
While I can hear the call
Of cattle on the hillside,
And watch the blossoms fall
In a churchyard where maybe
There’s company for all.”
THE FECKENHAM MEN
The jolly men at Feckenham
Don’t count their goods as common men,
Their heads are full of silly dreams
From half-past ten to half-past ten,
They’ll tell you why the stars are bright,
And some sheep black and some sheep white.
The jolly men at Feckenham
Draw wages of the sun and rain,
And count as good as golden coin
The blossoms on the window-pane,
And Lord! they love a sinewy tale
Told over pots of foaming ale.
Now here’s a tale of Feckenham
Told to me by a Feckenham man,
Who, being only eighty years,
Ran always when the red fox ran,
And looked upon the earth with eyes
As quiet as unclouded skies.
These jolly men of Feckenham
One day when summer strode in power
Went down, it seems, among their lands
And saw their bean fields all in flower —
“Wheat-ricks,” they said, “be good to see;
What would a rick of blossoms be?”
So straight they brought the sickles out
And worked all day till day was done,
And builded them a good square rick
Of scented bloom beneath the sun.
And was not this I tell to you
A fiery-hearted thing to do?
THE TRAVELLER
When March was master of furrow and fold,
And the skies kept cloudy festival
And the daffodil pods were tipped with gold
And a passion was in the plover’s call,
A spare old man went hobbling by
With a broken pipe and a tapping stick,
And he mumbled – “Blossom before I die,
Be quick, you little brown buds, be quick.
“I ’ve weathered the world for a count of years —
Good old years of shining fire —
And death and the devil bring no fears,
And I ’ve fed the flame of my last desire;
I ’m ready to go, but I ’d pass the gate
On the edge of the world with an old heart sick
If I missed the blossoms. I may not wait —
The gate is open – be quick, be quick.”
IN LADY STREET
All day long the traffic goes
In Lady Street by dingy rows
Of sloven houses, tattered shops —
Fried fish, old clothes and fortune-tellers —
Tall trams on silver-shining rails,
With grinding wheels and swaying tops,
And lorries with their corded bales,
And screeching cars. “Buy, buy!” the sellers
Of rags and bones and sickening meat
Cry all day long in Lady Street.
And when the sunshine has its way
In Lady Street, then all the grey
Dull desolation grows in state
More dull and grey and desolate,
And the sun is a shamefast thing,
A lord not comely-housed, a god
Seeing what gods must blush to see,
A song where it is ill to sing,
And each gold ray despiteously
Lies like a gold ironic rod.
Yet one grey man in Lady Street
Looks for the sun. He never bent
Life to his will, his travelling feet
Have scaled no cloudy continent,
Nor has the sickle-hand been strong.
He lives in Lady Street; a bed,
Four cobwebbed walls.
But all day long
A time is singing in his head
Of youth in Gloucester lanes. He hears
The wind among the barley-blades,
The tapping of the woodpeckers
On the smooth beeches, thistle-spades
Slicing the sinewy roots; he sees
The hooded filberts in the copse
Beyond the loaded orchard trees,
The netted avenues of hops;
He smells the honeysuckle thrown
Along the hedge. He lives alone,
Alone – yet not alone, for sweet
Are Gloucester lanes in Lady Street.
Aye, Gloucester lanes. For down below
The cobwebbed room this grey man plies
A trade, a coloured trade. A show
Of many-coloured merchandise
Is in his shop. Brown filberts there,
And apples red with Gloucester air,
And cauliflowers he keeps, and round
Smooth marrows grown on Gloucester ground,
Fat cabbages and yellow plums,
And gaudy brave chrysanthemums.
And times a glossy pheasant lies
Among his store, not Tyrian dyes
More rich than are the neck-feathers;
And times a prize of violets,
Or dewy mushrooms satin-skinned
And times an unfamiliar wind
Robbed of its woodland favour stirs
Gay daffodils this grey man sets
Among his treasure.
All day long
In Lady Street the traffic goes
By dingy houses, desolate rows
Of shops that stare like hopeless eyes.
Day long the sellers cry their cries,
The fortune-tellers tell no wrong
Of lives that know not any right,
And drift, that has not even the will
To drift, toils through the day until
The wage of sleep is won at night.
But this grey man heeds not at all
The hell of Lady Street. His stall
Of many-coloured merchandise
He makes a shining paradise,
As all day long chrysanthemums
He sells, and red and yellow plums
And cauliflowers. In that one spot
Of Lady Street the sun is not
Ashamed to shine and send a rare
Shower of colour through the air;
The grey man says the sun is sweet
On Gloucester lanes in Lady Street.
ANTHONY CRUNDLE
Here lies the body of ANTHONY CRUNDLE, Farmer, of this parish, Who died in 1849 at the age of 82. “He delighted in music.” R. I. P. And of SUSAN, For fifty-three years his wife, Who died in 1860, aged 86
Anthony Crundle of Dorrington Wood
Played on a piccolo. Lord was he,
For seventy years, of sheaves that stood
Under the perry and cider tree;
Anthony Crundle, R.I.P.
And because he prospered with sickle and scythe,
With cattle afield and labouring ewe,
Anthony was uncommonly blithe,
And played of a night to himself and Sue;
Anthony Crundle, eighty-two.
The earth to till, and a tune to play,
And Susan for fifty years and three,
And Dorrington Wood at the end of day …
May providence do no worse by me;
Anthony Crundle, R.I.P.
MAD TOM TATTERMAN
“Old man, grey man, good man scavenger,
Bearing is it eighty years upon your crumpled back?
What is it you gather in the frosty weather,
Is there any treasure here to carry in your sack?”.
…
“I’ve a million acres and a thousand head of cattle,
And a foaming river where the silver salmon leap;
But I’ve left fat valleys to dig in sullen alleys
Just because a twisted star rode by me in my sleep.
“I’ve a brain is dancing to an old forgotten music
Heard when all the world was just a crazy flight of dreams,
And don’t you know I scatter in the dirt along the gutter
Seeds that little ladies nursed by Babylonian streams?
“Mad Tom Tatterman, that is how they call me.
Oh, they know so much, so much, all so neatly dressed;
I’ve a tale to tell you – come and listen, will you? —
One as ragged as the twigs that make a magpie’s nest.
“Ragged, oh, but very wise. You and this and that man,
All of you are making things that none of you would lack,
And so your eyes grow dusty, and so your limbs grow rusty —
But mad Tom Tatterman puts nothing in his sack.
“Nothing in my sack, sirs, but the Sea of Galilee
Was walked for mad Tom Tatterman, and when I go to sleep
They’ll know that I have driven through the acres of broad heaven
Flocks are whiter than the flocks that all your shepherds keep.”
FOR CORIN TO-DAY
Old shepherd in your wattle cote,
I think a thousand years are done
Since first you took your pipe of oat
And piped against the risen sun,
Until his burning lips of gold
Sucked up the drifting scarves of dew
And bade you count your flocks from fold
And set your hurdle stakes anew.
And then as now at noon you ’ld take
The shadow of delightful trees,
And with good hands of labour break
Your barley bread with dairy cheese,
And with some lusty shepherd mate
Would wind a simple argument,
And bear at night beyond your gate
A loaded wallet of content.
O Corin of the grizzled eye,
A thousand years upon your down
You’ve seen the ploughing teams go by
Above the bells of Avon’s town;
And while there’s any wind to blow
Through frozen February nights,
About your lambing pens will go
The glimmer of your lanthorn lights.
THE CARVER IN STONE
He was a man with wide and patient eyes,
Grey, like the drift of twitch-fires blown in June
That, without fearing, searched if any wrong
Might threaten from your heart. Grey eyes he had
Under a brow was drawn because he knew
So many seasons to so many pass
Of upright service, loyal, unabased
Before the world seducing, and so, barren
Of good words praising and thought that mated his.
He carved in stone. Out of his quiet life
He watched as any faithful seaman charged
With tidings of the myriad faring sea,
And thoughts and premonitions through his mind
Sailing as ships from strange and storied lands
His hungry spirit held, till all they were
Found living witness in the chiselled stone.
Slowly out of the dark confusion, spread
By life’s innumerable venturings
Over his brain, he would triumph into the light
Of one clear mood, unblemished of the blind
Legions of errant thought that cried about
His rapt seclusion: as a pearl unsoiled,
Nay, rather washed to lonelier chastity,
In gritty mud. And then would come a bird,
A flower, or the wind moving upon a flower,
A beast at pasture, or a clustered fruit,
A peasant face as were the saints of old,
The leer of custom, or the bow of the moon
Swung in miraculous poise – some stray from the world
Of things created by the eternal mind
In joy articulate. And his perfect mood
Would dwell about the token of God’s mood,
Until in bird or flower or moving wind
Or flock or shepherd or the troops of heaven
It sprang in one fierce moment of desire
To visible form.
Then would his chisel work among the stone,
Persuading it of petal or of limb
Or starry curve, till risen anew there sang
Shape out of chaos, and again the vision
Of one mind single from the world was pressed
Upon the daily custom of the sky
Or field or the body of man.
His people
Had many gods for worship. The tiger-god,
The owl, the dewlapped bull, the running pard,
The camel and the lizard of the slime,
The ram with quivering fleece and fluted horn,
The crested eagle and the doming bat
Were sacred. And the king and his high priests
Decreed a temple, wide on columns huge,
Should top the cornlands to the sky’s far line.
They bade the carvers carve along the walls
Images of their gods, each one to carve
As he desired, his choice to name his god…
And many came; and he among them, glad
Of three leagues’ travel through the singing air
Of dawn among the boughs yet bare of green,
The eager flight of the spring leading his blood
Into swift lofty channels of the air,
Proud as an eagle riding to the sun…
An eagle, clean of pinion – there’s his choice.
Daylong they worked under the growing roof,
One at his leopard, one the staring ram,
And he winning his eagle from the stone,
Until each man had carved one image out,
Arow beyond the portal of the house.
They stood arow, the company of gods,
Camel and bat, lizard and bull and ram,
The pard and owl, dead figures on the wall,
Figures of habit driven on the stone
By chisels governed by no heat of the brain
But drudges of hands that moved by easy rule.
Proudly recorded mood was none, no thought
Plucked from the dark battalions of the mind
And throned in everlasting sight. But one
God of them all was witness of belief
And large adventure dared. His eagle spread
Wide pinions on a cloudless ground of heaven,
Glad with the heart’s high courage of that dawn
Moving upon the ploughlands newly sown,
Dead stone the rest. He looked, and knew it so.
Then came the king with priests and counsellors
And many chosen of the people, wise
With words weary of custom, and eyes askew
That watched their neighbour face for any news
Of the best way of judgment, till, each sure
None would determine with authority,
All spoke in prudent praise. One liked the owl
Because an owl blinked on the beam of his barn.
One, hoarse with crying gospels in the street,
Praised most the ram, because the common folk
Wore breeches made of ram’s wool. One declared
The tiger pleased him best, – the man who carved
The tiger-god was halt out of the womb —
A man to praise, being so pitiful.
And one, whose eyes dwelt in a distant void,
With spell and omen pat upon his lips,
And a purse for any crystal prophet ripe,
A zealot of the mist, gazed at the bull —
A lean ill-shapen bull of meagre lines
That scarce the steel had graved upon the stone —
Saying that here was very mystery
And truth, did men but know. And one there was
Who praised his eagle, but remembering
The lither pinion of the swift, the curve
That liked him better of the mirrored swan.
And they who carved the tiger-god and ram,
The camel and the pard, the owl and bull,
And lizard, listened greedily, and made
Humble denial of their worthiness,
And when the king his royal judgment gave
That all had fashioned well, and bade that each
Re-shape his chosen god along the walls
Till all the temple boasted of their skill,
They bowed themselves in token that as this
Never had carvers been so fortunate.
Only the man with wide and patient eyes
Made no denial, neither bowed his head.
Already while they spoke his thought had gone
Far from his eagle, leaving it for a sign
Loyally wrought of one deep breath of life,
And played about the image of a toad
That crawled among his ivy leaves. A queer
Puff-bellied toad, with eyes that always stared
Sidelong at heaven and saw no heaven there,
Weak-hammed, and with a throttle somehow twisted
Beyond full wholesome draughts of air, and skin
Of wrinkled lips, the only zest or will
The little flashing tongue searching the leaves.
And king and priest, chosen and counsellor,
Babbling out of their thin and jealous brains,
Seemed strangely one; a queer enormous toad
Panting under giant leaves of dark,
Sunk in the loins, peering into the day.
Their judgment wry he counted not for wrong
More than the fabled poison of the toad
Striking at simple wits; how should their thought
Or word in praise or blame come near the peace
That shone in seasonable hours above
The patience of his spirit’s husbandry?
They foolish and not seeing, how should he
Spend anger there or fear – great ceremonies
Equal for none save great antagonists?
The grave indifference of his heart before them
Was moved by laughter innocent of hate,
Chastising clean of spite, that moulded them
Into the antic likeness of his toad
Bidding for laughter underneath the leaves.
He bowed not, nor disputed, but he saw
Those ill-created joyless gods, and loathed,
And saw them creeping, creeping round the walls,
Death breeding death, wile witnessing to wile,
And sickened at the dull iniquity
Should be rewarded, and for ever breathe
Contagion on the folk gathered in prayer.
His truth should not be doomed to march among
This falsehood to the ages. He was called,
And he must labour there; if so the king
Would grant it, where the pillars bore the roof
A galleried way of meditation nursed
Secluded time, with wall of ready stone
In panels for the carver set between
The windows – there his chisel should be set, —
It was his plea. And the king spoke of him,
Scorning, as one lack-fettle, among all these
Eager to take the riches of renown;
One fearful of the light or knowing nothing
Of light’s dimension, a witling who would throw
Honour aside and praise spoken aloud
All men of heart should covet. Let him go
Grubbing out of the sight of these who knew
The worth of substance; there was his proper trade.
A squat and curious toad indeed… The eyes,
Patient and grey, were dumb as were the lips,
That, fixed and governed, hoarded from them all
The larger laughter lifting in his heart.
Straightway about his gallery he moved,
Measured the windows and the virgin stone,
Till all was weighed and patterned in his brain.
Then first where most the shadow struck the wall,
Under the sills, and centre of the base,
From floor to sill out of the stone was wooed
Memorial folly, as from the chisel leapt
His chastening laughter searching priest and king —
A huge and wrinkled toad, with legs asplay,
And belly loaded, leering with great eyes
Busily fixed upon the void.
All days
His chisel was the first to ring across
The temple’s quiet; and at fall of dusk
Passing among the carvers homeward, they
Would speak of him as mad, or weak against
The challenge of the world, and let him go
Lonely, as was his will, under the night
Of stars or cloud or summer’s folded sun,
Through crop and wood and pastureland to sleep.
None took the narrow stair as wondering
How did his chisel prosper in the stone,
Unvisited his labour and forgot.
And times when he would lean out of his height
And watch the gods growing along the walls,
The row of carvers in their linen coats
Took in his vision a virtue that alone
Carving they had not nor the thing they carved.
Knowing the health that flowed about his close
Imagining, the daily quiet won
From process of his clean and supple craft,
Those carvers there, far on the floor below,
Would haply be transfigured in his thought
Into a gallant company of men
Glad of the strict and loyal reckoning
That proved in the just presence of the brain
Each chisel-stroke. How surely would he prosper
In pleasant talk at easy hours with men
So fashioned if it might be – and his eyes
Would pass again to those dead gods that grew
In spreading evil round the temple walls;
And, one dead pressure made, the carvers moved
Along the wall to mould and mould again
The self-same god, their chisels on the stone
Tapping in dull precision as before,
And he would turn, back to his lonely truth.
He carved apace. And first his people’s gods,
About the toad, out of their sterile time,
Under his hand thrilled and were recreate.
The bull, the pard, the camel and the ram,
Tiger and owl and bat – all were the signs
Visibly made body on the stone
Of sightless thought adventuring the host
That is mere spirit; these the bloom achieved
By secret labour in the flowing wood
Of rain and air and wind and continent sun…
His tiger, lithe, immobile in the stone,
A swift destruction for a moment leashed,
Sprang crying from the jealous stealth of men
Opposed in cunning watch, with engines hid
Of torment and calamitous desire.
His leopard, swift on lean and paltry limbs,
Was fear in flight before accusing faith.
His bull, with eyes that often in the dusk
Would lift from the sweet meadow grass to watch
Him homeward passing, bore on massy beam
The burden of the patient of the earth.
His camel bore the burden of the damned,
Being gaunt, with eyes aslant along the nose.
He had a friend, who hammered bronze and iron
And cupped the moonstone on a silver ring,
One constant like himself, would come at night
Or bid him as a guest, when they would make
Their poets touch a starrier height, or search
Together with unparsimonious mind
The crowded harbours of mortality.
And there were jests, wholesome as harvest ale
Of homely habit, bred of hearts that dared
Judgment of laughter under the eternal eye:
This frolic wisdom was his carven owl.
His ram was lordship on the lonely hills,
Alert and fleet, content only to know
The wind mightily pouring on his fleece,
With yesterday and all unrisen suns
Poorer than disinherited ghosts. His bat
Was ancient envy made a mockery,
Cowering below the newer eagle carved
Above the arches with wide pinion spread,
His faith’s dominion of that happy dawn.
And so he wrought the gods upon the wall,
Living and crying out of his desire,
Out of his patient incorruptible thought,
Wrought them in joy was wages to his faith.
And other than the gods he made. The stalks
Of bluebells heavy with the news of spring,
The vine loaded with plenty of the year,
And swallows, merely tenderness of thought
Bidding the stone to small and fragile flight;
Leaves, the thin relics of autumnal boughs,
Or massed in June…
All from their native pressure bloomed and sprang
Under his shaping hand into a proud
And governed image of the central man, —
Their moulding, charts of all his travelling.
And all were deftly ordered, duly set
Between the windows, underneath the sills,
And roofward, as a motion rightly planned,
Till on the wall, out of the sullen stone,
A glory blazed, his vision manifest,
His wonder captive. And he was content.
And when the builders and the carvers knew
Their labour done, and high the temple stood
Over the cornlands, king and counsellor
And priest and chosen of the people came
Among a ceremonial multitude
To dedication. And, below the thrones
Where king and archpriest ruled above the throng,
Highest among the ranked artificers
The carvers stood. And when, the temple vowed
To holy use, tribute and choral praise
Given as was ordained, the king looked down
Upon the gathered folk, and bade them see
The comely gods fashioned about the walls,
And keep in honour men whose precious skill
Could so adorn the sessions of their worship,
Gravely the carvers bowed them to the ground.
Only the man with wide and patient eyes
Stood not among them; nor did any come
To count his labour, where he watched alone
Above the coloured throng. He heard, and looked
Again upon his work, and knew it good,
Smiled on his toad, passed down the stair unseen
And sang across the teeming meadows home.
