Чарльз Диккенс
The Old Curiosity Shop
‘Is it not possible,’ said Mr Witherden, after a long pause, ‘that this note may have found its way into the hat by some accident, – such as the removal of papers on the desk, for instance?’
But this was clearly shown to be quite impossible. Mr Swiveller, though an unwilling witness, could not help proving to demonstration, from the position in which it was found, that it must have been designedly secreted.
‘It’s very distressing,’ said Brass, ‘immensely distressing, I am sure. When he comes to be tried, I shall be very happy to recommend him to mercy on account of his previous good character. I did lose money before, certainly, but it doesn’t quite follow that he took it. The presumption’s against him – strongly against him – but we’re Christians, I hope?’
‘I suppose,’ said the constable, looking round, ‘that no gentleman here can give evidence as to whether he’s been flush of money of late, Do you happen to know, Sir?’
‘He has had money from time to time, certainly,’ returned Mr Garland, to whom the man had put the question. ‘But that, as he always told me, was given him by Mr Brass himself.’
‘Yes to be sure,’ said Kit eagerly. ‘You can bear me out in that, Sir?’
‘Eh?’ cried Brass, looking from face to face with an expression of stupid amazement.
‘The money you know, the half-crowns, that you gave me – from the lodger,’ said Kit.
‘Oh dear me!’ cried Brass, shaking his head and frowning heavily. ‘This is a bad case, I find; a very bad case indeed.’
‘What! Did you give him no money on account of anybody, Sir?’ asked Mr Garland, with great anxiety.
‘I give him money, Sir!’ returned Sampson. ‘Oh, come you know, this is too barefaced. Constable, my good fellow, we had better be going.’
‘What!’ shrieked Kit. ‘Does he deny that he did? ask him, somebody, pray. Ask him to tell you whether he did or not!’
‘Did you, sir?’ asked the notary.
‘I tell you what, gentlemen,’ replied Brass, in a very grave manner, ‘he’ll not serve his case this way, and really, if you feel any interest in him, you had better advise him to go upon some other tack. Did I, sir? Of course I never did.’
‘Gentlemen,’ cried Kit, on whom a light broke suddenly, ‘Master, Mr Abel, Mr Witherden, every one of you – he did it! What I have done to offend him, I don’t know, but this is a plot to ruin me. Mind, gentlemen, it’s a plot, and whatever comes of it, I will say with my dying breath that he put that note in my hat himself! Look at him, gentlemen! see how he changes colour. Which of us looks the guilty person – he, or I?’
‘You hear him, gentlemen?’ said Brass, smiling, ‘you hear him. Now, does this case strike you as assuming rather a black complexion, or does it not? Is it at all a treacherous case, do you think, or is it one of mere ordinary guilt? Perhaps, gentlemen, if he had not said this in your presence and I had reported it, you’d have held this to be impossible likewise, eh?’
With such pacific and bantering remarks did Mr Brass refute the foul aspersion on his character; but the virtuous Sarah, moved by stronger feelings, and having at heart, perhaps, a more jealous regard for the honour of her family, flew from her brother’s side, without any previous intimation of her design, and darted at the prisoner with the utmost fury. It would undoubtedly have gone hard with Kit’s face, but that the wary constable, foreseeing her design, drew him aside at the critical moment, and thus placed Mr Chuckster in circumstances of some jeopardy; for that gentleman happening to be next the object of Miss Brass’s wrath; and rage being, like love and fortune, blind; was pounced upon by the fair enslaver, and had a false collar plucked up by the roots, and his hair very much dishevelled, before the exertions of the company could make her sensible of her mistake.
The constable, taking warning by this desperate attack, and thinking perhaps that it would be more satisfactory to the ends of justice if the prisoner were taken before a magistrate, whole, rather than in small pieces, led him back to the hackney-coach without more ado, and moreover insisted on Miss Brass becoming an outside passenger; to which proposal the charming creature, after a little angry discussion, yielded her consent; and so took her brother Sampson’s place upon the box: Mr Brass with some reluctance agreeing to occupy her seat inside. These arrangements perfected, they drove to the justice-room with all speed, followed by the notary and his two friends in another coach. Mr Chuckster alone was left behind – greatly to his indignation; for he held the evidence he could have given, relative to Kit’s returning to work out the shilling, to be so very material as bearing upon his hypocritical and designing character, that he considered its suppression little better than a compromise of felony.
At the justice-room, they found the single gentleman, who had gone straight there, and was expecting them with desperate impatience. But not fifty single gentlemen rolled into one could have helped poor Kit, who in half an hour afterwards was committed for trial, and was assured by a friendly officer on his way to prison that there was no occasion to be cast down, for the sessions would soon be on, and he would, in all likelihood, get his little affair disposed of, and be comfortably transported, in less than a fortnight.
CHAPTER 61
Let moralists and philosophers say what they may, it is very questionable whether a guilty man would have felt half as much misery that night, as Kit did, being innocent. The world, being in the constant commission of vast quantities of injustice, is a little too apt to comfort itself with the idea that if the victim of its falsehood and malice have a clear conscience, he cannot fail to be sustained under his trials, and somehow or other to come right at last; ‘in which case,’ say they who have hunted him down, ‘ – though we certainly don’t expect it – nobody will be better pleased than we.’ Whereas, the world would do well to reflect, that injustice is in itself, to every generous and properly constituted mind, an injury, of all others the most insufferable, the most torturing, and the most hard to bear; and that many clear consciences have gone to their account elsewhere, and many sound hearts have broken, because of this very reason; the knowledge of their own deserts only aggravating their sufferings, and rendering them the less endurable.
The world, however, was not in fault in Kit’s case. But Kit was innocent; and knowing this, and feeling that his best friends deemed him guilty – that Mr and Mrs Garland would look upon him as a monster of ingratitude – that Barbara would associate him with all that was bad and criminal – that the pony would consider himself forsaken – and that even his own mother might perhaps yield to the strong appearances against him, and believe him to be the wretch he seemed – knowing and feeling all this, he experienced, at first, an agony of mind which no words can describe, and walked up and down the little cell in which he was locked up for the night, almost beside himself with grief.
Even when the violence of these emotions had in some degree subsided, and he was beginning to grow more calm, there came into his mind a new thought, the anguish of which was scarcely less. The child – the bright star of the simple fellow’s life – she, who always came back upon him like a beautiful dream – who had made the poorest part of his existence, the happiest and best – who had ever been so gentle, and considerate, and good – if she were ever to hear of this, what would she think! As this idea occurred to him, the walls of the prison seemed to melt away, and the old place to reveal itself in their stead, as it was wont to be on winter nights – the fireside, the little supper table, the old man’s hat, and coat, and stick – the half-opened door, leading to her little room – they were all there. And Nell herself was there, and he – both laughing heartily as they had often done – and when he had got as far as this, Kit could go no farther, but flung himself upon his poor bedstead and wept.
It was a long night, which seemed as though it would have no end; but he slept too, and dreamed – always of being at liberty, and roving about, now with one person and now with another, but ever with a vague dread of being recalled to prison; not that prison, but one which was in itself a dim idea – not of a place, but of a care and sorrow: of something oppressive and always present, and yet impossible to define. At last, the morning dawned, and there was the jail itself – cold, black, and dreary, and very real indeed.
He was left to himself, however, and there was comfort in that. He had liberty to walk in a small paved yard at a certain hour, and learnt from the turnkey, who came to unlock his cell and show him where to wash, that there was a regular time for visiting, every day, and that if any of his friends came to see him, he would be fetched down to the grate. When he had given him this information, and a tin porringer containing his breakfast, the man locked him up again; and went clattering along the stone passage, opening and shutting a great many other doors, and raising numberless loud echoes which resounded through the building for a long time, as if they were in prison too, and unable to get out.
This turnkey had given him to understand that he was lodged, like some few others in the jail, apart from the mass of prisoners; because he was not supposed to be utterly depraved and irreclaimable, and had never occupied apartments in that mansion before. Kit was thankful for this indulgence, and sat reading the church catechism very attentively (though he had known it by heart from a little child), until he heard the key in the lock, and the man entered again.
‘Now then,’ he said, ‘come on!’
‘Where to, Sir?’ asked Kit.
The man contented himself by briefly replying ‘Wisitors;’ and taking him by the arm in exactly the same manner as the constable had done the day before, led him, through several winding ways and strong gates, into a passage, where he placed him at a grating and turned upon his heel. Beyond this grating, at the distance of about four or five feet, was another exactly like it. In the space between, sat a turnkey reading a newspaper, and outside the further railing, Kit saw, with a palpitating heart, his mother with the baby in her arms; Barbara’s mother with her never-failing umbrella; and poor little Jacob, staring in with all his might, as though he were looking for the bird, or the wild beast, and thought the men were mere accidents with whom the bars could have no possible concern.
But when little Jacob saw his brother, and, thrusting his arms between the rails to hug him, found that he came no nearer, but still stood afar off with his head resting on the arm by which he held to one of the bars, he began to cry most piteously; whereupon, Kit’s mother and Barbara’s mother, who had restrained themselves as much as possible, burst out sobbing and weeping afresh. Poor Kit could not help joining them, and not one of them could speak a word. During this melancholy pause, the turnkey read his newspaper with a waggish look (he had evidently got among the facetious paragraphs) until, happening to take his eyes off for an instant, as if to get by dint of contemplation at the very marrow of some joke of a deeper sort than the rest, it appeared to occur to him, for the first time, that somebody was crying.
‘Now, ladies, ladies,’ he said, looking round with surprise, ‘I’d advise you not to waste time like this. It’s allowanced here, you know. You mustn’t let that child make that noise either. It’s against all rules.’
‘I’m his poor mother, sir,’ – sobbed Mrs Nubbles, curtseying humbly, ‘and this is his brother, sir. Oh dear me, dear me!’
‘Well!’ replied the turnkey, folding his paper on his knee, so as to get with greater convenience at the top of the next column. ‘It can’t be helped you know. He ain’t the only one in the same fix. You mustn’t make a noise about it!’
With that he went on reading. The man was not unnaturally cruel or hard-hearted. He had come to look upon felony as a kind of disorder, like the scarlet fever or erysipelas: some people had it – some hadn’t – just as it might be.
‘Oh! my darling Kit,’ said his mother, whom Barbara’s mother had charitably relieved of the baby, ‘that I should see my poor boy here!’
‘You don’t believe that I did what they accuse me of, mother dear?’ cried Kit, in a choking voice.
‘I believe it!’ exclaimed the poor woman, ‘I that never knew you tell a lie, or do a bad action from your cradle – that have never had a moment’s sorrow on your account, except it was the poor meals that you have taken with such good humour and content, that I forgot how little there was, when I thought how kind and thoughtful you were, though you were but a child! – I believe it of the son that’s been a comfort to me from the hour of his birth until this time, and that I never laid down one night in anger with! I believe it of you Kit! – ’
‘Why then, thank God!’ said Kit, clutching the bars with an earnestness that shook them, ‘and I can bear it, mother! Come what may, I shall always have one drop of happiness in my heart when I think that you said that.’
At this the poor woman fell a-crying again, and Barbara’s mother too. And little Jacob, whose disjointed thoughts had by this time resolved themselves into a pretty distinct impression that Kit couldn’t go out for a walk if he wanted, and that there were no birds, lions, tigers or other natural curiosities behind those bars – nothing indeed, but a caged brother – added his tears to theirs with as little noise as possible.
Kit’s mother, drying her eyes (and moistening them, poor soul, more than she dried them), now took from the ground a small basket, and submissively addressed herself to the turnkey, saying, would he please to listen to her for a minute? The turnkey, being in the very crisis and passion of a joke, motioned to her with his hand to keep silent one minute longer, for her life. Nor did he remove his hand into its former posture, but kept it in the same warning attitude until he had finished the paragraph, when he paused for a few seconds, with a smile upon his face, as who should say ‘this editor is a comical blade – a funny dog,’ and then asked her what she wanted.
‘I have brought him a little something to eat,’ said the good woman. ‘If you please, Sir, might he have it?’
‘Yes, – he may have it. There’s no rule against that. Give it to me when you go, and I’ll take care he has it.’
‘No, but if you please sir – don’t be angry with me sir – I am his mother, and you had a mother once – if I might only see him eat a little bit, I should go away, so much more satisfied that he was all comfortable.’
And again the tears of Kit’s mother burst forth, and of Barbara’s mother, and of little Jacob. As to the baby, it was crowing and laughing with its might – under the idea, apparently, that the whole scene had been invented and got up for its particular satisfaction.
The turnkey looked as if he thought the request a strange one and rather out of the common way, but nevertheless he laid down his paper, and coming round where Kit’s mother stood, took the basket from her, and after inspecting its contents, handed it to Kit, and went back to his place. It may be easily conceived that the prisoner had no great appetite, but he sat down on the ground, and ate as hard as he could, while, at every morsel he put into his mouth, his mother sobbed and wept afresh, though with a softened grief that bespoke the satisfaction the sight afforded her.
While he was thus engaged, Kit made some anxious inquiries about his employers, and whether they had expressed any opinion concerning him; but all he could learn was that Mr Abel had himself broken the intelligence to his mother, with great kindness and delicacy, late on the previous night, but had himself expressed no opinion of his innocence or guilt. Kit was on the point of mustering courage to ask Barbara’s mother about Barbara, when the turnkey who had conducted him, reappeared, a second turnkey appeared behind his visitors, and the third turnkey with the newspaper cried ‘Time’s up!’ – adding in the same breath ‘Now for the next party!’ and then plunging deep into his newspaper again. Kit was taken off in an instant, with a blessing from his mother, and a scream from little Jacob, ringing in his ears. As he was crossing the next yard with the basket in his hand, under the guidance of his former conductor, another officer called to them to stop, and came up with a pint pot of porter in his hand.
‘This is Christopher Nubbles, isn’t it, that come in last night for felony?’ said the man.
His comrade replied that this was the chicken in question.
‘Then here’s your beer,’ said the other man to Christopher. ‘What are you looking at? There an’t a discharge in it.’
‘I beg your pardon,’ said Kit. ‘Who sent it me?’
‘Why, your friend,’ replied the man. ‘You’re to have it every day, he says. And so you will, if he pays for it.’
‘My friend!’ repeated Kit.
‘You’re all abroad, seemingly,’ returned the other man. ‘There’s his letter. Take hold!’
Kit took it, and when he was locked up again, read as follows.
‘Drink of this cup, you’ll find there’s a spell in its every drop ‘gainst the ills of mortality. Talk of the cordial that sparkled for Helen! Her cup was a fiction, but this is reality (Barclay and Co.‘s). – If they ever send it in a flat state, complain to the Governor. Yours, R. S.’
‘R. S.!’ said Kit, after some consideration. ‘It must be Mr Richard Swiveller. Well, its very kind of him, and I thank him heartily.’
CHAPTER 62
A faint light, twinkling from the window of the counting-house on Quilp’s wharf, and looking inflamed and red through the night-fog, as though it suffered from it like an eye, forewarned Mr Sampson Brass, as he approached the wooden cabin with a cautious step, that the excellent proprietor, his esteemed client, was inside, and probably waiting with his accustomed patience and sweetness of temper the fulfilment of the appointment which now brought Mr Brass within his fair domain.
‘A treacherous place to pick one’s steps in, of a dark night,’ muttered Sampson, as he stumbled for the twentieth time over some stray lumber, and limped in pain. ‘I believe that boy strews the ground differently every day, on purpose to bruise and maim one; unless his master does it with his own hands, which is more than likely. I hate to come to this place without Sally. She’s more protection than a dozen men.’
As he paid this compliment to the merit of the absent charmer, Mr Brass came to a halt; looking doubtfully towards the light, and over his shoulder.
‘What’s he about, I wonder?’ murmured the lawyer, standing on tiptoe, and endeavouring to obtain a glimpse of what was passing inside, which at that distance was impossible – ‘drinking, I suppose, – making himself more fiery and furious, and heating his malice and mischievousness till they boil. I’m always afraid to come here by myself, when his account’s a pretty large one. I don’t believe he’d mind throttling me, and dropping me softly into the river when the tide was at its strongest, any more than he’d mind killing a rat – indeed I don’t know whether he wouldn’t consider it a pleasant joke. Hark! Now he’s singing!’
Mr Quilp was certainly entertaining himself with vocal exercise, but it was rather a kind of chant than a song; being a monotonous repetition of one sentence in a very rapid manner, with a long stress upon the last word, which he swelled into a dismal roar. Nor did the burden of this performance bear any reference to love, or war, or wine, or loyalty, or any other, the standard topics of song, but to a subject not often set to music or generally known in ballads; the words being these: – ‘The worthy magistrate, after remarking that the prisoner would find some difficulty in persuading a jury to believe his tale, committed him to take his trial at the approaching sessions; and directed the customary recognisances to be entered into for the pros-e-cu-tion.’
Every time he came to this concluding word, and had exhausted all possible stress upon it, Quilp burst into a shriek of laughter, and began again.
‘He’s dreadfully imprudent,’ muttered Brass, after he had listened to two or three repetitions of the chant. ‘Horribly imprudent. I wish he was dumb. I wish he was deaf. I wish he was blind. Hang him,’ cried Brass, as the chant began again. ‘I wish he was dead!’
Giving utterance to these friendly aspirations in behalf of his client, Mr Sampson composed his face into its usual state of smoothness, and waiting until the shriek came again and was dying away, went up to the wooden house, and knocked at the door.
‘Come in!’ cried the dwarf.
‘How do you do to-night sir?’ said Sampson, peeping in. ‘Ha ha ha! How do you do sir? Oh dear me, how very whimsical! Amazingly whimsical to be sure!’
‘Come in, you fool!’ returned the dwarf, ‘and don’t stand there shaking your head and showing your teeth. Come in, you false witness, you perjurer, you suborner of evidence, come in!’
‘He has the richest humour!’ cried Brass, shutting the door behind him; ‘the most amazing vein of comicality! But isn’t it rather injudicious, sir – ?’
‘What?’ demanded Quilp. ‘What, Judas?’
‘Judas!’ cried Brass. ‘He has such extraordinary spirits! His humour is so extremely playful! Judas! Oh yes – dear me, how very good! Ha ha ha!’
All this time, Sampson was rubbing his hands, and staring, with ludicrous surprise and dismay, at a great, goggle-eyed, blunt-nosed figure-head of some old ship, which was reared up against the wall in a corner near the stove, looking like a goblin or hideous idol whom the dwarf worshipped. A mass of timber on its head, carved into the dim and distant semblance of a cocked hat, together with a representation of a star on the left breast and epaulettes on the shoulders, denoted that it was intended for the effigy of some famous admiral; but, without those helps, any observer might have supposed it the authentic portrait of a distinguished merman, or great sea-monster. Being originally much too large for the apartment which it was now employed to decorate, it had been sawn short off at the waist. Even in this state it reached from floor to ceiling; and thrusting itself forward, with that excessively wide-awake aspect, and air of somewhat obtrusive politeness, by which figure-heads are usually characterised, seemed to reduce everything else to mere pigmy proportions.
‘Do you know it?’ said the dwarf, watching Sampson’s eyes. ‘Do you see the likeness?’
‘Eh?’ said Brass, holding his head on one side, and throwing it a little back, as connoisseurs do. ‘Now I look at it again, I fancy I see a – yes, there certainly is something in the smile that reminds me of – and yet upon my word I – ’
Now, the fact was, that Sampson, having never seen anything in the smallest degree resembling this substantial phantom, was much perplexed; being uncertain whether Mr Quilp considered it like himself, and had therefore bought it for a family portrait; or whether he was pleased to consider it as the likeness of some enemy. He was not very long in doubt; for, while he was surveying it with that knowing look which people assume when they are contemplating for the first time portraits which they ought to recognise but don’t, the dwarf threw down the newspaper from which he had been chanting the words already quoted, and seizing a rusty iron bar, which he used in lieu of poker, dealt the figure such a stroke on the nose that it rocked again.
‘Is it like Kit – is it his picture, his image, his very self?’ cried the dwarf, aiming a shower of blows at the insensible countenance, and covering it with deep dimples. ‘Is it the exact model and counterpart of the dog – is it – is it – is it?’ And with every repetition of the question, he battered the great image, until the perspiration streamed down his face with the violence of the exercise.
Although this might have been a very comical thing to look at from a secure gallery, as a bull-fight is found to be a comfortable spectacle by those who are not in the arena, and a house on fire is better than a play to people who don’t live near it, there was something in the earnestness of Mr Quilp’s manner which made his legal adviser feel that the counting-house was a little too small, and a deal too lonely, for the complete enjoyment of these humours. Therefore, he stood as far off as he could, while the dwarf was thus engaged; whimpering out but feeble applause; and when Quilp left off and sat down again from pure exhaustion, approached with more obsequiousness than ever.
‘Excellent indeed!’ cried Brass. ‘He he! Oh, very good Sir. You know,’ said Sampson, looking round as if in appeal to the bruised animal, ‘he’s quite a remarkable man – quite!’
‘Sit down,’ said the dwarf. ‘I bought the dog yesterday. I’ve been screwing gimlets into him, and sticking forks in his eyes, and cutting my name on him. I mean to burn him at last.’
‘Ha ha!’ cried Brass. ‘Extremely entertaining, indeed!’
‘Come here,’ said Quilp, beckoning him to draw near. ‘What’s injudicious, hey?’
‘Nothing Sir – nothing. Scarcely worth mentioning Sir; but I thought that song – admirably humorous in itself you know – was perhaps rather – ’
‘Yes,’ said Quilp, ‘rather what?’
‘Just bordering, or as one may say remotely verging, upon the confines of injudiciousness perhaps, Sir,’ returned Brass, looking timidly at the dwarf’s cunning eyes, which were turned towards the fire and reflected its red light.
‘Why?’ inquired Quilp, without looking up.
‘Why, you know, sir,’ returned Brass, venturing to be more familiar: ‘ – the fact is, sir, that any allusion to these little combinings together, of friends, for objects in themselves extremely laudable, but which the law terms conspiracies, are – you take me, sir? – best kept snug and among friends, you know.’
‘Eh!’ said Quilp, looking up with a perfectly vacant countenance. ‘What do you mean?’
‘Cautious, exceedingly cautious, very right and proper!’ cried Brass, nodding his head. ‘Mum, sir, even here – my meaning, sir, exactly.’
‘Your meaning exactly, you brazen scarecrow, – what’s your meaning?’ retorted Quilp. ‘Why do you talk to me of combining together? Do I combine? Do I know anything about your combinings?’
‘No no, sir – certainly not; not by any means,’ returned Brass.
‘If you so wink and nod at me,’ said the dwarf, looking about him as if for his poker, ‘I’ll spoil the expression of your monkey’s face, I will.’
‘Don’t put yourself out of the way I beg, sir,’ rejoined Brass, checking himself with great alacrity. ‘You’re quite right, sir, quite right. I shouldn’t have mentioned the subject, sir. It’s much better not to. You’re quite right, sir. Let us change it, if you please. You were asking, sir, Sally told me, about our lodger. He has not returned, sir.’
‘No?’ said Quilp, heating some rum in a little saucepan, and watching it to prevent its boiling over. ‘Why not?’
‘Why, sir,’ returned Brass, ‘he – dear me, Mr Quilp, sir – ’
‘What’s the matter?’ said the dwarf, stopping his hand in the act of carrying the saucepan to his mouth.
‘You have forgotten the water, sir,’ said Brass. ‘And – excuse me, sir – but it’s burning hot.’
Deigning no other than a practical answer to this remonstrance, Mr Quilp raised the hot saucepan to his lips, and deliberately drank off all the spirit it contained, which might have been in quantity about half a pint, and had been but a moment before, when he took it off the fire, bubbling and hissing fiercely. Having swallowed this gentle stimulant, and shaken his fist at the admiral, he bade Mr Brass proceed.
‘But first,’ said Quilp, with his accustomed grin, ‘have a drop yourself – a nice drop – a good, warm, fiery drop.’
‘Why, sir,’ replied Brass, ‘if there was such a thing as a mouthful of water that could be got without trouble – ’
‘There’s no such thing to be had here,’ cried the dwarf. ‘Water for lawyers! Melted lead and brimstone, you mean, nice hot blistering pitch and tar – that’s the thing for them – eh, Brass, eh?’
‘Ha ha ha!’ laughed Mr Brass. ‘Oh very biting! and yet it’s like being tickled – there’s a pleasure in it too, sir!’
‘Drink that,’ said the dwarf, who had by this time heated some more. ‘Toss it off, don’t leave any heeltap, scorch your throat and be happy!’
The wretched Sampson took a few short sips of the liquor, which immediately distilled itself into burning tears, and in that form came rolling down his cheeks into the pipkin again, turning the colour of his face and eyelids to a deep red, and giving rise to a violent fit of coughing, in the midst of which he was still heard to declare, with the constancy of a martyr, that it was ‘beautiful indeed!’ While he was yet in unspeakable agonies, the dwarf renewed their conversation.
‘The lodger,’ said Quilp, ‘ – what about him?’
'He is still, sir,’ returned Brass, with intervals of coughing, ‘stopping with the Garland family. He has only been home once, Sir, since the day of the examination of that culprit. He informed Mr Richard, sir, that he couldn’t bear the house after what had taken place; that he was wretched in it; and that he looked upon himself as being in a certain kind of way the cause of the occurrence. – A very excellent lodger Sir. I hope we may not lose him.’
‘Yah!’ cried the dwarf. ‘Never thinking of anybody but yourself – why don’t you retrench then – scrape up, hoard, economise, eh?’
‘Why, sir,’ replied Brass, ‘upon my word I think Sarah’s as good an economiser as any going. I do indeed, Mr Quilp.’
‘Moisten your clay, wet the other eye, drink, man!’ cried the dwarf. ‘You took a clerk to oblige me.’
‘Delighted, sir, I am sure, at any time,’ replied Sampson. ‘Yes, Sir, I did.’
‘Then now you may discharge him,’ said Quilp. ‘There’s a means of retrenchment for you at once.’
‘Discharge Mr Richard, sir?’ cried Brass.
