Эдвард Бенсон
The Relentless City

CHAPTER VIII

The Revels ended on Saturday, on which day the wonder-stricken guests for the most part dispersed, their faces probably shining like Moses' at this social revelation, and went back to their humble homes. The success of them had been gigantic. Nobody (except Newport) talked about anything else for days, and to find news of international importance in the papers was almost impossible, for everything else except the Revels was tucked away into odd corners. Newport alone maintained an icy silence, but disaffection was already at work there, and those who were only struggling on the fringe of Newport society said openly that they would go to Long Island next year, since there really seemed to be some gaiety there, whereas Newport was like a wet Sunday afternoon. Mrs. Palmer's two English guests, however, stopped on. So also did Bilton; and Mrs. Emsworth, having decided not to go to Mass on Sunday morning, was coming down with the larger part of her company on Saturday night after her performance in New York. Sunday, however, was going to be a quiet day, with the exception that there was a large dinner-party in the evening and a play in the theatre afterwards. Ping-pong Armstrong also remained, for he was the recognised tame cat without claws about the house. Mrs. Palmer sometimes secretly wished, in her full consciousness of innocence, that people would 'talk' just a little about him and her, but nobody ever did. Even the Gutter Snipe never alluded to his constant presence in the house, but this was probably due to the fact that the editor – who knew a good deal about the meaner side of human nature – guessed that it would have pleased Mrs. Palmer. For it is a most extraordinary, though common, phenomenon to find that perfectly virtuous and upright people often like to be thought just a little wicked, whereas bad people are totally indifferent for the most part as to whether anyone thinks them good or not.

During the two or three days that had elapsed since Bilton and Mrs. Massington had their talk together, his conduct had been immensely pleasing to her. He had taken the hint she had given him like a gentleman, and had not allowed himself to drift into intimate conversation with her until she gave him the signal. He had been diplomatic and delicate – above all, he had been intelligent, not blundering, and she could not help contrasting him, much to his advantage, with the average Englishman, who either insists on 'talking the thing out,' or else looks sulky and wears a woebegone aspect. But Bilton had done neither; he had remained brisk, not brusque, and had resisted, apparently without effort, any attempt to bring her to the point, while remaining himself absolutely normal. In the meantime, during the self-imposed pause in her own affairs, Mrs. Massington watched with extreme satisfaction the development of that mission which had brought Bertie Keynes to America. Affairs for him certainly appeared to be running very smooth; she almost wished for some slight contretemps to take place in order to put things on the proper proverbial footing. In other words, Amelie and Bertie had made great friends, and owing to the extraordinary freedom which eligible young folk are given in America, with a view to letting them improve their acquaintance, they had got under way with much rapidity. The house being full, they had many opportunities for finding the isolation which exists in crowds, and took advantage of it. Mr. Palmer, however, with a strong sense of paternal duty, thought it well not to let the matter go too far without satisfying himself that he was justified in letting it go to all lengths. With this in his mind he went to his wife's rooms on Sunday morning to have a quiet talk, as was his custom.

'Pleased with your party?' he asked amiably.

'Lewis, I'm just sick with satisfaction,' she said. 'Long Island, I tell you, is made, and Newport will crumble into the sea. But what am I to do next year? Why, I believe that if at this moment I built a house on Sandy Hook, I could make it fashionable.'

'That would be very convenient,' said he. 'We could flag the liners and save half a day. I'm glad you are satisfied. Now, what do you get by it all?'

'Same as what you get when you've made a million dollars,' said Mrs. Palmer with some perspicacity. 'You don't want them. You don't know you've got them. But you like getting them.'

His bright gray eyes gleamed suddenly, and he looked at her approvingly.

'I guess that's true,' he said. 'I guess you've hit the nail on the head, as you do every time. We've got to get, you and I; and when we've got, we've got to get again. It's the getting we go for.'

His eyes wandered round the room a moment, and he went to a cabinet of bric-à-brac that stood between the windows.

'Where did you get that Tanagra figure from?' he asked. 'It's a forgery.' And he took it up and threw it into the grate, where it smashed to atoms.

'Well, I suppose you know,' said Mrs. Palmer calmly. 'Bilton sold it me.'

Lewis laughed.

'Spoiled his market,' he remarked. 'That man's very clever, but he lacks – he lacks length of vision.'

'Perhaps he didn't know it was a forgery,' said Mrs. Palmer charitably.

'That's worse. Give him the credit of knowing.'

Mrs. Palmer put down the paper she was reading.

'Lewis, you didn't come here just to break my things,' she said. 'What is it?'

'Lord Keynes. What do you know of him?' he asked, with his usual directness.

Had Mrs. Palmer been in the company of other people, she would have executed her famous scream, because she was amused. But she never wasted it, and it would have been quite wasted on her husband.

'He's charming,' she said. 'He's in excellent style; he's in the set in London. And he wants a wife with a competency. That's why I brought him here.'

'But what does he do?' asked her husband. 'Does he just exist?'

'Yes, I guess he exists. Men do exist in England; here they don't. They get.'

'Some exist here. Ping-pong does.'

'And who's Ping-pong?' she asked.

'Why, Armstrong. Amelie thought of it. He is a ping-pong, you know.'

This time Mrs. Palmer gave the scream, for she was so much amused as to forget the absence of an audience.

'Well, I'm sure, if Amelie isn't bright,' she said. 'But you're pretty far out, Lewis, if you think that Lord Keynes is a ping-pong. If he was an American, and did nothing, he would be. But men do nothing in England without being.'

'England's a ping-pong, I think sometimes,' remarked Lewis. 'She just plays about. However, we're not discussing that. Now I see you mean business with Lord Keynes. You'll run it through on your own lines, I suppose. But remember ' – he paused a moment – ' I guess it's rather difficult for one to say it,' he said, 'but it's just this: When a girl marries a man, if she doesn't hit it off, the best thing she can do is to make believe she does. But I doubt if Amelie can make believe worth a cent.'

'Well, she just adores him,' said Mrs. Palmer.

'That's good as far as it goes.'

'It goes just about to the end of the world,' said she.

Mr. Palmer considered this.

'The end of the world occurs sooner than you think sometimes,' he said. 'I'll get you a genuine Tanagra, if you like,' he added, 'and I'll guy Bilton about the other. I'll pretend he thought it was genuine. That'll make him tender.'

Though Mrs. Palmer had no objection to exaggeration in a good cause, she had not in the least been guilty of it when she said that Amelie adored Bertie Keynes. Most girls have daydreams of some kind, and Amelie, with the vividness that characterized her, had conjured up before now with some completeness her own complement. Unless a woman is celibate by nature (a thing happily rare), she is frequently conscious of the empty place in herself which it is her duty and her constant, though often unconscious, quest to find the tenant for. And Amelie was not in the least of a celibate nature; her warm blood beat generously, and the love of her nature that should one day pour itself on one at present overflowed in runnels of tenderness for all living things. The sprouts of the springing daisies were dear to her – dogs, horses, even the wild riot of the Revels, was worthy of her affectionate interest. But the rather unreasonable attention she bestowed on these numberless objects of affection was only the overflow from the cistern. One day it would be all given in full flood, its waters would bathe one who had chosen her, and whom her heart chose.

This morning she was riding through the woods with Bertie Keynes, the charmingly sensible laws of American etiquette making it possible for her to ride with anyone she wished, alone and unattended. They had just pulled up from a gallop through the flowering wood paths, and the two horses, muscle-stretched and quiet, were willing to walk unfrettingly side by side.

'Oh, it all smells good, it smells very good,' she said. 'And this morning somehow – I suppose it's after mamma's fête – I like the fresh, green out-of-doors more than ever. I think we live altogether too much indoors in America.'

'But the fêtes were entirely out of doors,' said Bertie.

'Yes; but the pearl-party was just the most indoor thing I ever saw,' said she. 'Certainly it was out of doors, but all the time I wanted somebody to open the windows, let in a breath – a breath of – 'and she paused for a word.

'I know what you mean,' he said.

'Did you feel it too? I want to know?'

'In that case, I did.'

He looked at her a moment.

'But all the time you were my breath of out-of-doors,' he said.

Amelie was not fool enough to take this as a compliment, or to simper acknowledgments. As he spoke he wondered how she would take it, hoped she would look at him, anyhow, then hoped she would not.

'Ping-pong is indoors enough,' she said. 'Do tell me what you think of him.'

'I don't think of him,' said Bertie. 'If I sat down to think of him I should instantly begin, without meaning to, to think about something else.'

'Do you loathe him?' she asked.

'Good heavens, no! But – but there are people like husks. Just husks.'

She considered this.

'Husky Ping-pong,' she said, half to herself. 'Poor Husky Ping-Pong. Do you grow them in England?'

'Yes, heaps. They grow in London. They are always at every party, and they know everybody, and make themselves immensely agreeable. It is all they do. And you see them in the back seats of motor-cars.'

She looked at him with some mischief in her eyes.

'And what do you do?' she asked.

'No more than they. Anyone is at liberty to call one a ping-pong. Only I'm not.'

'I know. I was wondering what the difference was according to your description.'

'There is none, I suppose. But don't confuse me with ping-pongs.'

She laughed.

'Lord Keynes, you are just adorable,' she said. 'I'll race you to the end of the avenue.'

'Adoring me all the time?'

'Unless you win,' she said.

'Then I will lose on purpose.'

'That will be mean. I never adore meanness. Are you ready?'

And her beautiful horse gathered his legs up under him and whirled her down the grassy ride. Bertie got not so good a start, and rode the gauntlet of the flying turf scattered by his heels, till, a bend of the path favouring him, he drew nearly abreast, pursuing her through sunshine and the flecked shadows on the grass. He had seen her day after day in the Revels, night after night at ball or concert, yet never had her beauty seemed to him so compelling as it did now, as, swaying the rein with dainty finger-tip, her body moving utterly in harmony with the grand swing of her horse's stride, she turned her smiling face to him, all ecstasy at the exhilaration of the gallop, all wide-eyed smile of consternation at the decreasing lead which she had got at the start. And all at once, for the first time, his blood was kindled; he had admired her form as one may admire a perfect piece of sculptured grace, he had admired her splendid vitality, her charming companionship, her intense joie de vivre. But now all the separate, isolated admirations were fused and glowed flamelike. Suddenly she laughed aloud, as he had nearly caught her up.

'Ride, ride!' she cried, in a sudden burst of intimate, upwelling joy that came from she knew not where. 'You will win.'

Apollo pursued Daphne in the vale of Tempe, and in the vales of Long Island Bertie Keynes rode hard after Amelie. And she encouraged him to win, she even drew rein a shade – just a shade – though she had wanted to win so much.

All the afternoon motor-cars, bicycles, carts, tandems, brakes, were arriving, for though it was a quiet Sunday, Mrs. Palmer, it was well-known, liked to see a few friends about teatime, who usually stopped for dinner, and before evening it was as if the Revels were extended a day longer. The weather was extremely hot, and in consequence dinner was served in the great marquee on the terrace. Among others, Mrs. Emsworth had come with those of her company who were to act that night in the theatre. The petit saleté to be produced had never been presented on any stage before, the Lord-Chamberlain of England, with a fatherly regard for the morals of the nation entrusted to him, having deemed that it was too sale; and, as a matter of fact, Mrs. Emsworth rather embraced this opportunity of playing it before a private audience, with a view to seeing whether her public in New York, with their strange mixture of cynical indifference to anything but money, and the even stranger survival of the Puritan spirit, which crops up every now and then as some rare border plant will crop up among the weeds and grasses of a long overgrown garden, would be likely to swallow it. She herself was a little nervous of presenting it there. Bilton, on the other hand, who might be supposed to know the taste of the patrons for whom he catered so successfully, thought it would be an immense success.

'After all, Paris loved it,' he said, as he had a few words with her when they went up to dress for dinner. 'And what is bad enough for Paris is good enough for New York. You may take my word for it that what Paris swallows America will gobble.'

'You mean they are more – more emancipated here?'

'Not at all, but that they are eager to accept anything that has been a success in London or Paris. Why, I produced "Dram-drinking" here. Dead failure. I took it to London, where it ran well, and brought it back here. Tremendous success. We Americans, I mean, are entirely devoid of artistic taste. But we give our decided approbation to what other people say is artistic, which, for your purpose and mine, is the same thing. Left to ourselves, we like David Harum. I produce "Hamlet" here next week. The house is full for the next month. But alter the name and say it is by a new author, and it won't run a week. The papers, to begin with, would all damn it.'

'But the critics. Do you mean they don't know "Hamlet"?'

'There are no critics, and they don't know anything. They are violent ignoramuses who write for unreadable papers.'

'Then why do you ever consider them?'

'Because they are not critics, and because in New York everyone reads the unreadable. This is my room – you are next door, I think.'

'I shan't come to dinner,' she said. 'I am rather tired. By the way, is that large, beautiful girl Mrs. Palmer's daughter?'

'Probably. Why?'

'Will she be at the play to-night?'

'Probably. Why?'

Mrs. Emsworth frowned.

'It is not fit,' she said.

Bilton raised his eyebrows. This was indeed a woman of 'infinite variety.'

'You cannot alter your play for fear she will be there,' he said.

'No; I suppose not. I say, what devils we are!'

The play was an enormous success, and Mrs. Emsworth's personality seemed to lift it out of the regions of the equivocal. The part, that of a woman who represented the triumph of mind over morals, fitted her like a glove, and it was as impossible to be shocked as it is when a child uses a coarse or profane expression. Her impropriety was no more improper than is the natural instinct of a bird or animal improper; by a supreme effort of nature rather than art she seemed to roll up like an undecipherable manuscript the whole moral code, and say, 'Now, let's begin again.' Her gaiety covered her sins; more than that it transformed them into something so sunlit that the shadows vanished. Even as we laugh at Fricka when she inveighs against Siegmund and Sieglinde, feeling that condemnation is impossible, because praise or blame is uncalled for and irrelevant, so the ethical question (indeed, there was no question) of whether the person whom Mrs. Emsworth represented behaved quite 'like a lady 'never occurred to anyone. Her vitality dominated the situation.

Of all her audience, there was none so utterly surprised at the performance as Bilton. He knew her fairly well, but he had never seen in her half so clearly the triumph of temperament. Knowing her as he did, he knew it was not art; it was only an effort, unique and unsurpassable, to be herself. Again and again he longed to be a play-wright; he could write her, he felt, could he write at all, a part that would be she. For never before had she so revealed herself a sunlit pagan. And as the play went on, his wonder increased. She was admirable. Then Mrs. Massington, who sat next him, laughed at something he had not seen, and for the moment he was vexed to have been called down from the stage to a woman less vivid, for his sensualism was of a rather high order.

Late that night, after the supper that followed the entertainment, he went upstairs. In Mon Repos there was no barbaric quenching of electric light at puritanical hours, no stranding of belated guests in strange passages, and he walked up from the smoking-room with his hands in his pockets, unimpeded by any guttering bedroom candle. The evening had been a triumph for Dorothy – in the mercantile way it had been as great a triumph for him, for the cachet of success at Mrs. Palmer's would certainly float the play in New York. The Gutter Snipe, he reflected, would have at least a column of virulent abuse, since it had been performed at Mon Repos. So much the better; he would have a whole procession of sandwich men, London fashion, parading Fifth Avenue, every alternate one bearing the most infamous extracts from that paper. To use abuse as a means of advertisement was a new idea … it interested him. Certainly, Dorothy had been marvellous. She was a witch … no one knew all her incantations … and he paused at his bedroom door. She had gone upstairs only five minutes before him. Since the performance she had been queen bee to the whole party; he himself had not had a word with her. Surely even Puritanical Long Island would not be shocked if he just went to her even now for a minute, and congratulated her. Besides, Puritanical Long Island would never know. So he tapped softly and entered, after the manner of a man whose tap merely means 'I am coming.'

The room was brilliantly lit. Mrs. Emsworth was standing by the bed. By her, having looked in for a go-to-bed chat, was Sybil Massington.

CHAPTER IX

Mrs. Emsworth had a rehearsal early next morning at New York, and in consequence she had to leave by the Stock Exchange train at nine, while most of the inhabitants of Mon Repos were still reposing. She herself was down and out before anyone had appeared, for she had slept but badly, and had awoke, definitely and irrevocably, soon after six. Sleeping, as her custom was, with blinds up and curtains undrawn, the glory of the morning quickly weaned her from her bed, and by soon after seven she was strolling about outside in the perfection of an early September hour. There had been a little thunder during the night, and betwixt waking and sleeping she had heard somewhat heavy rain sluicing on to the shrubberies and thirsty grass, and now, when she went out, the moisture was lying like unthreaded diamonds in the sun, and like a carpet of pearls in the shade. Many gardeners were already at work, some on the grass and flower-beds, others bringing up fruit from the greenhouses, and all looked with wide-eyed yokel amazement at the famous actress as she walked up and down. One of them had brought his small child, a boy of about six years old, with him, and the little lad, with a bunch of Michaelmas daisies in his cap, very gravely pushed at one handle of his father's wheelbarrow.

Now, children and Mrs. Emsworth were mutually irresistible, and the barrow was stopped, and the father stood by in a sort of proud, admiring sheepishness, while Mrs. Emsworth made herself fascinating. She had a story to tell about those particular flowers the child had in his hat. The fairies had made them during the night. One had brought the white silk out of which they were cut, another had brought oil-paints to colour them, a third had brought a watering-pot with a rose to sprinkle them. But the bad fairy had seen them, and had come on her broomstick, surrounded by an army of flying toads and spiders and slugs, to destroy the flowers. And a toad had just begun to eat the top of one of the flowers when the sun said, 'Pop, I'm coming,' and before the bad fairy could get under shelter it had shone on her, so that she instantly curled up like a burnt feather, and died with a pain so awful that stomach-ache was nothing to it.

This was so absorbing both to the narrator and the audience that neither had observed that someone else was listening, and as the boy broke out into childish laughter, crying, 'That was nice!' at the awful fate of the wicked fairy, Mrs. Emsworth looked behind her, half hearing a sudden rustle, and saw Amelie standing there, also absorbed.

She instantly sat down on the other handle of the barrow.

'Yes, Tommy, that was nice,' she echoed. 'And do you think the lady will tell us another story? Ask her.'

The lady was so kind as to oblige them again. This time it was about a real live person, who was always very good in the morning, and sat down and did her work as she should, with the good fairy sitting beside her. But later on the good fairy would sometimes go to sleep, and as soon as she was asleep all the bad fairies who had not curled up like burnt feathers came in. And one of them made her eat peas with her knife, and another made her spill her bread-and-milk down her new dress, and another made her lose her temper, and another made her make mud pies in the middle of her nice room, so that it had to be swept again. And she was very unhappy about this, and used to put pins in the good fairy's seat to prevent her going to sleep, and give her strong coffee to drink for the same purpose. But it was all no good, until one day she noticed that as long as a child was with her the good fairy kept awake. So the poor lady set to work again, and tried to see a child every day, because even if she talked to a child for a little in the morning, and especially if it gave her a kiss, the good fairy was much less sleepy.

Tommy's eyes grew wide.

'Oh, I do love you!' he said, and hoisted himself with his dirty boots into her lap. Then, smitten with a child's sudden shyness, he clambered down again, and the wheelbarrow went on its way.

The two others strolled on in silence for a moment over the grass, Amelie with a strange lump in her throat. Then she put her arm round Mrs. Emsworth's waist.

'Good-morning,' she said quietly, and they kissed.

'I think I love you too,' she said. 'I came out to tell you that.'

Mrs. Emsworth kissed her again.

'That is nice too,' she said. 'But what makes you?'

'I don't know. I think it was seeing you in that horrid play last night. You were like a sunbeam in – in a cesspool. But why do that sort of thing?'

Mrs. Emsworth shrugged her shoulders.

'Because people are beasts, my dear,' she said – 'because they like that sort of thing. And one has to live.'

Amelie thought a moment, with her face growing grave.

'Oh, I am sorry, I am sorry,' she said.

A sudden impatience and ungovernable irritation filled Dorothy. She felt as if she was being hauled back to her ordinary life, when she was so happy in the sweetness of the early morning hour. Why did this stupid, gawky girl come and speak to her like this? But with an effort at self-control stronger than she usually bothered herself to make, she mastered it.

'Oh, never mind, never mind,' she said. 'Walk with me a little further, and let me look at you because you are beautiful, and the trees because they are beautiful, and the grass and the sky. What a heavenly moment! Do not let us waste it. Look, the lawns are empty, where yesterday they were full with all sorts of silly and wicked people. Is that an insult to your mother's guests? I think it is. Anyhow, I was one of the silly, wicked people. But now I am not silly or wicked; I am very good, and very innocent, and I want to take everything into my arms and stroke it. My God! what a beautiful world! I am so glad I did not die in the night.'

Amelie laughed. This mood found in her a ready response.

'Yes, yes,' she cried; 'go on. I know what you mean. You want to be rid of all else, to be just a consciousness in the world. I have felt that. What does it say?'

Dorothy shook her head.

'It never says the same thing for five minutes,' she said. 'Just now you and I feel that. If we sat here for a quarter of an hour we should begin to talk chiffon. If we sat here longer we might talk scandal. Only I think these moments are given us as a sort of refreshment. God washes our faces every now and then, and we proceed to soil them instantly.'

She turned to her companion eagerly.

'Don't soil yours,' she said. 'Don't let others soil it. It grows on you; it is like using rouge,' and she broke off suddenly.

There was silence a moment, then Amelie said:

'Look, here is Tommy coming back from the house.'

Mrs. Emsworth rose.

'Let us go in,' she said. 'It is time for me to have breakfast, as I am going by the early train. But remember that I was good for ten minutes – if ' – and her voice quavered – ' if people, as they are sure to do, tell you things.'

They passed Tommy, who paused as they got near. Mrs. Emsworth seemed not to notice him. Then she looked back.

'Dear little chap,' she said, and, retracing her steps, kissed him again.

It must be allowed that by the time they got to the station there was nothing of the early-morning Mrs. Emsworth left about her. On the platform Bilton approached her with rather an anxious face.

'I particularly want to speak to you, Dorothy,' he said in a low voice. 'You can help me.'

She looked at him with extremely vivid virulence.

'Oh, go away, you beast!' she said. 'I can help you, you say. No doubt I can. But I won't. Go away!'

Bilton had the sense to see that he needed help, for there had been a very awkward moment when he went into Mrs. Emsworth's room the night before. He himself was very good at acting quickly in any emergency he had foreseen, but this one was utterly unforeseen, and had found him helplessly unprepared. Had he had even a moment's preparation, he felt sure that he could have said something which would anyhow have been palliative; but since the thing was done, he did not trouble his head about what the palliative would have been. For he had come in – his knock unheard – and found the two ladies together. Upon which Dorothy laughed, Mrs. Massington turned pink, and he retreated. There was the situation. And the most unpromising feature of it was that Dorothy had laughed. With all his quickness he could see no way out. It was clearly impossible for him to open the subject again to Mrs. Massington; it was equally obvious that she would put a construction on his presence. The only person who could conceivably help him was Dorothy, and now she had called him a beast.

But, apparently, during the journey to New York she relented, for as they boarded the mangy-looking ferry-boat that conveyed them across the river, she threw a word to him over her shoulder.

'I shall be in at lunch,' she said. 'You can come if you like.'

He did not like that either, though it was better than nothing, for he felt that she had in a sense the whip-hand of him, and knew it. And Bilton was not accustomed to let anybody have the whip-hand of him.

Mrs. Emsworth always took her rehearsals herself; she had a stage-manager, it is true, who sat meekly in the wings, and whom she contradicted from time to time, his office being to be contradicted, and to write down stage directions which she gave him. Occasionally Bilton looked in for an hour or two; him she contradicted also at the time, but usually incorporated his suggestions afterwards. Her author, if it was a new play, was also in attendance in the stalls; his office was to cut lines out or put lines in. Though, perhaps, she could not act, she certainly had a strong sense of drama; that was why she had laughed at Bilton's entrance the night before, for the situation struck her as admirably constructed. She had seen, with a woman's sixth sense, as correctly and minutely as in a photograph on what footing he and Mrs. Massington were, and though she was not in the slightest degree in love with the man – or, indeed, ever had been – yet she looked on him as her possession, and while she did not want him, she distinctly did not wish him to change hands. Jealousy of the ordinary green variety had something to do with it. A shrewd eye to business, the knowledge of how much better her career went if the great impresario was her devoted admirer, had about as much. Only, if her devoted admirer was to become the confirmed, settled, and sealed-up admirer of someone else, she did not propose to be the candle at which the sealing was done. To be cat's-paw to an act of treason against herself was a feat of altruism of which she was hopelessly incapable. Then, finally, in this jumble of feelings which had resulted in her calling Bilton a beast, there was something neither sordid nor selfish – namely, the determination, distinct and honest, that Mrs. Massington, a woman whom she both liked and respected, should not, at any rate by any auxiliary help of hers, be deceived as to what Bilton really was. She herself, no doubt, with the aid of liquid eyes and a mouth so beautiful that it looked as if it must be made for the utterance of perfect verity, could persuade Mrs. Massington that she and Bilton had never been in intimate relations, and assure her, even to conviction, that his slightly informal visit last night was only – as was indeed true – a visit for the utterance of a few words of congratulation on her success. But she did not intend – from motives good, bad, and indifferent, all mixed – to do this for him. Only, into the composition of this intention the good and honest and fine motive entered.